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Start Your Day the “Deco” Way.

Setting the breakfast table with Fiestaware and Riviera makes for a colorful start to the day.

Setting the breakfast table with Fiestaware and Riviera makes for a colorful start to the day.

I enjoy collecting 1930’s kitchen items and I love to use them. Before going out on a day of antique hunting, I will start by making a 1930’s style breakfast.

 

Big brother, little brother -  1930's six cup and two cup, vacuum coffee pots.

Big brother, little brother – 1930’s Silex six cup and two cup, vacuum coffee pots.

 

A good cup of coffee is always welcome at the start of the day. And the best tasting coffee is made with a vacuum coffee pot, like my 1936 Silex. This style of coffee pot went out of favor in the 1950’s and the electric percolator became the standard coffee pot in homes. Vacuum pots are not easy to clean, but they make a very good tasting coffee, because the grounds do not sit in the coffee, there is no bitterness to the flavor. The earlier style Silex coffee makers, like mine, had a narrow neck. Around 1940 the wide neck versions started to appear. I like the look of the earlier style (much more like an hour-glass), but the wide neck variety are much easier to clean.

 

This video shows the coffee pot in use –

If I’m only making coffee for myself, I will use my Silex two cup pot, instead of the larger six cup model. The two cup coffee pots are not that easy to find, I found this one at The Whistle Stop Antique Mall in Ontario, New York, this past January.

 

Silex two cup vacuum coffee pot.

Silex two cup vacuum coffee pot.

The second staple of a “Deco” breakfast is toast. I have a great 1930 Universal “drop down” toaster. Here are some pictures of  the  toaster.

 

 

This is a short video of the toaster in action –

 

The best way to make hard-boiled eggs, in my opinion, is with a Hankscraft Egg Cooker. Introduced toward the end of 1928 they were produced up through 1960’s. The great thing about a  Hankscraft Egg Cooker is that it takes all the guess work out of making hard-boiled eggs. Just add 8 teaspoons of water in the cooker and plug it in, the water completes the current and the cooker turns on. The water starts to boil and when it has evaporated the cooker turns off. It’s not just hard-boiled eggs that can be made, with 4 teaspoons of water the Hankscraft cooker will make a perfect soft-boiled egg, to be enjoyed in a matching egg cup –

 

And with 5 teaspoons of water one can poach an egg using the supplied dish (which needs to be be greased with butter) –

 

 

The Hankscraft cooker that I have is a model 730 that dates from 1933. This was the top of the line model, it is all porcelain, with platinum trim.

1933 Model 730 Egg Cooker

1933 Model 730 Egg Cooker

Below is a video of me using the egg cooker –

 

 

 

After having my breakfast of coffee, toast and maybe a hard-boiled egg, I’m ready to hit the road to find more Deco treasures. I will also stop for an early lunch as there is no way a breakfast that insubstantial will carry me for a long time, and I get very cranky when hungry.

 

Anthony

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Art Deco meets Italian Futurism – The Art Direction of


Main Title

March 5th, marks the 88th anniversary of the opening of Fritz Lang’s classic film Metropolis, at the Rialto Theatre in New York City. This version differed greatly from the film that opened in Berlin, Germany in January, 1927. Because of a distribution deal Ufa made with Paramount and Metro-Goldwyn-Mayer, the American studios could edit the Ufa films any way they saw fit. Paramount, distributed Metropolis in North America, cut the film by a half an hour and rearranged scenes, making the plot incomprehensible. While this version was not a critical success dramatically, what did impress most critics was the art direction, which utilized design themes so modern, it was almost considered avant-garde.

The machine room, where the influence of Italian Futurist architecture is easily seen.

The machine room, where the influence of Italian Futurist architecture is easily seen.

Otto Hunte (1881 – 1960), Erich Kettelhut (1893 – 1979) and Karl Vollbrecht (1886 – 1973) were the team of art directors that created the look of the dystopian city. These three men had collaborated for the first time on the Fritz Lang film The Indian Tomb (1921) and would continue as art directors on Lang’s Dr. Mabuse the Gambler (1922) and Die Nibelungen (1924). For Metropolis, the futuristic appearance of the city was heavily influenced by two current art movements, Modern or Modernistic (now known as Art Deco), which had just be given a massive kick off party at the 1925 Paris Exposition, and the more established Italian Futurism. To learn more about Futurism click on the links below.

http://en.wikipedia.org/wiki/Futurism

http://en.wikipedia.org/wiki/Futurist_architecture

 

Here are a couple of videos about the Futurism exhibition held at the Guggenheim Museum in 2014.

And this one from The Economist –

 

Below are images of the city, where Futurist inspiration is clearly evident –

The film’s opening montage, is seeing a Futurist painting come to life –

Metropolis - 1927

The interior sets reflect 1920’s Modernistic design trends.

And the most spectacular of the interiors – the Yoshiwara night club.

Metropolis, was one of the first films to employ Art Deco designs. If it does not seem so avant-garde to us in the 21st Century, it’s because we’ve had almost 90 years to catch up to it.

 

Anthony

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“Deco”-rating the Bedroom

Entering the room

Contrary to what many of the DYI / home remodeling shows would have you believe, the period associated with Art Deco was not a world of only black and white. This was a period of lime-green, lemon-yellow, vermillion, purples, magenta, turquois, etc..  It also wasn’t merely industrial and chrome furniture.

 

My “deco” room started by painting the walls in horizontal stripes of three different shade of a soft lavender / grey color with the ceiling being a lighter shade of the same color family and ended by painting all the trim work a semi-gloss pure white. Because I have standard height ceilings, I felt evenly spaced stripes might be overwhelming.  Instead, I marked up 42″ from the floor then divided this lower stripe in half measuring up from the top of the base board.  If you decide to try stripes, there are many excellent online instructions. I can only tell you to measure carefully, have a good level and be prepared to use lots of painter’s tape.

Oh, if you try this, don’t be alarmed if initially you think the room looks like an Easter egg!

 

I improvised the look of chrome trim (which priced out at over $700.00 – eek!) by purchasing inexpensive 1/2 round molding and 1″ marine grade Mylar tape (available online).  After attaching the 1/2 round to the walls (covering the line where two colors meet) I carefully and slowly work the tape over the 1/2 round. It wasn’t difficult to do but it took a bit of time and patience. Total cost to do my room? Under $100.00.

 

I wanted platinum colored drapes to add a masculine touch and balance out color of the room.  Luckily, I sew and was able to make them (silk, fully interlined and black-out backed) for a cost of just over $600.00.  I know that sounds like a lot, but custom drapes priced out at over $1600.00 (double eek!). Okay, not every one sews, so, when purchasing, buy the best quality you can afford and protect your investment by making sure they are lined and/or backed.  The under-curtains were purchased at a discount drapery store to add a bit of softness and texture. For those who are purists, I  know the mini-blinds are not period but it is a first floor bedroom and privacy is an issue.

I found this complete (11 pieces), 1932 bedroom set on an online auction site for $500.00 (thank you, Mrs. Whithersole’s son). The rich walnut wood tones soften the industrial “chrome” trim and provides a counterbalance to the solid colored draperies. I like it for its warmth, masculine lines and maroon Bakelite handles accented in brass. The veneer is  book matched, straight cut walnut in a chevron pattern accented with panels of  burled wood. Even the vanity has a more masculine quality than most and serves as my full length mirror. Nothing beats the quality and construction of this set; it was made to last – and it has!

 

The artwork over the bed are color copies of six originals prints I purchased at a Paris flea market for about $6.00 each. The other two are also copies but copied from a modern fashion calendar.  Can you tell the difference?

Color copying is your friend.  It preserves the originals and I can easily replace the displayed ones if they become damaged. I made the matching “period” matting  by color copying a vintage reverse glass picture frame (adjusting it for the size to fit the frame), cutting out the center and using this in lieu of matt board. I like the way it ties all the prints together and it was more affordable than buying and having matt board cut.

Color copies of original fashion prints.

Color copies of original fashion prints.

The crowning glory of my room, in my opinion, is my ceiling light. Also purchased on an online auction site, the six sides are heavy, pierced metal in a platinum finish with a canopy of frosted glass panels. It took the two of us (thank you, Anthony) to attach the shade as it weights around 12 lbs. and is held up by six individual spire-like fittings at the top. Awkward to install, but worth it. A close runner up for favorite room accessory is my sunburst floor lamp purchased at Stoudt’s in Adamstown, Pa.

 

I like to display grouped family photos (always a “must” to bring a room to life) and the rest of the décor is mostly vintage with some “inspired” contemporary pieces that I acquired over the years. Of note are the vanity accents, waste paper basket, and silverware box. With the exception of the waste paper basket, many of these items can be somewhat easily found on your own Freakin’ Tiquen’ adventures.

I am rather proud of how the room turned out and hope you like it, too. If you ever create a deco room, I hope you can use some of my ideas to help you express your “deco”-rating side.

Chris

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Fortunes made in the Depression

Cover by

Cover art by F. V. Carpenter

Conceived by Time Magazine co-creator, Henry Luce, as the “ideal super-class magazine”, during the very last moments of 1920’s prosperity, Fortune Magazine debuted in February, 1930, just before most people realized that the Wall Street slump was sliding down into a lasting economic depression. Fortune was a luxuriously produced, oversized (11 by 14 inches) magazine, that used fine, heavy grade, off white paper for the articles and glossy paper for advertisements, it was also a pioneer in its use of color photography.

 

At a time when the average magazine cost between 5 and 15 cents, each copy of Fortune was $1.00, which is the equivalent to $14.18 in 2015. Fortune was an instant success that had 30,000 subscribers even before publication of the first issue. By 1937 the numbers of subscribers had grown to nearly half a million and the magazine was showing a profit of $500,000 annually.

 

A socially conscious magazine, the staff of writers  included, James Agee and Archibald Macleish and featured photography (some in color) by Margaret Bourke-White and Walker Evans. Fortune was a magazine like no other. Below is another example of a typical issue, from June, 1933, that featured an article on the new Union Terminal in Cincinnati, Ohio.

 

Today, 1930’s issues of Fortune are highly collectible. Individual copies can sell for between $50.00 and $100.00. But if you are lucky, some can still be found for between $10.00 and $20.00. Here are some from my collection that were found at the Golden Nugget Flea Market, in Lambertville, New Jersey.

 

 

I love these early Fortune magazines, from the magnificent art work of the covers, to the great articles and photographs and all the wonderful advertisements. They add an elegant Deco accent in a 1930’s style living room, den or bedroom.

 

Anthony

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