Tag Archives: Silex Coffee Pot

Sunbeam Coffeemaster: Chris’ Recent Thrift Store Find

Towards the end of May, Chris was back in his local Goodwill. While he hasn’t had much luck at this particular store in a long time, this day he came across a Sunbeam Coffeemaster. We have seen these many times in the past and have always passed on it. One of the reasons we never picked one up is that we could never get the top chamber off the bottom. This time it was different. Chris was able to remove it and it was really clean inside.

The Sunbeam Coffeemaster at Goodwill that Chris sent to me.

Chris at Goodwill taking the picture of the Sunbeam Coffeemaster that he texted to me. Photo by the authors.

Of course neither of knew if it worked or not. Taking a chance. Chris did test it a couple of days later and was happy to report that worked fine. I always thought the Sunbeam Coffeemaster was a post-World War II product, and was very much surprised to learn that it was introduced in the fall of 1938. I’ve should have known better, since it carries the same “T9” design as the famous Sunbeam “T9” toaster also introduced in the late 1930s.

The famous Sunbeam Toastmaster.

The circa 1939 Sunbeam Toastermaster breakfast set. Image from 1stdibs.com.

To borrow a line from John Crowley’s poignant 1984 documentary about the 1939 New York World’s Fair, The World of Tomorrow

I think there are moments where you can see the world turning from what it is into what it will be –

and the Sunbeam Coffeemaster is one of those moments. When Sunbeam introduced the Coffeemaster in the late ’30s, it was a cumulation of just over 100 years of vacuum or siphon coffee making. The earliest patent for a vacuum coffee maker dates to the 1830s filed by Leoff of Berlin. But the real credit for popularizing vacuum coffee needs to go to Marie Fanny Amelne Massot (patented under the name of Madame Vassieux) of Lyon, France and her patent and design of the first commercially successful vacuum coffee maker of 1841. Vassieux’s coffee maker introduced the classic vacuum pot look, two glass chambers resembling an hour glass.

Illustration of Madame Vassieux's vacuum coffee pot of 1841.

Madame Vassieux’s “glass balloon” coffee pot of 1841. Illustration from baharris.org.

By the early Twentieth-Century the vacuum coffee pot had come to the United States. With Corning Glass’ development of Pyrex ovenproof glass in 1915, the manufacture of a shatterproof vacuum coffee maker became possible. The Silex Coffee pot hit the stores the same year.

1915 advertisement for the Silex Percolator.

Advertisement for the 1915 Silex Percolator from Weaver’s Hardware Store, Rochester, New York. Democrat & Chronicle, April 10, 1915, Pg 19.

By the 1930s the Silex coffee maker developed into the familiar hourglass style that could be used on a stove top or on an electric heater.

1933 ad for the Silex Glass Coffee Maker.

Silex Glass Coffee Maker advertisement. The Daily Astorian October 27, 1933, Pg. 6.

Silex also had a number of vacuum pot competitors, including Sunbeam.

1930s advertisement for the Sunbeam vacuum coffee maker.

1930s Sunbeam Coffee Maker. Ad from the Omaha World-Herald, February 23, 1935, Pg. 4.

These vacuum coffee pots were certainly not automatic, one had to stir the grounds and the water and the pot needed to be removed from the heat source for the coffee to drop into the lower chamber. That changed with the introduction of Faberware’s Coffee Robot towards the end of 1937. Finally, a coffee maker that could do it all (almost) automatically. It will stir the coffee and keep it hot all day. The only thing you need to do is to open the valve in the back to prevent the coffee from going back up into the glass balloon on the top.

1938 ad for Faberware's Coffee Robot.

Faberware Coffee Robot. Buffalo Courier Express, May 26, 1938, Pg. 10.

And in 1938 the Chicago Flexible Shaft Company (Sunbeam) hired a 20th Century Renaissance man, Alfonso Iannelli to design a new coffee pot. Born in Italy on February 17, 1888, Iannelli immigrated to the United States at the age of 10. Under Gustav Borglum he studied sculpture, but it was while he painting posters for vaudeville acts at Los Angeles Orpheum Theatre that he met architect John Lloyd Wright. Wright, impressed by Iannelli’s work introduced him to his famous father, Frank Lloyd Wright. In 1914, the elder Wright invited Iannelli to work on his enormous entertainment venue Midway Gardens.

Midway Gardens in Chicago, designed by Frank Lloyd Wright.

Frank Lloyd Wright’s Midway Gardens, circa 1914. Photo from the Frank Lloyd Wright Foundation.

Alfonso Iannelli and his wife in his studio, circa 1916.

Alfonso Iannelli and his wife, circa 1916. Image from arcchicago.blogspot.com.

Iannelli created the “sprite” sculptures for Midway Gardens.

Sprites on a wall at Midway Gardens.

A group of Iannelli “Sprites” adorning a wall at Midway Gardens. Photo from Pinterest.

Not surprisingly Wright did not credit Iannelli for his work and even claimed he created the sculptures. This led to a break between them and Iannelli never worked with Wright again. Around 1919, Iannelli and his wife Margaret set up a studio in Park Ridge, Illinois. The many facets of their work, from sculpture to stain glass to graphic design and industrial design, were created in this studio.

In 1929-1930 Iannelli created twelve, bronze zodiac plaques for Chicago’s Adler Planetarium.

1930 view of the Adler Planetarium in Chicago.

The Adler Planetarium in Chicago, circa 1930. Image from The Man On Five.

Iannelli's 12 bronze plaques on the facade of the Adler Planetarium.

The 12 bronze zodiac plaques around the facade of the Adler Planetarium. Image from reddit.com.

Just after the Adler’s completion, Iannelli received design commissions for a number of exhibits at the 1933-1934 Century of Progress exposition in Chicago, including the facade of the Social Science Hall.

The facade of the Social Science Hall, Century of Progress, Chicago, 1933.

Iannelli’s Facade of the Social Science Hall, 1933. From the booklet, Sculpture A Century of Progress, Pg. 23

Alfonso Iannelli, circa 1935.

Alfonso Iannelli, circa 1935, around time of the Wahl-Eversharp commision. Image from timeout.com.

The fountain pen company Wahl-Eversharp hired Iannelli to design a top-of-the-line gold pen and mechanical pencil in the mid-1930s. The set eventually named Coronet was introduced during the 1936 holiday season.

The Coronet pen and pencil set by Wahl-Eversharp, designed by Alfonso Iannelli.

The Wahl-Eversharp Coronet pen and pencil set. Image from the chicagodesignarchive.org.

Soon after the introduction of the Coronet set,  Iannelli set to work designing the new toaster and coffee pot for Sunbeam. What Sunbeam wanted was a completely automatic, electric, vacuum coffee pot as their new flagship model, eventually named the Coffeemaster C20. Sunbeam was already using the “Coffeemaster” name on an earlier  non-vacuum, non-automatic set from the mid-1930s. There will be more about this set in a future post.

The Sunbeam Coffeemaster set of 1934 - 1938.

Sunbeam Coffeemaster set, 1934 – 1938. From the collection of the authors.

Iannelli’s design, while still the basic shape of vacuum pots, looked like something from the future. Rising from a Bakelite base, that rests on four tear-dropped feet with a chrome band, are the two vessels of chrome-plate over copper. The “T-9” is etched into the bottom, serving vessel. Topping it all off is a vented lid with a Bakelite finial.

Advertising artwork for the Sunbeam C20.

Advertising artwork for the Sunbeam C20 that clearly shows the engraved “T9” on the serving vessel. Image from the chicagodesignarchive.org.

It has been said that the Iannelli’s inspiration for the “T9” came from the theme center of the 1939 New York World’s Fair, the Perisphere and Trylon.

The Trylon and Perisphere from the Court of Communications.

The Trylon and Perisphere in mid-afternoon. Image from mcny.org

Whether or not that is true we leave for you to decide. But it added a nice modern touch to the appliances and gave cohesion to the new line.

Sunbeam’s new Coffeemaster hit the stores in the autumn of 1938. This was a truly an automatic coffee pot. Fill the bottom with the desired amount of water, then add the appropriate amount of coffee into the top section, set the switch to high and walk away. After the exact amount of brewing time in the upper vessel, the pot sets the switch to low and the coffee empties into the bottom section. Take the top section off and place the lid on the bottom for a stylish serving coffee pot that while plugged in keeps the coffee at the proper temperature.

Ad for Sunbeam's New Coffeemaster, 1938.

The New Sunbeam Coffeemaster. Advertisement from the Battle Creek Moon-Journal, September 25, 1938, Pg. 2.

Another major selling point of the new Coffeemaster was its durability. Being plastic and chrome-plated it wouldn’t be breakable like its all glass competitors. And even though its price was hefty at $15.00 (the equivalent of $343.15 in 2025), it was in the same price range as other vacuum coffee pots. For an extra $7.50 one could purchase the entire set that included the cream and sugar and tray.

The Sunbeam Coffeemaster C20A set.

The Sunbeam Coffeemaster C20A set with sugar, cream and tray. Photo from ebay.

The new Coffeemaster proved to be an immediate hit. And judging by how many can be found today, sold really well.

With metal shortages during the Second World War, Sunbeam did their bit by using glass for the upper vessel. Today collectors refer to this glass top as the “beehive”.

Sunbeam C30A with the "beehive" variant top.

Sunbeam C30A with the wartime glass “beehive” top. Photo from baharris.org.

The “beehive” pots sold for $5.00 less than the all metal pot. It is quite rare to find a Sunbeam C30 with this variant, because it came with a redemption coupon for the customer to replace the glass top with the metal version once the wartime restrictions were lifted.

World War II Sunbeam redemption coupon.

World War II coupon that came with the glass “beehive” top. Image from baharris.org.

After the end of the war and with the restrictions lifted, production returned to an all metal coffeemaker. In 1948 the revised C30 Coffeemaster was introduced. Beside having an improved filter the best revision came from the glass top. While the original Coffeemaster lacked a handle on the top vessel, the  temporary glass tops did. And now the postwar version also came with an upper handle. This made the removal of the top section much easier. The plastic base was slightly revised, too. The separate ball feet became legs incorporated into the base with the heating element which simplified production.

Ad for the double handle Sunbeam Coffeemaster, October 18, 1948, Nebraska City News Press.

An early advertisement for the double-handle Sunbeam Coffeemaster. Ad from the Nebraska City News Press, October 18, 1948, Pg. 2.

It was this double-handle, Sunbeam Coffeemaster C30A that Chris picked up. It is a handsome looking coffeemaker and it makes great coffee.

Color photo of the Sunbeam C30A Coffeemaster with double Bakelite handle.

The Sunbeam C30A Coffeemaster that Chris picked up at the Goodwill. Photo from the collection of the authors.

But the big problem of these pots today is its rubber gasket. When stored in less than ideal conditions, and just with age, the seals harden and makes it difficult to impossible to disengage the two sections. And I will admit, even with a pliable gasket, it takes a bit of strength to separate the two chambers. However, once the pot heats up, the gasket does soften a bit.

Detail of the T9 engraving on the bottom section of the Coffeemaster.

Detail of the T9 engraved on the bottom section of the Coffeemaster. Photo from the collection of the authors.

The Coffeemaster's bottom serving vessel.

The Coffeemaster’s bottom serving vessel. Photo from the author’s collection.

In 1954 Sunbeam introduced their automatic percolator and the era of the vacuum coffeemaker was drawing to a close.

The 1954 Sunbeam Automatic Percolator.

The Sunbeam Automatic Percolator. Ad from the Ventura Star, March 18, 1954, Pg. 26.

In 1960 Sunbeam would remodel the Coffeemaster one more time. The C50 Coffeemaster had an increased 10 cup capacity, no longer featured the engraved “T9”, a turning knob replaced the sliding switch on the base and instead of a handle on the upper section, there were two levers that one pushed up to release the top.

1960 Sunbeam Ad from the Chicago Tribune.

Sunbeam advertisement from the Chicago Tribune, September 11, 1960, Pg. 216.

Sunbeam's last vacuum coffee pot, the C50 Coffeemaster.

The C50 Coffeemaster, Sunbeam’s last vacuum coffeemaker. Image from Etsy.

Sunbeam ceased production of the C50 Coffeemaster in mid-1967, bringing to a close their vacuum coffeemaker era. Today vacuum, now called siphon, coffeepots are making a resurgence as coffee devotees are realizing how good the coffee they make tastes.

A present day vacuum coffeemaker by Bodum.

Present day vacuum pot by Bodum. Image from bodum.com.

While the new “siphon” pots have the classic look, we think the C30A that was found at the Goodwill is far more stylish.

Circa 1950 Sunbeam C30A Coffeemaster.

Circa 1950 Sunbeam C30A Coffeemaster. Photo from the collection of the authors.

Anthony & Chris (The Freakin’, Tiquen Guys

Sources

Websites

  • archchicago.blogspot.com
  • baharris.org
  • chicagodesignarchive.org
  • edgarmiller.org
  • franklloydwright.com
  • oldcoffeeroasters.com
  • richardspens.com

Driving for Deco, Freakin’ ‘tiquen 2017 Part 2, Heading Home

Our next day was a whirlwind of sightseeing before heading back east.

The day started with Mount Rushmore. Essentially, you only pay for parking. The plaza and grounds are a self-directed tour and although crowded, the concourse is designed to handle the mass of people. We never felt closed in. Souvenirs are reasonable priced and Chris picked up a cap for less than $15. There is a museum in the lower level and a theater showing a short film about the design and construction of the monument.

After walking the path around the base of the mountain, it was lunchtime. We expected to be gouged and surprised that the food court offers a good variety of choices at more than reasonable prices. Our pot roast lunch, with  two sides and a drink was less than $7.00 each and delicious. .

A bit of a drive through, and just outside the park, is the Crazy Horse Monument.

Chris was here as a child and it hadn’t been started yet. This is not part of the National Park Service and is funded through private donations. The entrance fee is per person (three or more is a flat fee) and there is a charge to take their char-a-bunk to the base of the mountain. If you are interested to learn about Native American culture, they have an extensive museum. It is a work in progress and when complete, the grounds are destined to include a college campus open to anyone but offering a free education to Native Americans.

Tours to the work site at the top are available during the week.

There are actually two antique stores between Mt Rushmore and Crazy Horse. Of course, we stopped at each. Interesting but no purchases made.

Heading east, we made a quick stop at Wall Drug. (For those familiar with Pedro’s South of the Border on the east coast, Wall Drug is the equivalent tourist destination. Lots of souvenir shops and eateries.)

Soon we headed out to the Badlands of South Dakota. Not knowing what to expect, Anthony thought we’d drive straight through the nineteen or so miles along the northern ridge, take a few pictures and be on our way.

There is a fee to enter and the park clearly states that you can go off the designated path but are not responsible for injury or death. “Beware Rattlesnakes!” signs are posted at several points throughout the park. The roads are very well maintained, wide enough for campers to easily pass and designed with plenty of pull overs / pull offs to safely get out of the car and take in the sights. For the adventurous, camp grounds are available and there is a bison reserve further south in the heart of the park.

Over four hours later, we exited with hundreds of beautiful photos and great memories of a natural wonder.

The Badlands of South Dakota.

Yellow mounds in the Badlands.

Sunset in the Badlands.

Leaving the Badlands at sunset. It took us over four hours to drive the 19 miles through the national park.

In all, a beautiful, hot, sunny, hot, long, hot, day. Our goal was to stay overnight at Al’s Oasis, a series of stores, restaurants, hotels and antique mall (Old West Trading Post) right off the highway. As all the hotels were booked, we ended up at the very nice and comfortable AmericInn a few towns over.

Bright and early, we hit the Old West Trading Post. We entered with low expectations of western gear and country goods. While they did carry those items, the majority was a vast mix of items of different eras and styles. They also had quite a bit of deco items and more than reasonable prices. We were tempted to buy more than we did. It is also much larger than it appears. Definitely a place to stop if you’re in the area.

Old West Trading Post Purchases

Another day of driving and we ended up at Antiques Minnesota, Burnsville, Minnesota. Purpose built as an antique mall in the late ‘80’s it is well designed with a good mix of merchandise with over 350 dealers. There were several items of interest and we purchased a repousse deco trinket box. The ladies on the counter were very friendly and told us about antique stores in Stillwater.

Chris at Antiques Minnesota, Inc.

Chris ready to do some hunting at Antiques Minnesota, Inc., just outside of Minneapolis.

Art Deco trinket box.

Metal Art Deco trinket box.

Following the advice from the staff at Antiques Minnesota, we drove to the Midtown Antique Mall in Stillwater. A large three-story building located in the heart of the city, it is well stocked and offers a plethora of merchandise at fair prices. We picked up two Fortune Magazines to add to Anthony’s growing collection and a lady’s travel case.

Stillwater, Minnesota and the Midtown Antique Mall.

The wonderful Midtown Antique Mall in Stillwater, Minnesota.

A traveling case.

A vintage traveling case.

In true Driving For Deco style an impromptu stop brought us to the Hixton Antique Mall, Hixton, Wisconsin. As it was late, the store was already closed but seemed to have promise. As there are four other malls close by, we decided to stay the night.

The next morning we arrived just as the mall opened. The layout is a bit odd as it is a converted school. There are some “hidden” rooms, nooks and crannies that begged to be explored. It is easy to get turned around here and we needed to do some back tracking to be sure we covered everything.  Many items at fair prices, Chris picked up a cute deco terrier statue, a Kensington casserole, and a deco-style polar bear statue. There were several other items we contemplated but ultimately passed on them. In all, a great find and well worth the stop.

Hixton Antique Mall.

Hixton Antique Mall. Hixton, Wisconsin

Deco terrier

Art Deco ceramic terrier picked up at the Hixton Antique Mall, Hixton, Wisconsin.

A few blocks away was Village Peddler. Not a lot of what we collect but we did pick up a couple of Harlequin saucers.

Still a few more blocks away and we arrived at Cobblestone Cottage. A strange mix of new decorator items in a well-appointed entrance and then a bare-bones warehouse style mall to the side. The only purchase was some delicious fudge to curb our appetite.

Down the road a bit and we arrived at Millers Antiques and Auction Company. It seemed geared more toward mid-century, and automotive collectibles.  We were tempted by an unusual etched glass accent lamp and a beautiful deco glass frame with a picture of Clark Gable but there were no bargains here. We left empty-handed.

Across the street was another store that just opened.  A former dinner club, they have wine tasting available for shoppers.  We don’t know if that is such a good mix. Please don’t drink and antique!

Back on the road we made it to original destination, Antique Mall of Tomah. A bright, clean, well laid out store with a variety of merchandise and fair prices. The staff was professional but unlike Antiques Minnesota, they lacked in a sense of humor. Anthony picked up a Eveready electric candle and Chris picked up a small lacquered deco box.

 

 

Another day down and long hours of driving, we were ready to pack it in for the night. Bright and early we were off again to visit an old friend.

Midland Arts & Antiques is a multi-level mall housed in an old factory and with little ventilation. Many of the dealers have thoughtfully provided fans to keep things comfortable. Prices are all over the place but we always manage to pick up a few things. This time, we walked away with two  Westinghouse leftover containers, a Kent sugar bowl and a colorful deco cardboard candy box.

Midland Antique Mall

Midland Art and Antique Mall in Indianapolis. Image from Google.

A not-so-easy drive across Indianapolis brought us to the Main Attraction Antique Mall. Medium sized with a friendly staff,  it is bright and attractively laid out with reasonably priced items. Unfortunately, there was nothing of interest for us and we walked away empty-handed.

Main Attraction Antique Mall

Main Attraction Antique Mall, Indianapolis, Indiana. Image from Facebook.

Another old friend, Exit 76 Antique Mall, was our next stop. This is a large mall and although we discussed many items we walked out with just a Harlequin saucer.  While checking out, the salesman asked where Chris was from. Ends up that the salesman once lived in the same area in New Jersey. It’s a small world.

Exit 76 Antique Mall

Exit 76 Antique Mall, Edinburgh, Indiana.

Next stop, Webbs, or rather, what was once Webbs. This store is under new management and now called Centerville Antique Mall. Large and on the rustic side, with lots of glassware and “smalls” at reasonable prices. Anthony purchased a couple of vintage Vanity Fair magazines and a deco painted humidor.

Off to Dayton, Ohio and the Antiques Village.  Our haul? Two bound volumes of 1948 Fortune Magazine (each with three magazines) for the price less than one would normally sell and a hard-to-find Kensington humidor. This is another large mall so be sure to have your walking shoes on. It was about this time our energy started to wane.

Antiques Village, Dayton.

Antiques Village in Dayton, Ohio. Image from Yelp.

Kensington Aluminum Humidor

Mid-1930s aluminum humidor designed by Lurelle Guild for Kensington. Image from 1st Dibs.

Our next adventure, the Ohio Valley Antique Mall just north of Cincinnati. This store has some of the best hours for shopping convenience, 9-9. We did well here taking home a 1937 Philco Bullet radio, Silex Lido coffeepot, one 1932 bound Fortune volume (six issue),  two 1940 bound Fortune volumes (three issues each) and two 1942 bound Fortune volume (three issues each).

Ohio Valley Antique Mall

Ohio Valley Antique Mall, just north of Cincinnati.

Though our plan was to hit The Heart of Ohio Antique Mall the next day, we decided to call it quits and head home. This was great trip filled with many memories of sightseeing and antiques as we went driving for deco.

Packing the car and heading home.

Calling it quits! Chris packing a very full car after being on the road for 12 days.

 

Chris & Anthony (The Freakin’, Tiquen’ Guys)