Fair Park – Dallas, Texas

Esplanade and Exhibit Buildings

Esplanade of State and Exhibit Buildings

American World’s Fairs of the 1930’s bring to mind the great expositions of Chicago in 1933 / 1934, New York and San Francisco in 1939 / 1940. But there were other fairs that are often ignored today, such as the San Diego Fair of 1935 / 1936 and the fairs held in Cleveland and Dallas in 1936 / 1937. While little remains of the Chicago, Cleveland, San Francisco and New York Fairs, the Dallas Fairgrounds are surprisingly intact, or so it seems at first glance. What survives from the Texas Centennial Exposition is a combination of the original and wonderfully recreated and restored structures, fountains and sculptures.

 

Almost every summer Chris and I hit the road and drive to some part of the United States for antiquing in places we have never been. This past summer we went to Texas and one of the places that I was most interested in seeing was Fair Park. We first became aware of Fair Park and its significance to depression era World’s Fairs and few years ago, so we weren’t going to let the opportunity to visit the site slip by. When we arrived at Fair Park, I was impressed that so many of the 1936 fair buildings were still standing. I purchased the book Fair Park Deco by Jim Parsons and David Bush later that day, which is the definitive history of the Texas Centennial and the restoration of the Art Deco fair grounds.

 

Tejas Warrior

Tejas Warrior

The grounds were established in 1886 for the Dallas State Fair, on an 80 acre site in East Dallas. Over the years the site expanded to its current size of 277 acres. The site became known as Fair Park in 1904 and a series of buildings were constructed in the then current Beaux Art style. The idea of a centennial celebration had been in the works since the early years of the twentieth century. As the centennial approached the United States was just pulling out of the great depression, and the idea of a large fair was welcomed as a way to stimulate the Texas economy. Dallas won the bid to hold The Texas Centennial Exposition over Houston and San Antonio. Construction and re-modeling of the existing buildings were begun in the fall of 1935, which did not give the builders a lot of time before the opening of the fair in June the following year. Opening on June 6 the fair ran until November 29th. It reopened the following year as the Greater Texas and Pan-American Exposition.

 

After the fair closed the modifications and changes to the fair grounds and buildings began. One of the first losses were the statues Tenor and Contralto and the concrete speaker towers behind each as well as the 50 foot pylon that stood between them.. Located at the eastern end of the reflecting pond in the Esplanade of States, they were damaged after the exposition closed and were removed sometime around 1938. In 2009, sculpture David Newton re-created the statues using period photographs. The pylon was rebuilt at the same time.

The buildings on the south side of the Esplanade of State were the Hall of Varied Industries, Communication and Electricity, during the run of the fair. The original buildings were destroyed by a fire in 1942 and were replaced by the Automobile Building in 1948, which was in a completely different style than the destroyed structure. In 1986 the building was redesigned to look like the destroyed structure, which restored the Esplanade of State back to its 1936 appearance.

1986 Restored Hall of Varied Industries Building

1986 restored Hall of Varied Industries Building – with the statue of France, designed by Raoul Josset in front

The Pierre Bourdelle murals that were also destroyed when Hall of Varied Industries Building burned down were re-created in 1999 based on the artist’s original drawings and black and white photographs from 1936. The new murals were created the same way as the originals – glass slides of the drawings were projected onto the walls of the buildings and then painted in. The original glass slides were loaned by Bourdelle’s son for the restoration.

One of the earliest of Fair Park’s Beaux Arts buildings was the Coliseum, which was remodeled in 1935 into the streamline moderne Administration Building. On the front facade is mural depicting Texas flora and fauna, designed by Carlo Ciampaglia. Directly in front of the mural is the statue, Spirit of the Centennial, designed by Raoul Josset and sculpted by Jose Martin. The mural and statue were restored in 1998 by Stashka Star. The Administration Building became the Women’s Museum in 2000 and is now closed.

The center piece or theme center of the fair was the State of Texas Building. Designed by Donald Barthelme in 1935 it was and still is a monument to all the people of Texas, past and present. This enormous T shaped building is entered through the semicircular “Niche of Heroes” which is surmounted by the “Tejas Warrior” statue.

Niche of Heroes and the Tejas Warrior.

Niche of Heroes and the Tejas Warrior.

Chris and I had a great time walking around the fair grounds, even though the temperature reached 103. We want to go back and visit at night when the buildings are all lit up, it must be a fantastic sight. Not yet owning a time machine, it really was the closest that we have come to going to a 1930’s world’s fair. If you are fan of the great expositions of the 1930’s, and you have not already visited Fair Park, you should treat yourself and make it a deco destination.

 

Chris & Anthony (The Freakin’, Tiquen’ Guys)

Napier Cocktail Shaker – Weekend Find!

This weekend I travelled down to New Jersey, with a friend and co-worker to pick up a small collection of 16mm films (we work in a film archive). After we were finished Chris, Deb (my co-worker) and I decided to hit a local antique store. It was already mid-afternoon, so I thought about what is relatively close and where Chris and I haven’t been to in awhile, it turned out to be Grist Mill Antiques Center in Pemberton, N.J. The Grist Mill is two floors jammed packed with antiques and collectibles, it is a rare visit when Chris and I leave empty handed. This visit we came across a silver plated Napier “Tells You How” Drink Mixer. I already own the Pottery Barn reproduction version, but this was the first time that I had ever seen the original version. Designed by Le Roy H. Fontan, the patent was applied for in September, 1932. Even though prohibition was still the law of the land, it was obvious that Franklin Roosevelt was going to win the November election and that repeal would soon follow. The “Tells You How” Drink Mixer went on sale at Sak’s Fifth Avenue in time for the holiday season of 1932 for $7.50 ($130.00 in today’s money). The shaker has a rotating outer sleeve to reveal the recipes for 15 now classic cocktails, such as Dry Martini, Side Car, Dubonnet and Between the Sheets. The silver plate was very tarnished, but a session with some semichrome polish and a bit of elbow grease made the shaker come back to shiny life. The Napier “Tells You How” Drink Mixer is a very welcome addition to my Deco Cocktail Shaker collection and one of my best weekend finds in a while.

Anthony

Hunting Deco in thrift stores and junk barns.

Some of my best Art Deco items did not come from any fancy New York City antique show, Miami gallery or San Francisco shop, but from thrift stores and junk barns. I will grant you that junk barns and thrift stores are hit and miss, and to be honest, mostly miss. But every once and a while a real treasure can be found. The trick is to find a store that is located in an old established neighborhood, town or city, rather than one located in a suburban stripmall, and then go back often. Stock comes in every day, so one weekend there might not be anything of note but the next weekend might be the jackpot.

 

In a junk barn a half hour south west of Allentown, Pennsylvania, I came across this Chase Corn and Pancake set, designed by Russel Wright (1904 – 1976). Wright was an industrial designer who worked in New York City and is probably best known for his spun aluminum products made in the 1930’s and his famous lines of dinnerware such as American Modern (1939 – 1959) for Steubenville Pottery and Casual (1947 – 1967) for Iroquois. The Chase Corn and Pancake set was sold by the Chase Speciality Line between 1935 – 1940 and originally sold for $4.50 ($78.00 in 2014 dollars). It consists of a syrup jug, salt and pepper shakers and a chrome and blue glass tray. This set has a book value of $250 -$400. I was lucky to find this set in unused condition for $6.00.

 

There once was a great thrift store in Rochester, New York. Almost every other week I would go to the Vietnam Veterans Thrift Store to see if anything new came in. Now most times I came out empty handed, but sometimes a real treasure was to be had at bargain basement prices. One day in October, 2009 in the back of the store among all the chairs there was a 1930’s Lloyd Manufacturing Company Springer Rocker chair designed by famous industrial designer K.E.M. Weber (1889 – 1963). The chair was in good original condition, with original cushions with no tears or cracks and the chrome was not pitted. Normally that chair sells for between $450 – $2,000, but at the thrift store I was able to pick it up for just $30.00.

 

 

Another great find at the Vietnam Veterans Thrift Store, was a set of six Ruba Rombic 10 oz. footed tumblers for a $1.99 each. Ruba Rombic was created by Reuben Haley (1872 – 1933), the most important American glass designer of the 20th Century, for the Consolidated Glass Company of Coraopolis, Pennsylvania. Introduced in 1928 it was produced only until 1932 when Consolidated Glass closed, due to the depression. When the company reopened in 1936 Ruba Rombic was no longer part of the line. Upon its introduction, the company called it “An Epic in Modern Art”, most of the public called it “that crazy glass”. The colors of Ruba Rombic were Smokey Topaz, which is the color of the tumblers that I have, Jungle Green, Jade Green, Sunshine Yellow, Lilac, Silver, French Crystal and Opal. Jungle Green and Smokey Topaz are the most common of the colors. Aside from the extreme look of the items, it was also very, very expensive – the 10 oz. tumblers that I picked up cost $9.00 a piece in 1928, which is the equivalent of $125.00 in 2014 dollars. Today Ruba Rombic is very rare, Jack Wilson an expert on Consolidated Glass feels that less than 3,000 pieces of Ruba Rombic exist. These tumblers are worth about $275 – $300 each.

 

It is finds like these that inspire us to stop at those out of the way barns and thrift stores on our travels.

Chris & Anthony

Modernistic Background for Zaniness

If you think about stars of the 1930’s cavorting in stylish Art Deco settings, you might come up with Fred Astaire and Ginger Rogers in their series of films at RKO. Maybe Joan Crawford or Norma Shearer in a fantastic Cedric Gibbons set in some MGM film, but how about the four Marx Brothers? But their second picture, Animal Crackers, which opened at the 2,000 seat Rialto Theatre at 7th Avenue and 42nd Street on August 28, 1930, featured a huge set of a modernistic Long Island Estate.

Animal Crackers Main Title

Here is the wonderfully deco main title, the film then opens with this establishing shot inside the mansion.

Animal Crackers b:w 1

This set was so large it took up the entire upper stage at Paramount’s, Astoria, New York studio. Ernst Fegte was the uncredited designer of the set. For some reason the art direction was never credited on Paramount’s East coast productions. Here are some more shots from the film, including a modern garden sculpture and a terrace set with chairs designed by mies van der rohe.

Animal Crackers b:w 5Animal Crackers b:w 3
The work of Ernst Fegte

The work of Ernst Fegte

A 1932 short subject, Wonderland of California, featured a couple of rehearsal shots of Animal Crackers. Aside from the fact that Animal Crackers was made on the East Coast, these rehearsal shots were filmed in the two color process, Multicolor. By the time the short was released Multicolor was out of business and it’s laboratory was taken over by the Cinecolor Corporation. It was Cinecolor who processed the two year old film. Here are couple of shots of that color footage.

Anthony

 

Garden Set

Garden Set

Inside the mansion

Inside the mansion