Tag Archives: Tiffany Studios

Freakin Tiquen 2023 – Destination Detriot Part 5 – Art & Architecture

2 Replies

Vintage postcard of Detroit, Michigan. Image from amazon.com.

We spent our last sightseeing day exploring some of the art and architecture of Detroit. We visited three great attractions: The Detroit Institute of Arts, the Fisher Building and the William Livingston Lighthouse.

Detroit Institute of Arts

The rear entrance to the Detroit Institute of Arts. Photo by the authors.

Stop number one, a visit to the Detroit Institute of Arts. This museum is famous for their amazing collection in over 100 galleries covering 658,000 square feet. The origins of the museum date back to 1881.

Newspaper magnet, James E. Scripps (1835 – 1906) toured Europe for five months and kept a journal of his family’s trip through Italy, France, Germany and the Netherlands. After returning to the United States, he printed portions of the journal in his paper The Detroit News. These popular serialized journal entries were published in book form later that year, leading to an art exhibit in 1883. The exhibit inspired many prominent Detroit citizens to form a board to create a permanent art museum. And in 1888 the Detroit Museum of Arts opened its doors.

The Detroit Museum of Arts on Jefferson Avenue. The building was razed in 1960. Image from wikipedia.org.

With the changing of the museum’s name to the Detroit Institute of Arts in 1919, also came the search for a new and larger location. Breaking ground for the present building in 1923 its doors opened four years later.

A grand entrance and our guides. Photo by authors.

: A closer view of the barrel ceiling. Photo by authors

: Pewabic tile water fountain. Photo by the authors.

We were lucky to have great tour guides to show us around the museum in our friends David, Jules and their son Owen. I was there to see the Diego Rivera murals and not much else. But there was so much more that I would have missed if it was not for our friends pointing out the other treasures and other parts of the building.

Detroit Industry Murals

Diego Rivera - Detroit Institute of Arts

Introduction to Diego Rivera and his murals. Photo by the authors.

Vast mural to the right. Photo by the authors.

The frieze above far wall. Photo by the authors.

One of the large panels of the Detroit Industry Mural.

One of the large panels of Rivera’s Detroit Industry Mural. Photo by the authors.

: A corner detail. Photo by the authors.

: Pewabic tile floor medallion. Photo by authors.

Looking back from where we entered and Anthony, too!. Photo by the authors.

A (very) Small Sampling of the Art Collection

: The Diggers, by van Gogh. Photo by the author.

: Vincent van Gogh, 1889. Photo by the author.

: View of Le Crotoy from Upstream by George Seurat. Photo by the authors.

: George Seurat, 1889. Photo by the authors.

: Mont Sainte Victoire by Paul Cézanne. Photo by the authors.

: Paul Cézanne, 1904-06. Photo by the authors.

: Self-Portrait by Vincent van Gogh. Photo by the authors.

: Vincent van Gogh, 1887. Photo by the authors.

: Arrangement in Gray: Portrait of the Painter by James McNeill Whistler. Photo by the authors.

: James McNeill Whistler, 1872. Photo by the authors.

: Culebra Cut by Jonas Lie. Photo by authors.

: Jonas Lie, 1913. Photo by the authors.

Babylonian Exhibit

An interesting and informative exhibit. Photo by the authors.

: Ziggurat brick, 859-825 BCE. Photo by the authors.

: Bronze ceremonial belt, 850-650 BCE. Photo by the authors.

: Mosaic with the Personification of the River Tigris, late 100-200. Photo by the authors.

: Mosaic by unknown artist, late 100-200

Is it real or a fake? A genuine archeological mystery. Photo by the authors.

Sampling of Miscellaneous Exhibits

Metal and glass - Detroit Institute of Arts

A variety of utility wares. Note the “Art Deco” teapot (#5) from 1800. Photo by the authors.

Metal and porcelain ware. Photo by the authors.

Eastern culture inspired design. Photo by the authors.

: Lajos Mack, circa 1900. Photo by the authors.

: Otto Prutscher liquor set, Vienna Austria. Photo by the authors.

Tiffany table lamp with dragonfly motif.

Tiffany table lamp with a dragonfly motif, 1899 – 1902. Photo by the authors.

Joseph Urban Gondola chairs and matching table.

Pair of Gondola chairs with matching table, designed by Joseph Urban for the Weiner Werkstätte shop, New York City, 1922. Photo by the authors.

After exploring the Detroit Institute of Arts it was time for lunch. We lunched at the museum with our friends who were kind enough to spend the morning showing us around the museum.

Our Guides to the Museum David & Jules Quin with their son Owen.

Our guides, David and Jules Quin and their son Owen. Photo by the authors.

After lunch Chris and I headed to our tour of the Fisher Building.

The Fisher Building

The view of the Fisher Building from the car as we headed back to our hotel. Photo by the authors.

After lunch with our friends at the museum we headed off to our next destination. On a very hot day, we toured the beautiful and recently restored Fisher Building. Designed by Albert Kahn in 1927 for the Fisher Brothers’ as there central headquarters of the Fisher Body Corporation. The original design called for three towers; the other two, casualties of the Great Depression.

Preliminary drawing of the original design of the Fisher Building. Image from internationalmetropolis.com.

Still, with no expense spared, first class artisans contributed their talents from engineering to the fine detail work throughout. And he most notable feature is the three story arcade featuring Géza Maróti, hand-painted barrel-vaulted ceiling. Recognized as “Detroit’s Largest Art Object”, it is undergoing continued restoration since 2015 at the cost of 30 million dollars.

The western facade of the Fisher Building, taken from the parking lot on West Grand Boulevard. Photo by the authors.

Detail of the upper floors of the Fisher Building's western facade.

Upper floor details on the Western facade. Photo by the authors.

Free tours are available but you need to call ahead to reserve a place. Our guide tended to be a bit “superior” in attitude. Add to this this, an ex-Fisher Building guide was part of our group and the knowledge egos were on full display. Regardless, the tours are informative and well worth the time.

Main Floor Views

The Fisher Building Story

Fisher Building vestibule ceiling light.

Brass and frosted glass vestibule ceiling light. Photo by the authors.

Samples of the bronze plaques decorating the walls between the main floor and first balcony above. Photos by the authors.

Opposing mosaics at the end of the west gallery celebrate the artists’ craft. Photo by the authors.

The building is clad in marble and showcases intricate mosaics and bronze detailing throughout. The tower once feature gold leaf tiles. Covered in asphalt to prevent detection during WWII, this coating could not be removed without further damage. Now, green terra cotta tiles illuminated by gold lights pay homage to the original design.

Views from the Main Floor

: Additional mosaic and an inlaid bronze tribute. Photo by the authors.

: Above is one of the many hand painted ceilings and custom designed chandelier. Photo by the authors.

Bronze inlays symbolizing air, earth, fire and water, surround Mercury, the god of transportation. All are set in various tones of marble. Photo by the authors.

: View of the main gallery. Small shops and boutiques line the lobby.

: A view of the main entrance atrium. Photo by the authors.

A striking, and recently renovated, hand-painted ceiling. Photo by the authors.

: A view an entrance arcade. Photo by the authors.

: Detail of a mail slot. Every detail is harmonious to the overall vision. Photo by the authors.

Looking up, and down the gallery. The ceiling is completely hand-painted. Photo by the authors.

The interior boast a state-of-the-art theatre and a variety of boutique shops.

Second & Third Floor Views

: Looking down toward the main atrium. Photo by the authors.

: The grand gallery. Shops and boutiques line the first floor. Photo by the authors.

: The smaller mezzanine lights compliment the intricately painted barrel ceilings. Photo by the authors.

: Detail of another barrel arch with a different motif. Photo by the authors.

Detail of the medallion above the intersecting hallways below. Photo by the authors.

: Arches create unique views of the artistry throughout the building. Photo by the authors.

: Intersecting arches creating interesting compositions. Photo by the authors.

You get a feeling of the building’s scale in relationship to people. Photo by the authors.

: The architecture creates its own art. Photo by the authors.

: Arches create frames for the art. Photo by the authors.

: An interplay of arches and color compliment each other. Photo by the author

The intersection of arches creating an abstract heart. Photo by the authors.

: Even the balustrades are works of art, Photo by the authors.

: Fluted columns and complimentary railings frame elements of the building. Photo by the authors.

: Second floor mezzanine / gallery. Photo by the authors.

: Pierced metal detail and etched shades of one chandelier. Photo by the authors

: The gallery with shops below. Photo by the authors.

: View from the mezzanine. Note the plaque of Mercury below. Photo by the authors.

View of the arcade (and Chris taking a photo) from the third floor. Photo by the authors.

The Executive Suites

Etched elevator doors. Photo by the author.

: The executive elevator call button. Photo by the authors.

: Door knob detail. Photo by the author

Views from the 26th Floor

: The view south towards downtown. Photo by the authors.

: Looking north. Photo by the authors.

The Lower Level

If you visit the Fisher Building, be sure to check out the lower level. Built for general services (mail room, rest rooms, etc.) it is less ornate than the main floors above. However, it still has striking features to be appreciated.

Main staircase of the lower level. Photo by the authors.

The tile floor in the lower level men’s restroom. Photo by the authors.

Lower level elevator bay. Photo by the authors

The William Livingstone Lighthouse

The William Livingstone Memorial Lighthouse on Belle Isle.

The William Livingstone Memorial Lighthouse. Photo by the authors.

Standing on the northeast corner of Belle Isle in the Detroit River is the William Livingstone Memorial Lighthouse. It is named in honor of the long-time president of the Lake Carriers Association, president of Dime Bank and owner of the Detroit Evening Journal. The lighthouse was dedicated on October 17, 1930, the fifth anniversary of Livingstone’s death.

Dedication ceremony of the Livingstone Lighthouse, 1930.

Dedication ceremony of the William Livingstone Memorial Lighthouse, October 17, 1930. Image from: lighthousefriends.com

This was our first glimpse of the lighthouse on the trail from the parking lot. Photo by the authors.

Like the Fisher Building the lighthouse was design by Albert Kahn with decorative elements by Géza Maróti. The 58 foot, fluted column is the only marble lighthouse in the United States. Topping the Georgia marble clad lighthouse is an octagonal bronze enclosure that houses the 8,600-candlepower beacon. The light is visible for fifteen miles. Encircling the top of the tower, just below the beacon are soaring, bronze eagles.

The summit of the Livingstone Lighthouse.

The top of the Livingstone Memorial Lighthouse. Photo by the authors.

Above the entrance is a Maróti bas relief of a woman symbolizing humanity overcoming nature. The star, the wind and the water in the relief are representing navigation and seafaring.

Detail of the entrance and Maróti bas relief of the Livingstone Lighthouse.

Detail of the Livingstone Memorial Lighthouse and Maróti bas relief over the entrance. Photo by the authors.

Maróti also created the dedication plaque on the back of the lighthouse.

The Livingstone Lighthouse dedication plaque.

Maróti’s dedication plaque. Photo by the authors.

Much of the island has mature trees which render the lighthouse’s original purpose obsolete. But the setting is beautiful.

The Livingstone Memorial Lighthouse on Belle Isle.

Livingstone Memorial Lighthouse. Photo by the authors.

A funny story: we overheard a young couple discussing the tower. The woman, in total awe said the tower must be 600 feet tall. The young man looked at her and laughing said, “No. That would be a hundred of me tall.”

William Livingstone Memorial Lighthouse on Belle Isle. Photo by the authors.

Even though we found a few great pieces, like the rosewood corner and Howell chrome tube tables, Detroit did not prove to be too successful for what we collect. What we did find great were all the great attractions Detroit had to offer. From the Henry Ford Museum, to the National Shrine of the Little Flower Basilica to Cranbrook and all the sites in this post, Detroit was a fantastic Driving for Deco destination.

Chris & Anthony (The Freakin’, Tiquen Guys)

Meet you at the Met

It was a cool and drizzly day when we headed on our journey to the Metropolitan Museum of Art to meet up with friends. With many special functions going on, we concentrated on the Berenice Abbott Exhibit.

Man Ray portrait of Berenice Abbott, 1921.

1921 portrait of Berenice Abbott by Man Ray. Image from the Museum of Modern Art Archives.

Berenice Alice Abbott (1898 – 1991) was an American photographer who documented 1930’s urban New York. Born Bernice Abbott, she briefly attended Ohio State University before leaving in early 1918 and moving to New York City. In NY, Bernice studied sculpture and painting. Looking to improve her skills, she travelled to Paris in 1921 and studied sculpture with Emile Bourdelle. It was while in Paris that she adopted the French spelling “Berenice”.

In Paris (1923), the famous photographer, Man Ray, was seeking a darkroom assistant, someone with no previous knowledge of photography. Willing to take on a challenge, Abbott applied for the position and was hired.

Abbott wrote:

“I took to photography like a duck to water. I never wanted to do anything else.”

Taken by her skills, he allowed her to use his studio to take her own photos. Abbott’s subjects were people in the artistic and literary worlds, French nationals, and casual visitors.

James Joyce portrait photograph of James Joyce. From the collection of the Met.

Berenice Abbott portrait of James Joyce (1926). Image from the collection of the Metropolitan Museum of Art.

In 1925, Man Ray introduced her to the photographic works of Eugène Atget. Meeting Atget, she persuaded him to sit for a portrait in 1927. He died shortly thereafter and Abbott acquired the prints and negatives remaining in Eugène Atget’s studio at his death in 1927.

Berenice visited New York City in early 1929 and saw the potential that could be captured by photography. By September of the same year, she closed her Paris studio and moved back to New York City.

Over the next decade, she documented the ever-changing landscape of the city as it became a modern metropolis. Her work is a historical record of many now-destroyed buildings and neighborhoods in Manhattan.

Album page showing the Brooklyn Bridge and lower Manhattan.

Abbott’s album showing the Brooklyn Bridge and lower Manhattan. Photo by the authors.

Another album page showing the 59th Street 9th Ave El Station and the waterfront.

Another page from Berenice’s 1929 photo album of New York City, showing the 9th Avenue El Station and the NYC waterfront. Photo by the authors.

: Automat, 877 Ninth Avenue was one of Abbott’s 1930s photographs that was in her 1939 book, Changing New York. Photo by the authors.

: Another photograph from Changing New York – Manhattan Bridge Looking Up (1936). Photo by authors.

Changing New York, E.P. Dutton & Co., Inc.

The culmination of Abbott’s 1930s New York City photographs, Changing New York, 1939, published by E.P. Dutton & Company, Inc. Photo by the authors.

Moving from the Berenice Abbott exhibit, we moved to the Modern and Contemporary Art.

On our way to Gallery 912 (Abstraction), we came across some treasures of Modern America paintings from the 1920s – 1940s. The most impressive, in our opinion, is America Today (1930 – 1931). This massive mural by Thomas Hart Benton (1889 – 1975). Benton, commissioned by the New School for Social Research to paint a mural for the board room of their new building on West 12th Street, designed by Joseph Urban. Even though created at the onset of The Great Depression, the mural, consisting of ten panels, showcasing American industry from the rural South to the industrialized North projects hope and promise. The video below tells the story of the mural’s fascinating history and how it ended up in the Met’s collection.

America Today, by Thomas Hart Benton at the Metropolitan Museum of Art.

Chris taking in the “Instruments of Power” panel of Thomas Hart Benton’s massive mural America Today at the Metropolitan Museum of Art. Photo by the authors.

In addition to America Today, there were three paintings from the interwar period that caught our eye. In chronological order the first was, Edison Mazda (1924), by Stuart Davis (1892 – 1964). Clearly inspired by the cubist works of Pablo Picasso and George Barque, with its use of collage-like composition and flattened space. The artwork of Davis’ has also been describes as proto pop art, with his use of bold and brash colors.

Edison Mazda (1924) by Stuart Davis. Photo by the authors.

The second painting, Georgia O’Keeffe’s (1887 – 1986) The East River from the Shelton Hotel (1928) is the view O’Keeffe had from her apartment window on the 30th floor of the Shelton Hotel. Anthony, being more of a city guy, is fonder of her city scapes than her series of flowers. He loves the way she captures the particular bleak feel of the East River water front and Long Island City on a winter’s day.

The East River from the Shelton Hotel (1928) by Georgia O'Keeffe. In the collection of the Metropolitan Museum of Art.

Georgia O’Keeffe’s East River from the Shelton Hotel (1928). Photo by the authors.

And then there’s Let My People Go (circa 1935) by Aaron Douglas (1899 – 1979). Douglas, a major graphic artist and muralist of the Harlem Renaissance during the 1920s and 1930s, visually interprets the biblical story of God’s order to Moses to lead the Israelites out of Egypt, in his flat, silhouetted style.

Aaron Douglas' painting Let My People Go.

Let My People Go (circa 1935) by Aaron Douglas. Photo by the authors.

While the Berenice Abbott exhibition was the major draw to visit the Metropolitan, their collection of Ruba Rombic glassware were more must see items. This Cubist inspired glass, designed by Reuben Haley (1872 – 1933) in 1928 is one of our favorite.

: Collection featuring Ruba Rombic, and cigarette boxes by Donald Deskey and Wolfgang Hoffmann

: Collection of items designed by Henry Dreyfuss and Walter Dorwin Teague

: Collection of Norman Bel Geddes, Russell Wright, Walter Dorwin Teague, Raymond Loewy

Some of the Metropolitan’s collection of Consolidated Glass Company’s Ruba Rombic glassware. Photo by the authors.

The four pieces (out of seven) on display are, (from left to right) the Whiskey Glass, 10 oz. Tumbler, 9 oz. Tumbler and the Jug, all in the pieces displayed are in Consolidated Glass’ cased, silver color.

Found in Gallery 912 – Abstraction, along with Ruba Rombic, is this group of iconic 1920s and 1930s design. I hate to say it but this “gallery” almost seems like an after thought, off to the side and tucked away, practically underneath a staircase.

From left to right, Birtman electric toaster, Sparton Bluebird (Model 566) Radio, and Westclox’s 1938 “Big Ben” alarm clock. Photo by the authors.

The Birtman Toaster from 1932 (with a window in it so you watch the bread turning brown) and Westclox 1938 version of the “”Big Ben” alarm clock are both designs by Henry Dreyfuss (1904 – 1972). And Sparton’s Bluebird radio is a famous piece created by Walter Dorwin Teaque (1883 – 1960).

Light court of the American Wing at the Met.

Light court of the American Wing of the Metropolitan Museum of Art. Photo by the authors.

Our final stop was the American Wing. Set on two balconies surrounding a large light court were examples of early American silver, glass, and ceramics.

Silver Charger by The Kalo Shop, 1937, on display in the American Wing of the Met.

Charger made by The Kalo Shop in Chicago, Illinois, circa 1937. Photo by the authors.

"Our America" series by Rockwell Kent for Vernon Kilns.

“Our America” pottery series by Rockwell Kent for Vernon Kilns, 1939. Photo by the authors.

Prominently featured were glass panels by the Tiffany Studio, Frank Lloyd Wright (1867 – 1959) and George Washington Maher (1864 – 1926) among others.

Autumn Landscape, Agnes F. Northrop for the Tiffany Studios.

Autumn Landscape (1923-1924), attributed to Agnes F. Northtrop (1857 – 1953) made by the Tiffany Studios. Photo by the authors.

: George Washington Maher Panel (photo: cdn.incollect.com)

: Frank Lloyd Wright Panel (photo: Metropolitan Museum)

Deco, or not?

Here is a sweet little pitcher. But is it deco?

Not!

As stated above, it was designed by Hugh C. Robertson and produced by Chelsea Keramic Art Works between 1880-1889.

These were just the tip of the iceberg of the many wonderful pieces in the Met’s collection. If you are in New York City it is certainly worthwhile to spend a day there.