Tag Archives: World’s Fair

Weekend finds – 2026

Its been a while since we’ve written a weekend find post, but first…

Let’s play a game:

Here’s an intriguing unmarked Art Deco piece. We bought it at the local 2A Thrift Store because it is interesting, and yet without knowing what purpose it serves.

Caviar server

Attached to what looks like a child’s top spinning is a chrome base and is approximately 10″ across and 9″ tall. Lifting the lid you will see a removable and textured glass insert.

Caviar server

Your guess?  Anyone?

The answer is at the end of the post.

Mostly found locally are the weekend finds below, and others on our travels across the states is a small sampling of  pieces we’ve picked up in 2026…so far.

Ceramics

We picked up these vintage Fiesta dinner plates shown above prior to cleaning. Other than the utensil marks, they are in good condition and surprisingly inexpensive. Don’t be afraid to pick up dishes that look like this.

Just scrub them vigorously with toothpaste and a touch of baking powder. It takes a bit of elbow grease to get them clean but worth the effort. Over time, and with use and regular cleaning, residual marks will disappear.

Metal and Decorative Items

I (Chris) picked this up at the Golden Nugget Flea Market in Lambertville, NJ. Elegant in its simplicity with a delicate engraved design and fluted handle, G.A.B. (Guldsmedsaktiebolaget) produced this silverplate over nickel card tray circa 1930.  Located in Eskilstuna, Sweden, the company has been in business for over 150 years and known for its production of high quality wares.

Donnart

Donnart brass and stone pigeon bookend

Donnart

Donnart produced this cute set of pigeon bookends circa 1930.  There isn’t much information out there but this is what we found. The Franklin Die Casting Co. produced their decorative items under the Donnart label. The line employed typical Art Deco stylized animal motifs metal cast in polished chrome or brass on black painted bases.

Chrome English Candlestick

Chrome English Candlestick

Made in England and very heavy, we have little information on this candlestick. The only online reference states it is MCM. While that is possible, it certainly fits within the Art Deco aesthetic.

Barware

This 1930s cocktail shaker produced by Keystone has an upper collar that rotates. The window reveals several recipes to help you create the perfect cocktail.

Established circa 1914 in Philadelphia, the Keystone Silver Company specialized in high-quality silver plate over copper hollowware, barware and service pieces. By the 1930s, priorities shifted to produce polished chrome, chromium-plated copper, and hammered aluminum serving pieces in the new Art Deco style. The company expanded throughout the 1940s-1950s; continuing to produce quality giftware before winding down this line and shifting their production overseas in the late 20th century.

Derby Shelton cocktail shaker

Derby Shelton cocktail shaker circa 1930

Up next is a 1930 Derby-Shelton cocktail shaker. This shaker comes with either a stacked metal (as shown) or red Bakelite finial. Derby-Shelton started in the Naugatuck Valley region in Connecticut. They originally created and produced elaborate Victorian items before adapting to giftware in the modern aesthetics of the 1930s. Collectors know them primarily for their cocktail shakers, bar-ware and service pieces. Designer Lurelle Guild may have contributed to the design of some items.

Crescent Silverware Manufacturing Company

Silverplate and Formica tray

Crescent Silverware Manufacturing Company created this between 1940s-1960. A silverplate frame and black Formica combine to create this elegant tray.  Founded in New York City in 1922, this company specialized in silver-plate holloware. It moved to Port Jervis, New York, in 1939. Samuel Kirk & Son absorbed the company in 1977 ceasing as and independent entity.

Napier

Napier bar jigger

Napier produced this cute silverplate jigger. It is just 2.5 inches tall but a sweet and practical piece of deco. Originally established as Whittney & Rice in 1875 in Attleboro Massachusetts, the company became the E.A. Bliss Company in 1885. In 1920 James H. Napier became president of the organization and the company became E.A. Bliss and Napier. Napier dropped E.A. Bliss from the business’ name in 1922.

Kensington

Kensington Aluminum

10″ Imperial fruit bowl circa 1940

Kensington

Kensington Marlborough Vase

We’ve written about Kensington in a prior post. Here are two new additions to the collection; the 10” Imperial fruit bowl circa 1940 and the 10″ 1934 Marlborough Vase both by Lurelle Guild.  Note the use of brass accents to enhance the soft glow of the aluminum. Kensington is generally easy to find and relatively inexpensive. Best of all, the pieces are still usable as their intended purpose of design.

Chase

Acquiring Chase items is always fun, especially if it isn’t a piece we’ve seen before. The Ball Cigarette Server is one of them. This is an apparently hard to find item and the official Chase book only lists it as coming in a white and chrome combination. Anthony in his research found an ad stating it came in white/chrome, red/chrome, black/chrome, tortoise shell/chrome and brushed copper/white. The Bakelite finial matches the accent color and this server originally cost $1.00.

Chase

Shiner Ash Receiver

Here’s a pair of unusual and highly collectible Chase Shiner Ash Receivers, designed by Russel Wright, circa 1935.  Found at the Golden Nugget Flea Market, I (Chris) thought they were cute and had no idea they’re hard-to-find Chase until we started to research them. Sold in a set of two, they originally sold for $1.00

Chase catch all tray

Less difficult to find is the Chase catch-all tray and often used in conjunction with creamer/sugar sets. The incised circular design adds an elegant and practical feature to your table. It originally sold for $0.75.

Chase

Chase trinket/cigarette box, circa 1936

The Chase Dolphin Box holds up to 40 cigarettes or other miscellaneous items. The black Beetle box has a chrome lid adorned with a stylized dolphin. Beetle, a plastic formulation used when the manufacturer required a variety of colors, color stability, as well as a lighter weight, is more prone to stress-line cracking.  Apparently a popular item, there are fairly easy to find. Also available with a brushed brass lid, the base is available in black, red or white with the finial painted to match the box color. It originally sold for $0.50.

World’s Fair

Century of Progress

Century of Progress souvenir handkerchief

Here is a pair of souvenir silk handkerchiefs from the Century of Progress World’s Fair . I haven’t been able to find anything specific about them.

And speaking of the World’s Fair, here are examples of two ashtrays from the 1939-40 exhibition. Black Bakelite forms the one on the left; cast aluminum on the right.

1939-40 World's Fair

World’s Fair cane chair

We also found the cane chair for a very reasonable price at the Golden Nugget Flea Market. These are not particularly difficult to find but check the central decal for wear from use. This one is in pretty good condition considering its age.

Ephemera

The Brown Jug - 1930

Art Deco graphic cover

Ephemera can be fun to pick up as well.

The great graphic cover by Douglass Flynn depicts the Industrial Trust Building know by locals as the “Superman Building” for its resemblance to the Daily Planet in the Superman cartoons. This 1930 The Brown Jug also has some pretty impressive sponsors.

And timely, even pithy cartoons. Bonus points if you recognize the actress featured in the cartoon to the right.

Brown University, Providence, RI, started this college humor magazine in 1920 and ceased production in 1933. Reintroduced in the 1960’s, it disbanded again a year later. It has several reincarnations since before returning to its original format in 2018 and currently releases a new issue every quarter.

Fortune Magazines

Vintage Fortune magazines

We are always looking out for Fortune magazines in good condition. And remember to always check for musty or molding smells. While not impossible to remove or at least mitigate the odor, the time it takes may not be worth the effort

New Year's post card

Happy New Year!

Postcards with great graphics are another fun collectible if space and cost are a concern. This ended up being free when I bundled it with The Brown Jug, and free is good!

Miscellaneous

Ingersoll

Ingersoll pocket/purse travel watch

Ingersoll Watch Company produced this petite pocket/purse travel clock circ 1935. The cream and black enamel case protects the clock face when completely closed. When open, the case folds back and under, acting as a stand. The clock measures 2″ x 1 3/8″ x 3/8″. Unfortunately, while in good overall condition, it doesn’t run and sadly, the cost to fix it outweighs any intrinsic value.

 

Mickey Mouse

Bakelite napkin ring

Here is a cute Bakelite Mickey Mouse napkin ring holder circa 1935-1942. These came in a variety of colors and originally cost $0.10 – $0.25 each.  Today one ring will cost you $30 – $65 depending on the condition. But I picked this up for $5 at my local flea market!

Reproductions

As a precautionary note, always check an item over carefully before purchasing.

Haeger vase

Reproduction Haeger vase

Haeger vase

Clearly tagged as a 1920s Haeger vase, the bottom tag has a barcode and a copyright listing 2001. So, it is Haeger, but it is a reproduction of an earlier line. We won’t tell you not to buy a reproduction. After all, if you love it, buy it. But make sure you’re paying for what you get.

Haeger vase

Bar coded and dated 2001

Being me (Chris), I pointed this out to the owner’s husband and he pulled it from the shelf to let her know.

And the answer is:

Caviar server

 

This one took some research and you might guess a jam or jelly pot. However, it is a caviar server. Chipped ice goes under the glass insert and the base holds the crackers or toast point. How fancy!

Did you guess it?

You just never know what you’ll (weekend) find. Happy hunting!

Chris & Anthony (the Freakin’ ‘tiquen Guys)

Fair Park – Dallas, Texas

Esplanade and Exhibit Buildings

Esplanade of State and Exhibit Buildings

American World’s Fairs of the 1930’s bring to mind the great expositions of Chicago in 1933 / 1934, New York and San Francisco in 1939 / 1940. But there were other fairs that are often ignored today, such as the San Diego Fair of 1935 / 1936 and the fairs held in Cleveland and Dallas in 1936 / 1937. While little remains of the Chicago, Cleveland, San Francisco and New York Fairs, the Dallas Fairgrounds are surprisingly intact, or so it seems at first glance. What survives from the Texas Centennial Exposition is a combination of the original and wonderfully recreated and restored structures, fountains and sculptures.

 

Almost every summer Chris and I hit the road and drive to some part of the United States for antiquing in places we have never been. This past summer we went to Texas and one of the places that I was most interested in seeing was Fair Park. We first became aware of Fair Park and its significance to depression era World’s Fairs and few years ago, so we weren’t going to let the opportunity to visit the site slip by. When we arrived at Fair Park, I was impressed that so many of the 1936 fair buildings were still standing. I purchased the book Fair Park Deco by Jim Parsons and David Bush later that day, which is the definitive history of the Texas Centennial and the restoration of the Art Deco fair grounds.

 

Tejas Warrior

Tejas Warrior

The grounds were established in 1886 for the Dallas State Fair, on an 80 acre site in East Dallas. Over the years the site expanded to its current size of 277 acres. The site became known as Fair Park in 1904 and a series of buildings were constructed in the then current Beaux Art style. The idea of a centennial celebration had been in the works since the early years of the twentieth century. As the centennial approached the United States was just pulling out of the great depression, and the idea of a large fair was welcomed as a way to stimulate the Texas economy. Dallas won the bid to hold The Texas Centennial Exposition over Houston and San Antonio. Construction and re-modeling of the existing buildings were begun in the fall of 1935, which did not give the builders a lot of time before the opening of the fair in June the following year. Opening on June 6th the fair ran until November 29th. It reopened the following year as the Greater Texas and Pan-American Exposition.

 

After the fair closed the modifications and changes to the fair grounds and buildings began. One of the first losses were the statues Tenor and Contralto and the concrete speaker towers behind each as well as the 50 foot pylon that stood between them.. Located at the eastern end of the reflecting pond in the Esplanade of States, they were damaged after the exposition closed and were removed sometime around 1938. In 2009, sculpture David Newton re-created the statues using period photographs. The pylon was rebuilt at the same time.

The buildings on the south side of the Esplanade of State were the Hall of Varied Industries, Communication and Electricity, during the run of the fair. The original buildings were destroyed by a fire in 1942 and were replaced by the Automobile Building in 1948, which was in a completely different style than the destroyed structure. In 1986 the building was redesigned to look like the destroyed structure, which restored the Esplanade of State back to its 1936 appearance.

1986 Restored Hall of Varied Industries Building

1986 restored Hall of Varied Industries Building – with the statue of France, designed by Raoul Josset in front

The Pierre Bourdelle murals that were also destroyed when Hall of Varied Industries Building burned down were re-created in 1999 based on the artist’s original drawings and black and white photographs from 1936. The new murals were created the same way as the originals – glass slides of the drawings were projected onto the walls of the buildings and then painted in. The original glass slides were loaned by Bourdelle’s son for the restoration.

One of the earliest of Fair Park’s Beaux Arts buildings was the Coliseum, which was remodeled in 1935 into the streamline moderne Administration Building. On the front facade is mural depicting Texas flora and fauna, designed by Carlo Ciampaglia. Directly in front of the mural is the statue, Spirit of the Centennial, designed by Raoul Josset and sculpted by Jose Martin. The mural and statue were restored in 1998 by Stashka Star. The Administration Building became the Women’s Museum in 2000 and is now closed.

The center piece or theme center of the fair was the State of Texas Building. Designed by Donald Barthelme in 1935 it was and still is a monument to all the people of Texas, past and present. This enormous T shaped building is entered through the semicircular “Niche of Heroes” which is surmounted by the “Tejas Warrior” statue.

Niche of Heroes and the Tejas Warrior.

Niche of Heroes and the Tejas Warrior.

Chris and I had a great time walking around the fair grounds, even though the temperature reached 103. We want to go back and visit at night when the buildings are all lit up, it must be a fantastic sight. Not yet owning a time machine, it really was the closest that we have come to going to a 1930’s world’s fair. If you are fan of the great expositions of the 1930’s, and you have not already visited Fair Park, you should treat yourself and make it a deco destination.

 

Chris & Anthony (The Freakin’, Tiquen’ Guys)