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Freakin’, Tiquen 2023 – Destination Detroit: Part One – The Henry Ford Museum

Vintage postcard of Detroit Michigan.

Vintage postcard of Detroit, Michigan. Image from amazon.com.

This year found us driving for deco to our chosen destination – Detroit. Why Detroit? Why not!  We never explored this area and there are several sights we wanted to see. As well as go antiquing!

We stayed at the Hampton Inn in Novi, Michigan. And by sheer luck, it was centrally located, being about 30 – 40 minutes from the points of interest we visited. We can recommend it if you are out that way.

 

We settled in and had a good night’s sleep. Our first day took us to The Henry Ford Museum & Greenfield Village.

The Henry Ford Museum of American Innovation

The exterior of the Henry Ford Museum of American Innovation.

The exterior of the Henry Ford Museum of American Innovation. Photo by the authors.

The Henry Ford Museum in Dearborn, Michigan, has long been on my list of must see places. I don’t know how high this was on Chris’ list, but somehow I convinced him to go along and trust me on this one.

There are several tours available once you get there: the Museum of Innovation, the Ford Rouge Factory, and Greenfield Village. To do justice to the entire complex would take at least two full days.

The Henry Ford Museum

The Henry Ford Museum complex

With limited time, we chose the Henry Ford Museum of American Innovation. Henry Ford founded the museum based on his efforts to preserve items of the Industrial Revolution as well as common memorabilia that captured life of early America. This huge collection (one of the largest of its kind in the USA), is housed in an equally large building. Architect Robert O. Derrick, designed the 523,000 square foot museum as a facsimile of three Philadelphia buildings, Independence Hall, Old City Hall and Congress Hall.

Construction of the Henry Ford Museum in the summer of 1929.

Construction of the Henry Ford Museum in the summer of 1929. Image from the Collection of the Henry Ford Museum.

Originally named The Edison Institute, Ford chose to open the museum to coincide with the 50th anniversary of Thomas Edison’s invention of the incandescent light bulb. A number of dignitaries attended the opening ceremony on October 21, 1929 (Light’s Golden Jubilee), that included President Herbert Hoover, Thomas Edison, George Eastman, John D. Rockefeller, Orville Wright and Will Rogers.

The Henry Ford Museum three days before the opening ceremony.

October 18, 1929, three days before the opening of The Edison Institute (Henry Ford Museum). Image from the Henry Ford Museum.

Unfortunately no photographs were taken at the Light’s Golden Jubilee banquet, so Ford commissioned staff artist Irving Bacon to create a panoramic painting of it. Starting in 1935, it took Bacon 10 years to complete the painting.

Light's Golden Jubilee Banquet painting by Irving Bacon.

Irving Bacon’s panoramic painting of Light’s Golden Jubilee banquet. Image from the Henry Ford Museum.

Originally, the Edison Institute was a private collection open only to researchers, but after numerous inquiries it opened to the public on June 22, 1933.

Upon entering, the main gallery of the museum, you get a sense of the building’s size and scale before entering the exhibit hall.

The Henry Ford Museum

The main lobby – there are several entrances to the exhibits

Depending on where you go in will determine your initial experience. We entered near the transport displays.

Trains

Walking in, this behemoth greeted us. And the sheer scale was overwhelming.

The Henry Ford Museum - Trains

The 1941 Allegany Locomotive

And the next was more intriguing.  We never knew stage coaches were used as passenger cars on the railroads!

The Henry Ford Museum - trains

The 1831 DeWitt Clinton – Reproduction built from fragments and exact plan specifications

And the engineer’s glamorous life.

The Henry Ford Museum - trains

The life of an engineer

Refrigerated cars enabled transportation of all kinds of perishables goods throughout the United States and Canada.

And soon, passengers rode in relative luxury.

But don’t worry! If you get stuck in a snow drift, help is on its way,

Automobiles and More

This section of the museum exhibits cars from the very early – and dangerous – days to more current examples. Also included are auto accessories for the family on the go!

I say this falls into the dangerous category.

And on the other end of the spectrum; just as dangerous. But it sure looks pretty!

The Henry Ford Museum - cars

The Goldenrod which held the wheel-driven land speed record from 1965 to 1991

FYI: the following are not presented in the order of production. But rather in the order seen. Also, we cannot possibly show you every exhibit. So, here are some of our favorites.

Almost everyone remembers the ubiquitous school bus. Unless you walked through 3 feet of snow, up-hill going and coming!

The Henry Ford Museum - cars

An early school bus

One of Anthony’s favorites.

The Henry Ford Museum - cars

1927 LaSalle Roadster

Front end detail of the 1927 LaSalle roadster.

Front end detail of the LaSalle roadster. Photo by the authors

The Henry Ford Museum - cars

1914 Electric Model 47

Look at this cutie.

The Henry Ford Museum - cars

A car or a Muppet?

The hottest new trend of 1936? Streamlining!

The Henry Ford Museum - cars

1936 Lincoln Zephyr Sedan

I promise, this section is almost done!

The Henry Ford Museum - cars

1937 Cord 812 Convertible

The Henry Ford Museum - cars

1931 Bugatti Type 41 Royale

The Henry Ford Museum - cars

1931 Duesenberg J – luxury in steel

The Henry Ford Museum - cars

Tucker – what could have been…

The Tucker was unique in that the center light turned with the front wheels. Therefore, making visibility better.  And common today, tail lights were visible from the side for safety. Reconfigured doors made entry and exit easier. Also, grills on the rear fenders facilitated airflow in to cool the rear-mounted engine.

Tucker rear fender detail.

Rear fender detail of the 1948 Tucker, showing the vent grill.

Unfortunately, poor financial planning and pre-selling car features that didn’t exist as yet doomed the Tucker Corporation company.

And finally, an icon of American culture.

The Henry Ford Museum - cars

The Wienermobile

On the Go!

The Henry Ford Museum - on the go

Freedom, nature, and family togetherness

With new, comfortable cars came new roads. And these roads allowed travelers the freedom to explore the country. If you could afford it, bringing your own home with you was the way to go.

The Henry Ford Museum - cars

The Airstream – American home on wheels

The Henry Ford Museum - on the go

The 1959 VW Westfalia camper

Newly mobile but not into camping? Because of this, there came a demand for somewhere to stay. And so, enter simple, and affordable, over-night lodging.

The Henry Ford Museum - on the go

Roadside lodging

The Henry Ford Museum - on the go

Simple accommodations – perfect for the night

The Henry Ford Museum - on the go

Necessity – the mother of invention

With sightseeing on the rise, better accommodations came into demand.

The Henry Ford Museum - lodgings

Welcome to your home away from home

Of course all this freedom creates a need for gas, repairs, and “comfort” breaks. Therefore, service stations became a necessity.

The Henry Ford Museum - roadside convenience

A typical station

A by-product of this new mobility was a rise in traffic deaths; 35,000 by the 50s, Safety came to the forefront.  And various, if not dubious, methods were proposed.

The Henry Ford Museum - car safety

The Cornell-Liberty Safety car was…unique

And let us not forget child safety! No more sitting on Mom’s lap while Dad drove!

The Henry Ford Museum - car safety

Evolution of the car seat

Now we have a nice over-night room, and a safe, well gassed and tuned car.  Its time to take care of our other physical need. Food!

Our one disappointment at the Henry Ford Museum was not being able to eat at Lamy’s.  Lamy’s is a fully functioning period diner.  Unfortunately, it was closed the day we went.

The Henry Ford Museum - food

Lamy’s – a period experience

Don’t despair, we had a delicious lunch in the Plum Market Kitchen.

The Henry Ford Museum - food

Pork cassoulet, green beans, mac & cheese

Bellies full, we headed over to the next exhibit. And briefly, some of the presidential cars.

Henry Ford Museum - Presidential Cars

F.D.R.’s custom Sunshine Special

Henry Ford Museum - Presidential Cars

John Kennedy’s 1961 Lincoln

Henry Ford Museum - Presidential Cars

Nixon was the last president to use the car

Innovations

It wasn’t just cars that evolved. Homes did as well!

And a really interesting exhibit celebrating Julia Child.

The Henry Ford Museum - Innovations

An interactive exhibit allows for you to host your own cooking show

The Dymaxion House

Touted as the affordable house of the future. It used the most cutting edge material of the time.

The Dymaxion House

Cozy by today’s standards

It didn’t catch on, and very few were manufactured. However, one family lived in one for twenty years. But, they found it to be space limited. Also, the natural air circulation under performed. Their solution was to built a brick house directly to it. The result looked like a traditional house giving birth to an alien.

The Dymaxion House

The Dymaxion House of the future

The Dymaxion House

View of the living areas. Can you spot the Chase and Kensington items?

And another view.

The Dymaxion House

A space for everyone in the family

More work and living spaces.

The Dymaxion House

The modern kitchen

We stopped next at the American gallery. And for those who like Art Deco…

Henry Ford Museum - Deco Display

Look what I found. A Viktor Schreckengost Jazz Bowl.

Also on display are examples of classic furniture. Some are still being produced today!

Planes

And finally, the aviation area.  It is hard to believe that flight as we know it – including space travel – started like this.

Henry Ford Museum - aviation

It started with the Wright Brothers

You can even take a short (simulated) flight right in the museum!

In case you are wondering, yes those are essentially wicker chairs barely bolted to the floor in the Ford Trimotor Airplane.

Henry Ford Museum - aviation

Nothing like a sturdy place to sit during your flight

Anthony found the Douglas DC-3 accommodations more to his liking.

Henry Ford Museum - aviation

A bit more contemporary and comfortable.

Henry Ford Museum - aviation

Douglas DC-3

It was a favored plane for travel.  Fast for the time, it had good flying range, and reliability. Also, it was comfortable for passengers. But its popularity waned after the war. It couldn’t compete with the new larger, and faster planes being built.

Charles Lindbergh became a hero for the first solo nonstop flight across the Atlantic Ocean. Here is a replica of his airship, the Spirit of St. Louis.  It is a highly modified version of a Ryan M-2 strut-braced monoplane. The original is in the collection at the Smithsonian Museum.

If your heading out to explore Antarctica, go in style!

Explorer Richard Byrd with pilot Floyd Bennett are generally credited with reaching the pole, However, controversy remains. And this display highlights certain incongruities in the flight records.

What is it? It is a 1931 Pitcairn-Cierva Autogiro. Unlike the helicopter, it could not take off vertically. Though, It had the ability to land vertically. The Detroit News purchased and used this example as an eye-in-the-sky to gather news.

Henry Ford Museum - aviation

The Detroit News Autogiro

It may be hard to believe, but this only is a small sampling of the Henry Ford Museum of American Innovation. If you are out near Detroit, it is well worth you time.

We hope you enjoyed going along with us on our outing. Look out for Part 2: Tabernacle, Tables and Trays. (Oh, my!)

Henry Ford Museum - aviation

That’s all, folks!

Chris and Anthony                                                                                                                                    The Freakin’ ‘tiquen Guys

A Jazz Bowl – Find of a Lifetime!

Arguably one of the most iconic and desirable ceramic pieces of Art Deco is Viktor Schreckengost’s original Jazz Bowl.  And no, I didn’t find one.  Then again, read on.

One of six children, Viktor Schreckengost was born in 1906 to a ceramicist father. His father actively encouraged his children’s creatively and brought them, in turn, to his job. Then, something seemed to connect with Viktor. He attended the Cleveland School of Arts studying graphic design wanting to be a cartoonist, not a ceramic designer. Graduating in 1929, he earned a partial scholarship to study in Vienna at the Kunstgewerbeschule. Two of his brothers Donald and Paul, also went into careers as ceramicists.

Then, in 1931, a woman commissioned a large punch bowl through a New York galley that contracted with Cowan Pottery. She specified the design to be something “New Yorkish” as a gift to her husband.  25-year-old Viktor Schreckengost, working part-time for his former teacher, Guy Cowan, designed a bold Egyptian blue and black bowl inspired by his fond memories of New Year’s Eve in the city. He submitted his design and Cowan subsequently selected to turn his idea into reality.

And the design does invoke the lights of Broadway and Times Square, jazz music and popular Follies shows, speak-easies with their illegal cocktails, and skyscrapers against a star-filled sky. The New Yorker Bowl (dubbed the Jazz Bowl) captures that frenetic energy of the city.

Because she was pleased with end result, the customer ordered two more!  It was then Viktor learned that his commission was from Eleanor Roosevelt as a gift for her governor husband, Franklin D. Roosevelt. One bowl was to reside in the White House, confident her husband would win the Presidential election the following year.

And being a noteworthy and successful design, Cowan Pottery produced a small series of similar bowls. But, they could not keep up with demand. The decoration is achieved by the sgraffito process. And this decorative technique required glazing a piece of ceramic twice, with each layer being a contrasting color. Then time-consuming hand work of scratching the design outside and inside to reveal the color underneath meant Cowan could produce only 1 bowl a day.

In order to streamline manufacturing and production costs, Schreckengost reworked the bowl. The new, first, redesign incorporates a raised design in the original blue and black glaze, a flared lip for stability during firing and with a slight modification to the design motif.  The second redesign eliminates the interior decoration. This bowl could be ordered  in the original blue, melon-green, guava-yellow or black glaze.  There is only one example of the bowl in poly-chrome.

The “Poor Man’s” Jazz Bowl refers to the second redesign and originally sold for $25.00 ($424.29 – 2020 dollars) as opposed to the original design sold for $50.00 ($848.59 – 2020 dollars).

But Schreckengost’s redesign did not save the line or the company and production of the series was discontinued.

Founded by R. Guy Cowan, the Cowan Pottery Studio opened in 1912.  And the once successful and prolific ceramic company became another victim of the depression resulting in its bankruptcy in 1931.

As for Viktor Schreckengost, he enjoyed a long and productive life as a major 20th Century industrial designer.  He taught at his alma mater for more than 50 years until his death. He died in Florida surrounded by family on January 26, 2008 at age 101.

And what does all this have to do with me, you ask?  I recently had a day off from work to attend to some doctors appointments. After my first appointment, I intended to drive and make another appointment with a different doctor. But my brain went into auto-mode and I missed the exit. Not wanting to turn around, I decide to stop at my local Goodwill store to kill some time.

With nothing of interest on the shelves, I started to leave when an announcement stated a cart of items was coming out. Confronted by three women and their shopping carts blocking my way, what to do?  Taking a cursory looked at the newly released items I didn’t want to butt into their shopping experience.  And seeing nothing of interest, I again started to leave.  But then, some voice in my head said, “Go back, and take another look.”

And I did.

On the bottom shelf, filled with other items I saw IT!  A truly, “I can’t be looking at what I think I am.” moment.  I quickly grabbed my find, running to the other end of the store.  Taking and sending pictures off to Anthony I asked him if there was any interest.  His first response, “How ugly is it?”  “Not too bad.”, I responded.  He texted back saying for that price, get it as we could always use it as a Halloween candy bowl. A minute or two later his text read, ” I don’t think its a repro!!!”

Oh, I didn’t mention the asking price, $4.49.

And so, no, I didn’t find THE Jazz Bowl.  But I did find the later version, the “Poor Man’s” Jazz Bowl at the local thrift store. The smaller of the bowl designs, this version has the  melon-green glaze.  It is “Signed” Viktor Schreckengost on the side.  Impressed with “Cowan” on the bottom, it measures 8 1/4 inches high and 13 5/8 inches diameter at the rim.

I think I did well!

Chris & Anthony (the Freakin’,’tiquen Guys)