Breakfast Goes Modernistic

Royal Rochester label on the bottom of the batter bowl. 1928.

1928 Royal-Rochester label.

 

Back in 1999 at an antique store in Frankfort, Kentucky, I came across a very striking electric coffee pot. Painted in an abstract design in bold colors it almost bordered on the avant-garde. I had never seen anything like before, so the $110.00 price was not much of a purchasing deterrent. To me it exemplified the exuberance of the Art Deco aesthetic of the late 1920’s. A crazy, optimistic style that produced Roseville Futura pottery and the Chrysler Building and wouldn’t last long once the Great Depression hit in 1930. Made by Robeson Rochester under their trade name of Royal Rochester, a company well-known for the manufacturing of kitchen appliances.

 

Royal Rochester electric percolator in the modernistic pattern.

1928 Royal Rochester electric percolator in the Modernistic pattern. Ceramic body made by the Fraunfelter China Company. From the collection of the author.

Once I had the coffee pot, I wanted to add more pieces and have to make a complete set. This wasn’t going to be easy because other pieces weren’t turning up. A couple of years later the teapot, creamer and sugar were up for auction on Ebay. The three-piece set ending up selling for over $500.00 and way out of my price range. Once that auction ended other pieces were just not turning up. And I was not coming across any of the set at flea markets or antique malls. But I did learn from that Ebay listing that this pattern’s name was “Modernistic”.

The Fraunfelter China Company of Ohio produced the ceramic pieces purchased by Royal Rochester for their various lines. “Modernistic” is only one line that used these shapes. The lusterware tan stripe and lilac stripe pieces turn up a lot more often and even though they have the same shape those designs are nowhere near as striking as “Modernistic”

 

“Modernistic”, like all Royal Rochester lines had a full range of accessories to make any breakfast stylish and up to date. Beside the coffee pot and sugar and creamer, a smaller sugar and creamer came with the teapot. The center piece of the line was the large coffee samovar.  Small ceramic cups in metal holders were good for both coffee or tea. A waffle set included a syrup jug, batter bowl and ladle and of course the waffle iron. Completing the line were a casserole and pie plate, both of which came with chrome metal stands.

 

Modernistic in the 1928 Royal Rochester brochure

Royal Rochester 1928 brochure featuring Modernistic. Image from Modernism.com

Introduction of Royal Rochester's "Modernistic" pattern.

Advertisement for Bullock’s Department Store in Los Angeles and the introduction of Royal Rochester. November 21, 1928. Image from fultonhistory.com

The “Modernistic” pattern made its debut during the Christmas season of 1928. What we  now call Art Deco made its American debut only less than two years before. Modernistic styles proved to be popular with more well to do people living in major cities. To the average American the new style seemed as foreign as a martian. Traditional styles, like colonial revival, remained the most popular in the United States through the 1940’s. Radios or refrigerators tended to be the only moderne style pieces in the household. Because of this Royal Rochester’s “Modernistic” ended up being a huge flop. The company’s advertisements for the 1929 Christmas season no longer mentioned this bold and colorful pattern. Since it was only available for a year or less, it makes the pattern extremely rare and hard to find today.

 

Democrat & Chronicle advertisement 1928.

Christmas 1928, Sibley, Lindsay & Curr Company in Rochester, NY. Democrat & Chronicle advertisement, 12/14/1928. Image from fultonhistory.com

 

Royal Rochester Modernistic covered casserole with metal stand.

Covered Casserole in Royal Rochester’s Modernistic pattern. From the author’s collection.

 

Pie plate and stand.

The pie plate in its metal stand. From the author’s collection.

 

I never knew, until recently, how short a production time “Modernistic” had. This explained why it took eighteen years to find more pieces. Finally this summer in an antique mall in Wisconsin I found the large creamer, casserole in holder and pie plate. The dealer seeing a good customer told me she had more of this pattern in another mall nearby, just over the Illinois state line. There I picked up many more pieces, including the very rare waffle iron and batter bowl. Being very reasonably priced and 20% off, I took the plunge. I still need to get a few pieces, including the samovar, cups and the probably nearly impossible to find ladle. So the hunt continues!

 

Royal Rochester's pancake set.

Waffle Iron, Batter Bowl and Syrup Jug in the Modernistic pattern from Royal Rochester. From the author’s collection.

 

Syrup jug handle detail.

Handle detail of the Syrup jug. From the author’s collection.

 

Waffle iron, batter bowl, pie plate and casserole.

“Modernistic” waffle iron, batter bowl, pie plate and casserole in chrome holder, by Royal Rochester, 1928. Author’s collection.

Royal Rochester's "Modernistic" coffee pot and sugars and creamers.

The “Modernistic” coffee pot I purchased in 1999 with the sugars and creamers purchased in 2017. Author’s collection.

 

2021 Update

Since this 2017 post has been published, I have since acquired the syrup jug and the samovar. The hunt for the teapot, cups and the ladle continues.

 

The Samovar and sugar bowl and creamer.

The Samovar with the large creamer and sugar bowl. From the collection of the author.

 

Anthony (A Freakin’, ‘Tiquen Guy).

If you enjoy this post, you might also like:

Start Your Day the “Deco” Way

The Hotpoint 129-T31 “Gazelle” Toaster

Reference Library Update – Bel Geddes

The logo of Norman Bel Geddes

Norman Bel Geddes logo. Image from Wikipedia.

 

Norman Bel Geddes.

Norman Bel Geddes, circa 1925. Image from NYPL Digital Collections.

For October’s reference library update, Driving For Deco brings you a career profile of industrial designer Norman Bel Geddes (1893 – 1958).  The article appeared in the July, 1930 issue of Fortune magazine. Bel Geddes began his career as a set and stage designer working for the Metropolitan Opera. In the 1920’s shows he designed included The Miracle and Fifty Million Frenchmen. In the mid 1930’s he would design the set for Sidney Kingsley’s play Dead End.

The Miracle, 1924.

The Miracle, New York production 1924. Set by Norman Bel Geddes. Image from NYPL Digital Collections.

Dead End, 1935.

Norman Bel Geddes set for Dead End, 1935. Sidney Kingsley’s Pulitzer Prize winning play at the Belasco Theater. Image from NYPL Digital Collections.

Turning from the theatre in the late 1920’s Bel Geddes ventured into the brand new field of industrial design. He achieved new fame by redesigning many standard products. Ranging from kitchen appliances, to cars and other forms of transportation, to homes and factories, nothing was too small or too large for Bel Geddes to tackle. In 1932 he authored the book Horizons in which he outlined his theories and ideas.

 

1932, Horizons by Norman Bel Geddes

Horizons by Norman Bel Geddes, 1932. Image from abebooks.com

Today, original 1932 editions of this book are rare and can sell between $250.00 and $950.00.

 

Norman Bel Geddes ideas for planes, ocean liners and cars went far beyond anything of his time. He took streamlining further than any of his contemporaries. Bel Geddes liked to push limits knowing these designs would never materialize.

 

Airliner No. 4

Norman Bel Geddes Airliner No. 4 (1929-1932). Image from Keiththomsonbooks.com

"Whale"Ocean Liner.

“Whale” Ocean Liner designed by Norman Bel Geddes, 1932. Image from oobject.com

Locomotive No. 1

Locomotive No. 1 by Norman Bel Geddes, circa 1932. Image from oobject.com

 

Motor Car No. 9, 1932

Norman Bel Geddes Motor Car No. 9, circa 1932.

 

Of all the designs that Norman Bel Geddes created, three are most accessible to collectors today. The 1938 Soda King Syphon bottle, Revere’s magazine stand and the iconic “Manhattan” cocktail set are available with a good deal of cash.

Soda King White

Bel Geddes – Paxton Soda King, White. 1938

Magazine stand for Revere.

Norman Bel Geddes’ magazine stand for Revere. Image from einnasirrod.com

Manhattan Cocktail Set

The Manhattan cocktail set for Revere designed by Norman Bel Geddes. Image from the Museum of Fine Arts of Houston.

 

Futurama booklet

Futurama brochure, 1939. Image from oldcarbrochures.com

The best showcase for industrial designers in the 1930’s was the 1939 New York World’s Fair.  Bel Geddes created its most popular exhibit, General Motors, Futurama. This massive display provided a glimpse into 1960 America in a simulated coast-to-coast airplane flight. Massive highways with radio controlled cars provided access to cities with different levels for automobiles and pedestrians. There would also be plenty of green space to spend leisure time. Industrial zones would be a good distance away from residential neighborhoods. Many of the ideas that Bel Geddes designed for Futurama would come to fruition in the 1950’s and later.

 

General Motor's building, NY World's Fair.

Norman Bel Geddes General Motors Pavillion at the 1939 New York World’s Fair. Image from The New York Times.

 

To read the Fortune article profiling Norman Bel Geddes industrial design career, click on the cover below.

 

Fortune Magazine, July, 1930.

July, 1930 Fortune Magazine

 Anthony & Chris (The Freakin’, Tiquen’ Guys)