Author Archives: freakintiquenguys@gmail.com

Do it yourself: Restoring the feet on the Toastmaster 1A1

Welcome to the first “DYI” post on Driving for Deco. A couple of weeks ago I purchased a 1920’s Toastmaster 1A1 toaster, in remarkably good shape. One condition issue was its missing original, rubber feet.

Toaster with its missing feet.

Toaster with its missing feet.

 

Close up of missing foot.

Close up detail of missing foot.

 

Chris came up with a great idea, using rubber washers to replace the long missing original feet. I purchased two packages of 1/4″ rubber grommets (two grommets to a package) at a local hardware store. They worked beautifully. Here is a video that demonstrates how to attach the grommets –

 

 

The cost of the grommets were $1.18 per package and the total time to attach them was about one minute. This is a great “Do it Yourself” project because anybody can do it in no time flat. Here are a couple of pictures showing the finished project.

 

Restored Feet

Restored Feet

 

Close up of one of the restored feet.

Close up of one of the restored feet.

 

Chris & Anthony (The Freakin’, Tiquen’ Guys)

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March 2015 Pier Antique Show

Pier 94

Pier 94

 

Despite the snow flurries, the spring Pier Antique Show was held over the weekend of March 28th – 29th. Chris and I made our bi-yearly trip to meet our friends, attend the show and, hopefully, buy some Deco collectibles.

 

After leaving Penn Station, we stopped to get coffee and a muffin at the Tick Tock Cafe in the Hotel New Yorker, at 8th Avenue and 34th Street. This was the first time either of us had been in the 85-year-old Deco hotel. While not restored to its 1930 appearance, there are still some great original elements left.

 The restrooms of the Tick Tock Cafe are downstairs next to what was the vault of the Manufacturers Trust Company, which had a branch at street level. The Deco iron gates with the bank’s initials are still in place.

 

 

Though the bank is gone its street entrance remains. Even with the scaffolding in front of it, the doorway still shines through.

 

 

Directly across 8th Avenue, was a remnant of 1930’s New York that I had never noticed before – a building that once housed a Bickford’s Cafeteria.  Not as well-known today as the Automat, but from the 1920’s through the 1970’s there were over 40 Bickford restaurants throughout Manhattan, serving good food and staying open late into the night. By 1980 only two were left, both of which closed in 1982. Like the architecture of the Automats, most Bickfords were designed in a Moderne style, such as the one that was on 8th Avenue, just north of 34th Street.

 

One of the former Bickford's restaurants.

One of the former Bickford’s restaurants.

 

After a 20 block walk we arrived at Pier 94. Our friends were already there and the four of us were surprised that the show had about 1/4 to 1/3 fewer dealers than the Pier Antique Show of last November. There were less people attending the show as well; I hope this is not indicative of future shows.

 

Chris ready to start some big game hunting for Deco treasures.

Chris ready to start some big game hunting for Deco treasures.

 

Despite there being fewer dealers, the ones there did have great items, like this table sculpture of “Diana, the Huntress”, from the 1920’s. This booth was in the “Modernism” section of the show.

 

Bronze or white metal sculpture of "Diana the Huntress".

Bronze or white metal sculpture of “Diana the Huntress”.

 

 

We started at noon and finished shopping and browsing just before 6:00, which was closing time. Below is a video of me showing off my two Deco purchases.

 

 

Chris and I feel that the March Pier Antique Show is the official start of a new “freakin’, tiquen'” year and we can’t wait to start hitting the road to visit new places.

 

Chris & Anthony (The Freakin’, Tiquen’ Guys)

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New Weekend Find!

Name plate and serial number.

Name plate and serial number.

 

This past weekend, while attending a film festival in Syracuse, New York, I took a bit of time off from watching movies and went downtown to photograph a couple of Art Deco buildings. When finished taking pictures, I stopped in at the Syracuse Antiques Exchange , a four-story antique mall just north of downtown. I wasn’t planning to buy anything, until I came across a 1920’s toaster (as I said in an earlier post, I like kitchen collectibles). The Toastmaster 1A1 was a product of the Waters-Genter Company of Minneapolis, Minnesota and introduced in 1926. This was the first automatic toaster with a pop-up mechanism sold for home use. First year models do not have serial numbers on the name plate. According to the serial number, this one was manufactured sometime between June 1929 and August 1930. I haven’t been able to confirm this, but I’ve heard the original retail price was $25.00 ($330.00, today).

 

Toastmaster 1A1

 This makes the fifth vintage toaster that I have in my collection and I was not in the market for any more, but the price on this one was too good to pass it up, just under $20.00. It’s not perfect, there are a few spots of rust and the original rubber feet and the adjustable timing stud are missing, but overall it is in better shape and was a lot cheaper than other old toasters I’ve seen at flea markets or antique stores. The electric cloth cord is almost like new. And it works really well.

 

 

Detailed view of the operating levers.

Detailed view of the operating levers.

 

Above is a detailed view of the two operating levers, the one on the left is the pop up lever and the right one is the length of time the bread stays in the toaster. To make toast press the right lever down to the desired toasting time, then press down the pop up lever, this turns on the current (when it pops up the current turns off). After polishing the toaster up with my favorite chrome cleaner, rubbing alcohol, I gave it a test run. I set the cooking length at “D” and dropped the bread in. After a short time the toaster started sending up smoke signals and I hit the emergency release tab (the small piece of metal just to the left of the right lever) and what popped up was not so much a piece of toast, but more like a roof shingle. The second test run was much better and produced a perfectly cooked slice of toast.

 

Toastmaster 1A1

Toastmaster 1A1

 

So will this new addition to my collection ever replace my Universal “drop down” toaster, probably not. Is this the most Deco toaster ever made – no. Am I glad that I bought it – yes. This is the grandfather of all the truly Art Deco style toasters that came in the late 1920’s, 1930’s and early 1940’s.

 

Anthony

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UNION TERMINAL – A Cincinnati Art Deco Masterpiece

The fountain  of the plaza of the station.

The fountain in the plaza leading up to the entrance of the station

Last July after spending 10 days in Texas, “freakin’ tiquen'”, as Chris and I wound our way home we spent a couple of days in Ohio. Whenever possible, we always try to do some antiquing in the “Buckeye” state. While in there, one of the Deco places that we wanted to visit was Union Terminal in Cincinnati.

 

 

Opened officially on March 31, 1933, train service actually began almost two weeks earlier on the 19th. This station was the culmination of thirty five years of work to consolidate all five of Cincinnati’s train depots and seven railroads under one roof. Alfred Fellheimer, Steward Wagner, Paul Philippe Cert and Roland Wank were the architects of the station.  Cret is usually credited for creating the Moderne design of the building. Construction started in 1928 with the regrading of Mill Creek and was finished five years later at the cost of just over 41 million dollars. Passenger use through the station peaked during The Second World War and then started a steady decline, and seemed to come to an end on October 29, 1972. Union Terminal was then put to other uses after the abandonment of train service; first a shopping mall in 1978, which closed in the early 1980’s, then a Museum Center in 1990. And best of all, Amtrak began to use the station again in 1991.

 

 

 

Entering the Union Terminal rotunda, one is standing in the largest semi dome in the Western Hemisphere, it measures 180 feet high by 106 wide. Two large murals line the walls of the rotunda. The one on the North side depicts American transportation from the time of Native Americans to the present day air transports (circa 1933); the South mural depicts Cincinnati’s growth up to 1933. All the murals in the station were the work of Winold Reiss. The November, 1933 issue of American Architect described the method of Reiss’ work on the murals “Besides the traditional method of covering the entire surface with tesserae, a new method – silhouette mosaic – has lately been developed. The broad areas of the composition are executed in colored cements and only the important spots are picked out in mosaic.”

 

 

Winold Reiss' North Mural

Winold Reiss’ North Mural

 

Winold Reiss' South Mural.

Winold Reiss’ South Mural.

Some more details of the Rotunda interior.

If a passenger needed to kill some time between trains, one of the features of the station was a newsreel theater. For 25 cents, one could sit in air-conditioned comfort and get caught up on what was happening in the world that week. Because Chris and I were there on a weekday the theater was not open. As I was taking photos through the glass doors of the ticket lobby, a very nice security guard, was kind enough to open the lobby door for me and was apologetic that she could not let me into the theater itself.

 

 

If you love Art Deco architecture and you are in the Cincinnati area, you owe it to yourself to pay a visit to Union Terminal. And if you are there on a Saturday or Sunday (I wish that we were), free tours of the station are given.

For tour information click this link: http://www.cincymuseum.org/programs/heritage .

 

Looking toward downtown Cincinnati from the station entrance.

Looking toward downtown Cincinnati from the station entrance.

 

 

Anthony & Chris (The Freakin’, Tiquen’ Guys)

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