George Switzer Micarta Trays for Westinghouse

If you had asked me, before June 23rd, if I knew who George Switzer was I would have replied no. If you had also asked me if I had ever heard of Micarta, I would have said what’s that? In just two days (it’s June 25th as I start to write this), I now know who George Switzer was and what Micarta is. Now you maybe asking, how did I come into such knowledge or perhaps more accurately, why would I care? Well on Sunday June 23rd, Chris and I went to the Golden Nugget Flea Market. Past readers will know that this is a favorite flea market of ours. Anyway, a vendor had on his table a striking orange and black tray with an aluminum frame. In the center of the tray is a stylized sail boat, moon and star of dyed aluminum embedded in a black band. Two strips of anodized aluminum separate the black band from the orange. It easily caught my eye and after Chris negotiated with the seller to bundle the tray with a Manning-Bowman chrome powder box we got both items for a very good price. I would learn how good the deal was a little later that morning.

 

The 1933 Nocturne Tray.

The 1933 Nocturne Micarta tray, designed by George Switzer for Westinghouse. From the author’s collection.

 

In the car on the way home, I Googled “Art Deco black and orange tray with sail boat”.  One of the results was a 1stdibs.com dealer who is selling the tray and described it as being designed by George Switzer for Westinghouse. Now I was able to dig deeper into this tray’s history. I also learned that Switzer designed five other Micarta trays for Westinghouse in 1932. So now I wanted to find out exactly what was Micarta.

 

Micarta

Under pressure and high heat a combination of linen, canvas, paper, fiberglass and other fabrics, creates a laminate that Westinghouse branded as Micarta.

When introduced in the early 1910s, Micarta’s usage was for electrical equipment. An article in Machinery described the new material:

MICARTA – A SUBSTITUTE FOR FIBER, RAWHIDE, HARD RUBBER, ETC.

A remarkable new material to take the place of hard fiber, glass, hard rubber, molded compounds, etc. has been developed by the Westinghouse Electrical and Mfg, Co, East Pittsburg, Pa. The material, which is known as “Micarta” is used for brush holder insulation, gear blanks, conduit for automobile wiring, for arc shields in circuit-breakers.

Micarta is a hard, tan colored material having a mechanical strength about fifty per cent greater than hard fiber. Micarta is not brittle and will not warp, expand or shrink with age or exposure to the weather but takes a high polish, presenting a finished appearance. 

Machinery, August, 1913, Pg. 942

To expand the market for Micarta, Westinghouse developed new uses for Micarta by the late 1920’s. They began manufacturing it in a variety of colors and patterns, such as wood grain or marble, making it perfect for wall panelling.

 

Westinghouse booklet of Micarta from the early 1930's.

Pages 6 & 7 from an early 1930’s Westinghouse booklet showing the many decorative uses of Micarta. Image from the Internet Archive.

 

George Switzer

George Switzer (1900 – 1940). Photo from the New York Times, October 9, 1940.

In 1932, Westinghouse thought Micarta would be a perfect material for decorative trays. They contracted industrial designer George Switzer to design a series of trays for the company. Although mostly forgotten today (he doesn’t even have a Wikipedia entry), in the 1930’s Switzer was a well known as Gilbert Rohde, Donald Deskey and Henry Dreyfuss.

Born in Plymouth, Indiana on March 6, 1900, Switzer graduated with honors from the University of Illinois. In Chicago, after college, he found employment with the advertising firm Wasey & Co. In two years he left to go work for Young & Rubicam in New York. This led to his designing everything from envelope stickers, messengers’ uniforms and delivery trucks for Kurt H. Volk, Inc., typographers. This work established his name and in 1929 Switzer set out on his own opening his own designing and consulting firm. He produced designs for sixty-five companies encompassing all sorts of things including letter heads, sausage labels and a Roll-Royce car body. In 1937, against 12,000 other entries he won two of the three awards in the “All America Package Competition” with his modernistic package designs for  the Eagle Pencil Company and the Geo. A. Hormel Company.

In 1940, Switzer underwent an operation for mastoiditis. While recuperating at his cousin’s home in Prattsville, New York, he died suddenly in the early morning hours of October 8th at the age of forty. His body is interred at the Oak Hill Cemetery,  Plymouth, Indiana, his hometown.

 

Westinghouse Micarta Trays

Looking for new uses for Micarta, Westinghouse approached Switzer. In 1932 he designed five modernistic, Micarta trays for the company. Retailing for around $5.00, these trays were available in finer stores by the 1932 Christmas season.

 

Westinghouse Micarta logo.

Westinghouse Micarta logo stamped into the back of the 1932 trays. Image from Decaso.com

 

 

 

December, 1932 Harper's Bazaar, Pg. 57.

Christmas 1932 men’s gift suggestions from Harper’s Bazaar. Under the gadgets section is the striped Micarta tray for $5.00 available at Bonwit Tellers. Magazine page from ProQuest.com

 

Walter Rendell Storey in his October 30, 1932, New York Times Sunday Magazine article on interior design had this to say of these new trays:

New trays of diverse and interesting kinds have recently appeared in response to a growing  consciousness of their varied uses and decorative possibilities. Some of the latest ones are combinations of wood and metal; others are synthetic compounds immune to cigarette burns and beverage stains. 

Of the new trays, perhaps the most striking is a series of beverage trays with designs developed in thin sheets of varied-hued aluminum inlaid on a glossy black ground. The motifs have been developed in a contemporary manner; there is one entitled “Dynamic,” which the designer, George Switzer, has interpreted by a stylized airplane. The traditional theme, “Nocturne,” has a sail boat beneath a yellow crescent moon with the deep-green water lighted by a streak of vermilion. For the period room the designer has created a most effective arrangement of empire motifs, namely, the arrow, star and laurel wreath of victory. These trays are stamped out from under enormous pressure from a material originally developed for insulating electric light switches. 

New York Times, Sunday Magazine, October 30, 1932, Pgs. 12 & 15.

 

In 1933 Switzer modified the Nocturne tray. A frame of aluminum, with handles, encompassed bands of orange and black Micarta. A slight rearrangement of the moon and star was another difference on this tray. For the 1933 Christmas season Westinghouse offered this tray as a special promotional item. When buying another Westinghouse product at full price, the Nocturne could be yours for just one dollar ($20.00 in 2019).

 

Westinghouse 1933 Christmas promotion.

Westinghouse 1933 Christmas advertisement, featuring the $1.00 Nocturne tray promotion. Ad from the New York Herald-Tribune, December 10, 1933, Pg. SM15

 

The above ad mentions the “Stunning $3.95 Micarta tray a gorgeous Christmas Gift for only $1.00”. I have yet to find evidence of this tray being sold  anytime earlier in the year. It appears it was only used for the Christmas promotion. And, if that is the case, such a short production life explains its rarity today.

As I mentioned earlier in the post, while Googling for info about the tray, I found two selling on line. One on ebay and the other from a high end antique store specializing in Art Deco items. Both are selling for over $1,100.00.

The Nocturne has even become part of the permanent collections at the Carnegie Museum of Art and the Yale University Art Gallery.

 

1933 Nocturne in the Yale University Art Gallery collection.

1933 Nocturne Tray, Yale University Art Gallery. Photograph from artgallery.yale.edu.

 

So now that I have the 1933 tray, I want to get the five 1932 trays. I’ll keep you posted on my progress.

 

Anthony & Chris (The Freakin’, Tiquen’ Guys)

 

 

Weekend Finds – Spring 2019

It’s been a while since we did a post on our weekend finds. As we advise in prior posts, hit your local thrift stores and flea markets often. The stock rotates constantly and one never knows what one will find.

I found this mint condition Dunbar Tumble Up, also known as the Bedside Water Carafe, at the Goodwill. It was manufactured by the Dunbar Glass Co., Dunbar, WV sometime between 1930 and 1940.

The Dunbar Flint Glass Co. operated between 1913 and 1953. “Flint” was dropped from the name sometime in the 30’s. In the 20’s, they specialized in producing hand blown refreshment sets made of thin pink or green glass – sometimes lightly etched.  The green is an odd almost a pale olive hue.  The colors cobalt, yellow, ruby, amethyst and topaz were introduced to their line in the 30’s. The factory closed in 1953 and the building was lost to fire in 1954.

The base of the tumbler (drinking glass) doubles as the lid to keep dust and debris out of your water at night. This Tumble Up is a later design and is considered more difficult to find due to the factory closing. It incorporates innovative design changes such as the tumbler sliding inside the neck of the carafe rather than over the neck as most sets do.  By doing this, residual water dripped back into the carafe and not onto your deco furniture. Another tweak is the addition of pouring lip to help prevent drips and spills.

Trenton Pottery "Ball and Buttress" or "Crossley" vase.

The Ball and Buttress or Crossley vase (from the author’s collection)

Call it “Ball and Buttress” or “Crossley”, this deco vase came from the Golden Nugget, Lambertville, NJ. It is part of a modernistic line produced in the 1930’s or 1940’s by The Trenton Potteries Co. in Trenton, N.J.  This is a large and heavy piece at almost 7″ across. Some sources indicate George Crossley designed the shape as part of the 1930 “Tepeco” line made by MCM and later incorporated in 1935 as part of the Trenton Potteries line. I can’t find much information on the Trenton Potteries Co.

George Crossley mined clay in the Blue Ridge mountains of Pennsylvania and between Toms River and Whiting, NJ from 1905 through 1950. His company, located in Trenton, NJ, specialized in brick, pottery and terracotta ware. American clay was considered inferior to English clay. Crossley felt that part of the problem was the immediacy that Americans demanded.  English clay took weeks if not months to process and mellow to remove grit. In comparison, American clay,  handled less and processed quickly, results in a grittier texture. He felt that in time, new processing methods would diminish any significant differences between the two.

Possibly from the 1930’s but most likely from the early 1960’s is this Bohemia lead glass basket; part of the Ingrid collection. This piece was another Goodwill find. I believe the design is by Frantisek Pazourek (1905-1997) for the Curt Schlevogt Factory. The lilac glass has a design of a woman holding Cherubs / Putti.

The Czech Republic produces Bohemia lead crystal glass. The terms crystal and glass changes according to the country.  “Crystal” is used by the Czech Republic to denote high quality glass products containing at least 24% lead oxide. Only then will they refer to it as “lead crystal” and be labeled as such.

We have found so much more on our adventures and we’ll share those with you soon. Keep on hunting and remember: Antiquing is the ultimate in reusing, recycling and renewing!

Chris and Anthony                                                                                                                                (The Freakin’’tiquen Guys)

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