Tag Archives: Gilbert Rohde

Virtual Visits: Kirkland Museum of Fine & Decorative Art


Kirkland Museum of Fine & Decorative Art

As Chris mentioned in our last post, we are not Driving for Deco much right now. But it doesn’t mean we can’t “visit” some great museums. Thanks to the internet some of the best Art Deco collections are literally at our fingertips. One of the places at the top of our driving list is the Kirkland Museum of Fine & Decorative Art, in Denver, Colorado.

 

Vintage postcard of Denver Colorado.

VIntage Denver, Colorado postcard. Image from flickr.com.

The Kirkland Museum landed on our radar after being feature on The Antiques Road Show in 2010. Roadshow was there highlighting their very large collection of Ruba Rombic glass.

Vance Kirkland (1904 - 1981)

Vance Kirkland in front of his studio at 1311 Pearl Street, 1941. Photo courtesy of the Denver Public Library, Western History Collection, WH1062

In 1929, the University of Denver hired Kirkland to become their founding director of the School of Art. He only held the position for three years before resigning over a dispute with the University not granting credit for art courses toward graduation. Upon leaving the University he leased the Arts and Crafts style building at 1311 Pearl Street and opened the Kirkland School of Art in 1933. Classes he taught there were accredited by the University of Colorado. When he returned to the University of Denver as director of the School of Art in 1946, the Pearl Street building became his studio. Although he retired from academic life in 1969, Kirkland continue to paint up to his death in 1981. Being predeceased by his wife and having no children he will his estate to friend, Hugh A. Grant.

 

Hugh A. Grant

Hugh A. Grant, the Kirkland’s founding director and curator. Image from bonfils-stantonfoundation.org

 

 

 

Under Hugh A. Grant the founding director and curator, the museum started taking shape. Construction began in 1998 on a 8,830 square foot addition to the original studio for exhibition space and visitor amenities. Completed in 2000, the museum opened to the public in 2003.

 

Kirkland's original studio and the first home of the museum.

1311 Pearl Street. Vance Kirkland’s original studio and part of the museum’s first home. Image from kirklandmuseum.org.

 For thirteen years this was the home of the Kirkland Museum. The museum houses three primary collections:

1. International Decorative Arts, featuring objects from most of the major decorative movements between 1875 – 1990.

2. The Colorado / Regional Collection which includes over 7,000 works by 700 local artists.

3. Kirkland Retrospective highlighting his 55 years of paintings.

 

Using a salon-style to display collection items is somewhat unusual for museums. Instead of separating fine art from decorative art they are displayed together, much like in a home. And by placing furniture on the floor allows visitors to experience the pieces in their intended perspective.

 

The Art Deco Collection at the Pearl Street location.

The Art Deco collection as it was displayed at the Pearl Street location. Image from kirklandmuseum.org.

 

It only took less than a decade to realize a larger space would be needed. In 2016 construction began on the present museum. Because Kirkland’s studio was so integral to their identity it also made the move to its present location. At 1201 Bannock Street, in Denver’s Golden Triangle Creative District, the new Kirkland is more than four times the size of the original. The new building opened on March 10, 2018.

 

The new Kirkland Museum.

The Kirkland Museum at 1201 Bannock Street. Photo by Daniel Holton from Facebook.

 

Now that we’ve set the stage, here’s how to “visit” the Kirkland virtually. Start by going to the museum’s home page at kirklandmuseum.org.

 

Kirkland Museum's home page.

Home page at kirklandmuseum.org.

 

There are two ways to view the museum’s items: for in depth details about select pieces, select collections from the header. Then click on “SEARCH COLLECTION HIGHLIGHTS” from the drop down menu.

 

Choose search collection highlights.

Choose search collection highlights.

Once the “Collection Search” window pops up, type in “Art Deco” and hit enter.

Collection search window.

The Collection Search window.

 

 

Here are the results. To learn more about any of these items, just click on the photo.

Search collection results.

Results of “Search the Collection”.

 

I really love the black chair by Wolfgang Hoffmann. So to learn more about it, I’m going to click on its photo.

 

Wolfgang Hoffmann lounge chair.

Information about the Wolfgang Hoffmann, Art Deco lounge chair.

 

And here is a lot of great information about this item. Facts about the designer, when the chair dates from, its manufacturer, dimensions to what gallery it is on view in.  And when you are done with this slide, clicking on the “Art Deco” tab on top, will bring up even more great collection pieces.

Kirkland's Art Deco collection highlights.

Highlights of the Kirkland Museums Art Deco Collection.

It’s impossible for a museum to have all of its collection on display. But by going to a museum’s website one can see much more of the collection. I think the Kirkland Museum is an exception to this rule. It seems there’s a lot more of its Art Deco collection on display, than online. I found this out by “walking” through the museum on their virtual tour. To begin “click” on the “Explore our Virtual Exhibition Online!” window. That will take you to the page with the “Take a 360 Degree Virtual Tour!”

 

The start of the Kirkland Museum's virtual visit.

The “entrance” to the virtual tour on the Kirkland Museum’s Home page.

 

 

This works just like Google Street View, so click on the arrows and start to explore.

 

Kirkland Museum admission desk.

The Kirkland’s admission desk.

 

Here are some of the great Art Deco pieces I saw on my tour.

 

Display case of Art Deco, ceramics, metal and glass pieces.

Art Deco glass, ceramics and metal works.

 

This display case features ceramics by Viktor and Paul Schreckengost, Chase metal work including the Pretzel Man by Lurelle Guild and some wonderful glass items.

 

More Art Deco glass and ceramics, including Ruba Rombic.

More Art Deco glass and ceramics.

Here is another case chock full of Art Deco glass and ceramics. Not only do they have Reuben Haley’s Ruba Rombic glassware he designed for Consolidated Glass in 1928, there’s also his Ruba Rombic ceramics he made for Muncie Pottery. Also in the case are pieces in the Tearoom and Pyramid patterns by Indiana Glass. And in the lower right is Norman Bel Geddes’ Manhattan cocktail set (tray, shaker and two cups) for Revere.

 

Salon setting for larger pieces, including furniture and paintings.

Salon setting for furniture , accessories and paintings.

 

A few of the Deco standouts in this Salon Setting are, a teal and gold Skyscraper bookcase by Paul Frankl, circa 1927. There’s the Wolfgang Hoffmann lounge chair, a machine age Pattyn Products Company table lamp, circa 1935 attributed to Walter von Nessen. And a wonderful green leather and aluminum tube chair by Warren McArthur.

 

Another Kirkland Museum Salon Setting, with pieces by Gilbert Rohde, Walter von Nessen and Paul Frankl.

Another setting with a impressive pieces.

 

Aside from a couple of great chairs and a terrific rug, the standout in this grouping the sideboard. This is a piece designed in 1933 by Gilbert Rohde for the Herman Miller Furniture Company. Sitting on top is the Chase Coronet Coffee service, another von Nessen design. And all the way on the right of the case is Paul Fankl’s Modernique or Fifty Dollar clock (because that how much it cost in 1929) made by Telechron.

 

This was just the tip of the iceberg of their collection of over 4,400 pieces. So when it is really safe to travel and gather together once more, consider making the Kirkland Museum a place to visit. You might even see us there.

 

Exterior of the Kirkland Museum.

Exterior of the Kirkland Museum on Bannock Street. Photo by Wes Magyar, from kirklandmuseum.org.

 

Anthony & Chris – The Freakin”tiquen Guys.

 

 

George Switzer Micarta Trays for Westinghouse

If you had asked me, before June 23rd, if I knew who George Switzer was I would have replied no. If you had also asked me if I had ever heard of Micarta, I would have said what’s that? In just two days (it’s June 25th as I start to write this), I now know who George Switzer was and what Micarta is. Now you maybe asking, how did I come into such knowledge or perhaps more accurately, why would I care? Well on Sunday June 23rd, Chris and I went to the Golden Nugget Flea Market. Past readers will know that this is a favorite flea market of ours. Anyway, a vendor had on his table a striking orange and black tray with an aluminum frame. In the center of the tray is a stylized sail boat, moon and star of dyed aluminum embedded in a black band. Two strips of anodized aluminum separate the black band from the orange. It easily caught my eye and after Chris negotiated with the seller to bundle the tray with a Manning-Bowman chrome powder box we got both items for a very good price. I would learn how good the deal was a little later that morning.

 

The 1933 Nocturne Tray.

The 1933 Nocturne Micarta tray, designed by George Switzer for Westinghouse. From the author’s collection.

 

In the car on the way home, I Googled “Art Deco black and orange tray with sail boat”.  One of the results was a 1stdibs.com dealer who is selling the tray and described it as being designed by George Switzer for Westinghouse. Now I was able to dig deeper into this tray’s history. I also learned that Switzer designed five other Micarta trays for Westinghouse in 1932. So now I wanted to find out exactly what was Micarta.

 

Micarta

Under pressure and high heat a combination of linen, canvas, paper, fiberglass and other fabrics, creates a laminate that Westinghouse branded as Micarta.

When introduced in the early 1910s, Micarta’s usage was for electrical equipment. An article in Machinery described the new material:

MICARTA – A SUBSTITUTE FOR FIBER, RAWHIDE, HARD RUBBER, ETC.

A remarkable new material to take the place of hard fiber, glass, hard rubber, molded compounds, etc. has been developed by the Westinghouse Electrical and Mfg, Co, East Pittsburg, Pa. The material, which is known as “Micarta” is used for brush holder insulation, gear blanks, conduit for automobile wiring, for arc shields in circuit-breakers.

Micarta is a hard, tan colored material having a mechanical strength about fifty per cent greater than hard fiber. Micarta is not brittle and will not warp, expand or shrink with age or exposure to the weather but takes a high polish, presenting a finished appearance. 

Machinery, August, 1913, Pg. 942

To expand the market for Micarta, Westinghouse developed new uses for Micarta by the late 1920’s. They began manufacturing it in a variety of colors and patterns, such as wood grain or marble, making it perfect for wall panelling.

 

Westinghouse booklet of Micarta from the early 1930's.

Pages 6 & 7 from an early 1930’s Westinghouse booklet showing the many decorative uses of Micarta. Image from the Internet Archive.

 

George Switzer

George Switzer (1900 – 1940). Photo from the New York Times, October 9, 1940.

In 1932, Westinghouse thought Micarta would be a perfect material for decorative trays. They contracted industrial designer George Switzer to design a series of trays for the company. Although mostly forgotten today (he doesn’t even have a Wikipedia entry), in the 1930’s Switzer was a well known as Gilbert Rohde, Donald Deskey and Henry Dreyfuss.

Born in Plymouth, Indiana on March 6, 1900, Switzer graduated with honors from the University of Illinois. In Chicago, after college, he found employment with the advertising firm Wasey & Co. In two years he left to go work for Young & Rubicam in New York. This led to his designing everything from envelope stickers, messengers’ uniforms and delivery trucks for Kurt H. Volk, Inc., typographers. This work established his name and in 1929 Switzer set out on his own opening his own designing and consulting firm. He produced designs for sixty-five companies encompassing all sorts of things including letter heads, sausage labels and a Roll-Royce car body. In 1937, against 12,000 other entries he won two of the three awards in the “All America Package Competition” with his modernistic package designs for  the Eagle Pencil Company and the Geo. A. Hormel Company.

In 1940, Switzer underwent an operation for mastoiditis. While recuperating at his cousin’s home in Prattsville, New York, he died suddenly in the early morning hours of October 8th at the age of forty. His body is interred at the Oak Hill Cemetery,  Plymouth, Indiana, his hometown.

 

Westinghouse Micarta Trays

Looking for new uses for Micarta, Westinghouse approached Switzer. In 1932 he designed five modernistic, Micarta trays for the company. Retailing for around $5.00, these trays were available in finer stores by the 1932 Christmas season.

 

Westinghouse Micarta logo.

Westinghouse Micarta logo stamped into the back of the 1932 trays. Image from Decaso.com

 

 

 

December, 1932 Harper's Bazaar, Pg. 57.

Christmas 1932 men’s gift suggestions from Harper’s Bazaar. Under the gadgets section is the striped Micarta tray for $5.00 available at Bonwit Tellers. Magazine page from ProQuest.com

 

Walter Rendell Storey in his October 30, 1932, New York Times Sunday Magazine article on interior design had this to say of these new trays:

New trays of diverse and interesting kinds have recently appeared in response to a growing  consciousness of their varied uses and decorative possibilities. Some of the latest ones are combinations of wood and metal; others are synthetic compounds immune to cigarette burns and beverage stains. 

Of the new trays, perhaps the most striking is a series of beverage trays with designs developed in thin sheets of varied-hued aluminum inlaid on a glossy black ground. The motifs have been developed in a contemporary manner; there is one entitled “Dynamic,” which the designer, George Switzer, has interpreted by a stylized airplane. The traditional theme, “Nocturne,” has a sail boat beneath a yellow crescent moon with the deep-green water lighted by a streak of vermilion. For the period room the designer has created a most effective arrangement of empire motifs, namely, the arrow, star and laurel wreath of victory. These trays are stamped out from under enormous pressure from a material originally developed for insulating electric light switches. 

New York Times, Sunday Magazine, October 30, 1932, Pgs. 12 & 15.

 

In 1933 Switzer modified the Nocturne tray. A frame of aluminum, with handles, encompassed bands of orange and black Micarta. A slight rearrangement of the moon and star was another difference on this tray. For the 1933 Christmas season Westinghouse offered this tray as a special promotional item. When buying another Westinghouse product at full price, the Nocturne could be yours for just one dollar ($20.00 in 2019).

 

Westinghouse 1933 Christmas promotion.

Westinghouse 1933 Christmas advertisement, featuring the $1.00 Nocturne tray promotion. Ad from the New York Herald-Tribune, December 10, 1933, Pg. SM15

 

The above ad mentions the “Stunning $3.95 Micarta tray a gorgeous Christmas Gift for only $1.00”. I have yet to find evidence of this tray being sold  anytime earlier in the year. It appears it was only used for the Christmas promotion. And, if that is the case, such a short production life explains its rarity today.

As I mentioned earlier in the post, while Googling for info about the tray, I found two selling on line. One on ebay and the other from a high end antique store specializing in Art Deco items. Both are selling for over $1,100.00.

The Nocturne has even become part of the permanent collections at the Carnegie Museum of Art and the Yale University Art Gallery.

 

1933 Nocturne in the Yale University Art Gallery collection.

1933 Nocturne Tray, Yale University Art Gallery. Photograph from artgallery.yale.edu.

 

So now that I have the 1933 tray, I want to get the five 1932 trays. I’ll keep you posted on my progress.

 

Anthony & Chris (The Freakin’, Tiquen’ Guys)