Tag Archives: Rochester New York

A Little Rochester Art Deco: The Little Theatre

The Little Theatre at 240 East Avenue, Rochester, NY.

The Little Theatre 240 East Avenue, Rochester, NY. Photo by the authors.

September 29th was Silent Movie Day and to honor it the Little Theatre in Rochester, New York screened G. W. Pabst’s 1929 film Pandora’s Box. Starring silent film icon Louise Brooks the film played in historic theatre 1 which will be celebrating its 95th anniversary on October 17th. I haven’t been to Little Theatre 1 since before the pandemic and its 2020 Art Deco renovation. So this was the perfect excuse for me to go see the theatre and a great film as well.

The front of the Little Theatre on East Avenue.

The Little Theatre’s East Avenue facade. Photo by the authors.

The Little Theatre Movement

In the 1920s as the American film industry, through large studios like Paramount and First National, began an almost monopolistic control on making and exhibiting motion pictures a new type of theatre emerged. The Little Theatre movement, created by the Motion Picture Theatre Guild, was a direct response to mainstream cinema. These theatres would program European imports and more experimental domestic films and cater to the intellectuals. By the end of the decade Little Theatres were opening in most major American cities with Rochester, New York’s opening in the autumn of 1929.

 

The Little Theatre on East Avenue in Rochester, NY, 1929.

The Little Theatre shortly before opening in October, 1929. Photo from beroachitecture.com

The Little Theatre, Rochester, New York

Rochester’s Little Theatre was typical of the size of other “Little Theatres”, having seating of less than 500, unlike the several thousand seating capacity of mainstream picture palaces. Another feature of these theatres was to offer patrons free coffee and cigarettes and lounges to intellectually discuss films. Edgar Phillips and Frederick Pike designed the Little in the new modern style just becoming popular in the United States. The East Avenue facade is of polished, black terracotta tiles.  Breaking up the dark facade are cast, aluminum inserts.

Cast aluminum decorations over a doorway in the front of the Little Theatre.

One of the cast aluminum decorations on the Little’s facade. Photo by the author.

And includes a frieze of stylized flora over the second story windows. Thanks to the Art Deco facade the theatre has been placed on the National Register of Historic Places.

A section of the second story stylized frieze.

A section of the stylized frieze over the second floor windows. Photo by the authors.

 

Premiere engagement newspaper ad for the Little Theatre, October, 1929.

Advertisement of the Little’s premiere week. Image from Democrat & Chronicle, October 20, 1929.

The Little’s original mission was to be a venue for the fast dying art of the silent film. Nicknamed the “House of Silent Shadows” the opening program included the Italy / French co-production of Cyrano de Bergerac (Dir. Augusto Genina, 1923). The lavish, stencil color production was accompanied by a three-man orchestra playing from upper left balcony.

Frame capture from the DVD of the 1923 film Cyrano de Bergerac.

Frame from Cyrano de Bergerac (Augusto Genina, 1923). Frame capture from the Image DVD.

With the onset of the Great Depression not long after the Little Theatre’s opening, concessions to its mission were necessary, and sound equipment installed. With the conversion to sound, a marquee was added to the exterior in 1931.

The Little Theatre showing the 1931 marquee addition.

The 1931 marquee during the run of Rome Express in 1932. Image from cinematreasures.org.

The next change to the theatre’s exterior came right after the end of the Second World War, when a new “zigzag” vertical sign replaced the original one.

The East Avenue facade of the Little Theatre with the 1946 vertical sign.

The Little Facade showing the 1940s vertical sign. Photo by the authors.

The Little’s interior has seen more changes through the years than the outside. Originally the seat configuration features two sections with a center aisle down the middle. Cylindrical wall sconces lined the auditorium walls. The downstairs lounge while comfortable was not especially moderne in style.

Photos showing the original interior of the Little Theatre.

Photos of the Little’s original interior design as featured in the 20th anniversary booklet from 1949. Photos from cinematreasures.org.

Ownership of The Little changed through the years, at one time becoming part of Jo-Mor Theatre chain. In the 1980s coming under new management headed by William Coppard and John and Pam Blanpied, the Little’s original mission as an art house was restored.

The auditorium’s interior had undergone alterations by the 1980s as well. Seating now was in three sections a large center section and two smaller sections along the walls. Gone were the original seats and wall sconces. This would change with a 2019-2020 renovation / restoration. While not an authentic restoration bringing the theatre back to its 1929 appearance, it is a thoughtful renovation, that captures the spirit of the 1920s Little.

Little Theatre Entrance.

Little Theatre entrance. Photo by the authors.

Lobby

Reproduction milk glass shades in the Little's lobby.

Reproduction of 1920s / 1930s milk glass shades in the entrance lobby. Photo by the authors.

1920s inspired mirror and poster case.

1920s inspired mirror and poster case. Photo by the authors.

Inner lobby ceiling lights.

Art Deco inspired ceiling lights on the ceiling of the inner lobby. Photo by the authors.

Inner lobby.

Renovated inner lobby. Photo by the authors.

Inner lobby corner and stairs down to the lounge.

Inner lobby corner and stairs to the downstairs lounge and restrooms. Photo by the authors.

Downstairs Lounge

Stairs to the lounge.

Stairs leading (with original 1929 railings) to the downstairs lounge. Photo by the authors.

Downstairs lounge

Downstairs lounge with Streamline Moderne inspired furniture and a reproduction Art Deco ceiling light and wall sconces. Photo by the authors.

Detail of the reproduction ceiling in the downstairs lounge.

Detail of the reproduction ceiling in the downstairs lounge. Photo by the authors.

Auditorium

Side wall of the auditorium.

Side wall of the auditorium with new wall sconces reminiscent of the original 1929 lighting. Photo by the authors.

Detail of auditorium wall sconce.

Detail of auditorium wall sconce. Photo by the authors.

The new auditorium seats.

The new seats with Art Deco inspired upholstery, mimic the shape of the original 1929 seats. Photo by the authors.

Looking toward the screen.

Looking toward the screen in the renovated auditorium. Photo by the authors.

So if you happen to be in Rochester and want to see a movie check out what’s playing at the Little. And maybe there will be a screening of a classic film in Little 1, if so, don’t miss it.

The Little Theatre 240 East Avenue.

The Little Theatre, Rochester, New York. Photo by the authors.

Anthony & Chris (The Freakin’, Tiquen Guys)

 

Sources:

Wayne, Peter; “Small but Mighty”; City; 2024, October; pp 10 – 11.

Cinema Treasures

 

 

 

Rochester, New York Art Deco – The Reynolds Arcade

The Art Deco Entrance to the Reynolds Arcade, Rochester, New York.

Reynolds Arcade entrance at 16 East Main Street. The entrance features a nice Art Deco font and details. 2018 photograph.

In my article on Spot Coffee I wrote there is not too much Art Deco architecture in Rochester, New York. One of the comments I received said there is more than I think, so now I’m on the hunt for Rochester’s Art Deco heritage. My first stop is The Reynolds Arcade on East Main Street. I have to admit this was a building that I read about but never noticed. Recently, when on a detour that took me to Main Street I passed The Reynolds Arcade. Seeing it, well more accurately noticing it, for the first time, the building impressed me and I decided to learn about its history.

 

The Reynolds Arcade, 16 East Main Street.

The Reynolds Arcade, 16 East Main Street. Opened in 1933. 2018 Photograph.

The present building is the second Reynolds Arcade. On the same site the first one stood for over 100 years and went back to the days before Rochester became incorporated as a city.

The original Reynolds Arcade.

The First Reynolds Arcade, circa 1829. Image from the Rochester Public Library, Digital Collections.

Built by Abelard Reynolds, Rochester’s first Postmaster, the arcade quickly became the heart of the new city. At its completion the building was the largest in the United States west of Albany, New York. The arcade housed the post office and Rochester’s first public library, the Athenaeum in 1829. Another early tenant, Western Union arrived in 1851. And the forerunner of Bausch and Lomb originated in the original Reynolds Arcade.

 

The first Reynolds Arcade shortly before being demolished in 1932.

The first Reynolds Arcade in 1932, just prior to demolition. Photo from the Rochester Public Library, Local History Division.

By the turn of the Twentieth Century the original Reynolds Arcade began to show its age.  In the autumn of 1931 came the unveiling of plans for a new building to replace the historic structure.  The Rochester Times-Union announced on November 27, 1931 the following:

Big Office Building Planned to Replace Rochester Landmark

One of the largest realty propositions nearing readiness for award of contracts will wipe out an historic landmark, it was learned today. A committee of the Reynolds Library trustees heady by Josiah Anstice is reported ready to proceed ready to proceed with the erection of a large office building replacing  Reynolds Arcade at 16 Main Street East. 

In its place, if the plan is finally realized, will rise one of Rochester’s biggest office buildings. Those vitally interested refuse to discuss the plan, but it became known today that Gordon & Kaelber, architects, had drawn the plans and early realization is looked for. That calls for the erection of a modern office building, at least ten stories high.

 

Rending of the New Reynolds Arcade, 1932.

Architectural rending of the proposed Reynolds Arcade. Gordon & Kaelber architects. Image from Rochester Times-Union, May 7, 1932.

Demolition commenced on May 9, 1932 and in less than a year the new Reynolds Arcade opened. The northern section of the building along Corinthian Street remained and Western Union moved some of its operations there while the Main Street frontage came down. Once the Main Street building opened the last section of the 1828 building was razed. The demolition and construction of the Reynolds Arcade provided jobs for approximately 1,200 workers during the very depths of The Great Depression.

 

Construction proceeded rapidly with the last piece of exterior stone work being set in place on November 18, 1932. The facade of the new Reynolds Arcade consists of polished granite to the second floor with limestone covering the upper nine. Not only being taller than all the other buildings on the block the simplified modern design stood in contrast from its Victorian Era neighbors.

 

The new Reynolds Arcade.

The new Reynolds Arcade tops out. Photo from the Rochester Times Union, November 19, 1932, Pg. 9.

In mid-December, 1932 the newspapers were announcing the new Reynolds Arcade would be ready for occupancy by the following April 1st. Some of the enticements for prospective tenants were private parking at the rear along Corinthian Street and acoustical treatment of ceilings to deaden noise and clatter.

 

New Reynolds Arcade parking advertisement

Newspaper advertisement featuring the private parking for the new Reynolds Arcade. Democrat & Chronicle, December 12, 1932.

Air conditioning ad for the new Reynolds Arcade.

Air conditioning for the new Reynolds Arcade. Democrat and Chronicle advertisement October 23, 1932.

The new Reynolds Arcade provided air conditioning for its offices, a first for Rochester. This would be the most modern building in the city, although not its tallest. A relatively squat building, the architects decorated the facade to emphasize verticality. The decorative metal main entrance rises up to the fourth floor with a stylized eagle topping the it. Receding step back style up the face of the building it directs one’s eye up the central shaft to the engraved name at the top. Modernistic carved limestone at the fifth floor continues the upward feeling.

Main entrance to the Reynolds Arcade.

The Reynolds Arcade main entrance on East Main Street. Stepped back decorative metal. 2018 photo.

 

Decorative metal work on the facade of the Reynolds Arcade.

Detail of the Reynolds Arcade facade decorative metal work, showing the stylized eagle at the fourth floor. 2018 photo.

 

The top of the Reynolds Arcade.

Detail of the carved limestone at the fifth floor leading one’s eye up to the engraved name at the apex of the building. 2018 Photo.

 

Even the metal spandrels between the windows, designed like feathers on an arrow, point upward.

 

Reynolds Arcade spandrels

Detail of the decorative metal spandrels on the Reynolds Arcade. 2018 photo.

 

The finished building does differ slightly from the original plans. An additional floor being the biggest change. Also the carved limestone window boxes, originally planned for below the fifth story windows, moved up below the tenth story on the sides and the eleventh story in the middle section.

 

The apex of the Reynolds Arcade.

Detail of the carved limestone window boxes at the eleventh floor and carved decorations at the top of the Reynolds Arcade. 2018 photo.

 

Ground floor businesses began moving into the new building by early March, 1933. The rest of the building opened on schedule in April.

 

The Reynolds Arcade entrance.

The entrance to the new Reynolds Arcade, February 26, 1933. Rochester Times Union, February 27, 1933, Pg. 8

The Reynolds Arcade remained basically unchanged for the next 28 years. A five-story annex opened in the spring of 1961 at the back of the building along Corinthian Street. Built over the existing Reynolds Arcade parking, the International Style of the annex did not mix well with the 1933 building. At the same time the original lobby received a mid-century marble renovation that blended stylistically with the annex. This design remains to this day.

Sometime later the annex received an exterior makeover, which changed the outside, top floor and roof from a late 1950’s appearance to a bland sleekness.

 

The five story Reynolds Arcade annex, 1961.

Democrat & Chronicle advertisement for the five story Reynolds Arcade annex. April 16, 1961.

 

Main Street Rochester, New York. 1946

Main Street looking east, circa 1946. The Reynolds Arcade is at the left center of the photo. At the corner is the 1879 Elwood Building. Photo from the Rochester Public Library, Local History Division.

 

In 1967 came the demolition of the Elwood Building, at the corner of State and Main Streets. In its place rose the Crossroads Building, completed in 1969. At 15 stories it blocked the view of the Reynolds Arcade from the west. Then in the early 1970’s the buildings between the Reynolds Arcade and Front Street came down for the construction of First Federal Plaza (1976).  At 21 floors, crowned by a “flying saucer” that once housed a revolving restaurant, it’s more than double the height of the Reynolds Arcade.

 

The Reynolds Arcade in 2018.

The Reynolds Arcade sandwiched between the Crossroads Building (on the left) and First Federal Plaza (on the right). 2018 photo.

 

Today the Reynolds Arcade is no longer a stand out in the Rochester skyline. It is still an impressive Art Deco building that deserves attention. So the next time you happen to be in downtown Rochester, New York, take a moment to notice the Reynolds Arcade.

 

Anthony & Chris (The Freakin’, Tiquen Guys)