Category Archives: Architecture

Vanished New York City Art Deco: The Earl Carroll Becomes the Casino.

 

CLICK HERE FOR PART ONE

The Second Earl Carroll Theatre, 1931

The second Earl Carroll Theatre at 7th Avenue & 50th Street. View looking Southeast. Image from Getty Images / New York Historical Society.

 

Between 1931 – 1934 much happened with Earl Carroll’s massive, popular priced theatre. It would change ownership three times and  get a name change. Rechristened the Casino in the spring of 1932, the change of name did not bring good luck.

 

1931

During construction of the new Earl Carroll Theatre, Carroll announced additional plans for the Seventh Avenue site.

 

New York Evening Post Article_11_05_1930.

New York Evening Post, November 5, 1930, Pg. 28. Article from fultonhistory.com

 

 

By April of 1931 the plans for the office building changed and became more ambitious and a bit bizarre.

 

Skyscraper Restaurant, April 1, 1931.

The New York Herald-Tribune, April 1, 1931, Pg. 49. Image from Proquest.com.

 

In the past it was not uncommon for hotels and theatres to have roof gardens. Here is where after theatre patrons could enjoy drinks and shows and escape the city’s heat in the summer. The old Casino Theatre at Broadway and Thirty-Ninth Street started the fashion in 1882. Other famous roof spots came later at Madison Square Garden and the New Amsterdam Theatre.

 

A special after hours night spot was also part of the plans for the new theatre. The basement, not the roof, would be the place for Earl Carroll’s nightclub.

Site of the proposed night club in the basement of the Earl Carroll Theatre.

Site of the proposed night club in the basement of the Earl Carroll Theatre. Image from The Architectural Forum, November, 1931, usmodernist.org.

 

Lower floor plans of the Earl Carroll Theatre.

Floor plans of the lower levels of the Earl Carroll Theatre and space for the night club. Image from The Architectural Forum, November, 1931, usmodernist.org.

Carroll announced the plans for the night club to the press on July 4, 1931 as the theatre neared completion.

 

Earl Carroll Basement Night Club.

Richmond Times Dispatch, July 5, 1931, Pg. 40. Image from Newspapers.com.

Hoping to have the night club open by New Year’s Eve, by late November Carroll realized  the impossibility of this. He pushed back the opening to into early, 1932.

 

Earl Carroll Night Club delay opening.

New York Daily News, November 25, 1931, Pg. 29. Image from Newspapers.com

 

As 1931 came to an end so did Earl Carroll’s luck.  Even with the popular price seating policy, audience size dwindled as the depression deepened. Carroll fell behind in his rent and loan obligations. There was no opening of the night club in mid-January. It would never open.  Carroll lost his theatre just six months after it’s gala opening.  The following month the Seventh Avenue Corporation sued Earl Carroll and his backing angel W. R. Edrington for $400,000.

 

1932

 

Earl Carroll Rent Shy.

New York Daily News, February 22, 1932, Pg. 2. From Newspapers.com

 

As March, 1932 began, The Vanities moved to the Forty-Fourth Street Theatre and Carroll moved to offices on Fifth Avenue. He never returned to his theatre again. Carroll’s financial backer, Edrington, went back to his native Fort Worth, Texas and filed for bankruptcy. While there he succumbed to pneumonia on November 6, 1932 at the age of 60.

 

Florenz Ziegfeld

Florenz Ziegfeld.

Florenz Zeigfeld. Image from: https://commons.wikimedia.org/

This brand new and most modern theatre now needed a new tenant. And Florenz Ziegfeld would be the one. Looking for a theatre to stage a revival of his biggest success, Show Boat, the empty Earl Carroll Theatre was perfect. Ziegfeld too ill in the spring of 1932 to leave his house at Hastings-on-Hudson, announced to the press in late April his leasing of the theatre. One of the concessions the Seventh Avenue Corporation made to Ziegfeld was a changing the name. Starting with Show Boat the Earl Carroll Theatre became the Casino. This was Ziegfeld’s tribute to the original Casino Theatre at Broadway and 39th Street, which was razed just two years earlier.

 

Casino Theatre, 1882 - 1930.

The original Casino Theatre (1882 – 1930), Broadway and 39th Street. Image from: https://commons.wikimedia.org/

With its enormous size, Ziegfeld continued Carroll’s popular price policy. Show Boat found the success that eluded the Earl Carroll Vanities and became the most successful show of the season. Show Boat kept the lights on at the Casino Theatre from May 19 – October 22, 1932. A 180 performance run, which was unheard for a Broadway revival. The future was looking bright.

 

With Show Boat up and running, Ziegfeld began planning a follow up for the Casino. Unfortunately, his health continued to deteriorate. Spending a month in a New Mexico sanitarium, his health did begin to improve. On his release he traveled to Los Angeles, where his wife Billie Burke, was filming A Bill of Divorcement for R-K-O. But the trip proved too taxing. Ziegfeld’s health took a turn for the worse. He died soon after his arrival in California at Cedars of Lebanon Hospital on July 22, 1932.

 

Ziegfeld's Dead NY Daily News headline.

New York Daily News headline of Florenz Ziegfeld’s death. Image from Newspapers.com.

 

Upon Ziegfeld’s death, theatrical producer / promoter A. C. Blumenthal took over Ziegfeld’s business affairs. In late July Blumenthal announced to the press that a new edition of The Ziegfeld Follies would move into the Casino Theatre soon after the closing of Show Boat that autumn.

 

A. C. Blumenthal and June Lang, 1939.

A. C. Blumenthal with June Lang at a Hollywood premiere in 1939. Image from Hulton Archive / Getty Images.

 

For reasons now unknown, Blumenthal was unable to get a new edition of the Follies into production after the closing of Show Boat. In the early autumn of 1932, Blumenthal also planned to finance a new opera company that would make its home at the Casino.

New York Time, September 28, 1932, New Opera Company.

Announcement of a new popular price opera company to rival the Metropolitan. New York Times, September 28, 1932, Pg. 28. Image from Proquest.com.

Singers from the Metropolitan Opera, unhappy that their upcoming season would be reduced from twenty-four to sixteen weeks, were planning to form a rival popular price company. But like so many other enterprises during the depression, Blumenthal did not find the needed financial backing. The new company never materialized. Once again the Seventh Avenue Corporation went looking for a new tenant for their theatre.

 

George White in the early 1930s.

George White in the early 1930s. Image from imdb.com.

 

Now it was Earl Carroll’s revue competitor, George White who entered into the saga of the Earl Carroll / Casino Theatre. White’s home theatre for his revues, the Apollo, had been leased to another company. So for his new show he successfully leased the Casino. But this would not be a new edition of The Scandals. This was going be George White’s Music Hall Varieties. Basically The Scandals under a different name. Also different would be the number of performances.  The new show would have two performances daily, even on Sundays. Nearly doubling the normal eight performances a week of a Broadway show. But Actors Equity intervened preventing White from opening a Broadway revue under the guise of two-a-day vaudeville. As a result  the show played the standard number of weekly performances. With a $3.00 top, White continued the popular price policy.

 

Advertisement for opening night of Music Hall Varieties.

Advertisement for the opening night of George White’s Music Hall Varieties. New York Daily News, November 14, 1932, Pg. 33. Image from newspapers.com.

Headlining the revue was a 1932 powerhouse trio, singer Harry Richmond, actress Lili Damita and comedian Bert Lahr.

 

George White’s Music Hall Varieties was mildly successful. It had a two edition run before closing on January 21, 1933.

 

1933

 

Daily News advertisement for Melody.

February 5, 1933 advertisement for the opening of Melody on the 14th. New York Daily News, Pg. 59. From newspapers.com

 

In less than three weeks, White followed up the Music Hall Varieties with an operetta. Melody, with music by Sigmund Romberg and setting by Joseph Urban, opened at the Casino on February 14, 1933. Revues and operettas were waning in audience popularity by the 1930s. The run of Melody proved less successful than Music Hall Varieties, closing after 79 performances on April 22, 1933.

 

Melody chorus line.

Chorus line from Melody. Image from MCNY.org

With the closing of Melody the Casino went “dark” for two months. With no income coming in and taxes and interest on loans adding up, the Seventh Avenue Corporation was anxious for any source of revenue. They found it from a not so usual tenant.

 

 

Moonlight and Pretzels. Universal, 1933.

The two sheet poster for Moonlight and Pretzels (Directors: Karl Freund, Monte Brice). Image from Amazon.com.

 

Movie musicals had fallen out of audience favor by the end of 1930. With the release of Warner Bros. 42nd Street in March of 1933, the genre was enjoying a renewed popularity. All the studios rushed “backstage” musicals into production. And Universal Pictures joined in with Moonlight and Pretzels. Directed by Karl Freund and Monte Brice, the musical starred Leo Carrillo, Mary Brian and Roger Pryor. But Moonlight and Pretzels was not made in Hollywood. Filming took place at the Eastern Service Studios (formerly Paramount and today the Kaufman Astoria Studio) in Astoria, New York.

 

Paramount Astoria studio in 1921.

The Eastern Service Studio in 1921 when it was Paramount. Image from silentlocations.com.

While the studio’s soundstage proved more than adequate for the dramatic portions of the film, it was too cramped for big production numbers. The problem was solved by using the stage of the unused Casino Theatre in Manhattan. As a result of shooting inside the theatre, present day audiences get glimpses of the interior of the auditorium.

 

Moonlight and Pretzels, main title.

The main title for Moonlight and Pretzels, 1933. Frame grab from internet.

 

 

The Casino Theatre orchestra pit, showing the lighting console.

The lighting console for the theatre is seen directly behind the orchestra leader. Frame grab from the internet.

 

Shooting wrapped in June and once again the enormous theatre sat empty. With the Seventh Avenue Corporation receiving no income they fell behind on their obligations. The “white elephant” of a theatre went into foreclosure by the summer of 1933.

 

Casino sold at auction. August, 1933.

New York Daily News article. August 8, 1933, Pg.21. Image from newspapers.com.

 

The Mutual Life Insurance Company did not rush any productions into the Casino. In December, 1933 it was announced that the next show would be an import from Europe.  The White Horse Tavern, a very elaborate operetta would open in early 1934.

 

The White Horse Tavern, Casino Theatre.

Daily News article from December 21, 1933, announcing The White Horse Tavern for the Casino Theatre. Image from newspapers.com

It did not open in January, the show was too costly to mount at that time. A couple years later it did open on Broadway as White Horse Inn. By that time the Casino was no longer available, the Center Theatre would be its home.

 

1934

In the winter of 1934, opera kept the lights on at the Casino Theatre. But not the proposed opera company made up of singers from Metropolitan Opera. Two traveling companies found the stage facilities of the theatre perfect for their needs. The Russian Opera Company returning to New York, moved in to the Casino giving their first performance on February 1st.

 

Newspaper ad for the Russian Opera Company.

January 21, 1934 newspaper advertisement for the Russian Opera Company at the Casino Theatre. New York Herald-Tribune, Page D2. Article from proquest.com

After a two week stay, the Russian Opera Company’s last performance came on February 14th. But New York City opera lovers did not have a long wait before another company moved into the Casino Theatre.

 

San Carlo Opera Company moves into the Casino Theatre.

New York Times announces the opening of the San Carlo Opera Company’s season at the Casino Theatre. New York Times, February 23, 1934, Pg. 23. Article from proquest.com.

 

On Sunday evening March 4th, the San Carlo Opera closed their successful New York season with a performance of Il Trovatore. Just less than a month later, vaudeville replaced opera on the stage. Casino Varieties, headlined by George Jessel opened on the afternoon of April 2, 1934.

 

Casino Varieties review, New York Daily News.

Review for the Casino Varieties. New York Daily News, April 4, 1934, Pg.65. Image from newspapers.com.

 

Casino Varieties, closed one week shy of its planned four week run, on April 22nd. The theatre shut down completely for five days. It reopened on Friday April 27th with a new entertainment policy. The Casino Theatre began to show first run films with a five act stage show. This seemed to be the best solution for a theatre of such a large size.

 

Finishing School review.

Review for the first film shown at the Casino Theaatre, Finishing School (RKO, 1934). New York Daily News, April 28, 1934, Pg. 29. Image from newspapers.com.

 

Wanda Hale gives about equal time to the film and the theatre in her review. And it seems the theatre got the better notice. But like everything else concerning this theatre, even movies failed to find success. Whether it was lack of getting first run films or just too much competition, after only three weeks the film and stage show policy was dropped. And again the theatre sat dark. Two weeks later a tiny article appeared on page 14 of The New York Times, concerning a French theme dinner show headed for the Century of Progress Exposition in Chicago.

 

Folies Bergere theatre show.

New York Times, May 29, 1934, Pg. 14. Image from proquest.com

 

Unbeknownst to all at the time was how much this show would play a part in the success of the Casino Theatre.

 

Sources: The New York Daily News, The New York Evening Post, The New York Herald-Tribune, The New York Times, The Richmond Times Dispatch.

 

Anthony & Chris (The Freakin’, Tiquen’ Guys)

CLICK HERE FOR PART THREE

Deco Finds of 2019: A Look Back Over the Year

Late 1920s New Year Card.

A late 1920s New Year Card. Image from Pinterest.

It seems that every New Year’s Eve is a time for looking back, this is especially true when it also the end of a decade. It’s been just over five years since Chris and I started Driving for Deco and every year we do at least one post on our travels. While we did get some good items on our summer 2019 “freakin’, ‘tiquen” trip it wasn’t as successful as in previous years. In this post we will look at our Deco finds of the past year.

 

William Welsh Winter, 1931

Winter by William Welsh, 1931. Image from Pinterest.

We actually began the year a bit early, in the very last few days of 2018.  Friends of ours  told us about the Ballston Spa Antique Center in Ballston Spa, NY.   While visiting Chris’s sister, who lives there, we stopped in at the antique mall. We were not disappointed.

 

Ballston Spa Antique Center

Ballston Spa Antique Center. 217 West Milton Road, Ballston Spa, New York.

We did pick up a few great Deco pieces here, starting with a set of four Revere Empire cocktail cups designed by William Weldon in 1938. The green catalin bases have darkened to almost black. Outside of pictures in books or online, this was the only time we’ve seen them in the wild.

 

Revere Empire Cocktail Cups on a Revere Cocktail Hour Tray

The four Empire Cocktail Cups (1938) purchased at the Ballston Spa Antique Center. The Revere Cocktail Hour Tray came from the Big Flea later in 2019.

And there was another Revere find, the chrome dome and cheese board dating from the mid-1930s. The wood base is in rough shape and catalin handle on top, now a deep yellow color, originally was white. These turn up on eBay every so often. Anthony already has a dome, however, this is a complete set.

 

 

Aside from some great 1930s neckties, our last item was a nice copper and chrome Manning Bowman late 1920s vase.

 

 

In February, on a casual antiquing weekend, we hit up some of our local stores.  In East Bloomfield, NY we visited One Potato, Two and Peddlers Village but didn’t make a purchase.  On our way home we decided to stop at another antique mall in Bloomfield, NY. We had some Deco luck, coming away with a Royal Rochester casserole in the Modernistic pattern.  Anthony’s fast sweep missed it but Chris’ eagle eye saw it. At $8, it came home with us. Unfortunately, neither of us can recall the name and an online search indicates the store has since closed. The closing of antique stores is an issue that we have become all too familiar with over the last decade.

 

Modernistic Royal Rochester Casserole

Royal Rochester casserole in the Modernistic pattern (1928). Purchased at a small antique mall, since closed in Bloomfield, New York.

 

 

William Welsh, Spring, 1930

Spring by William Welsh, 1930. Image from Pinterest.

By late March as winter turned to Spring, we spent the weekend in Adamstown, Pennsylvania with a group of friends. For those unfamiliar with Adamstown, it is located in Lancaster County, not far from Harrisburg, and loaded with antique malls. We try to make it out there a least twice a year (if not more). The big find of the weekend for Anthony, an Eversharp Doric fountain pen desk set, with its original box at Adams Antiques. The Doric line represents some of the most Deco style fountain pens ever made.  Even though the pen needs refurbishing, the low price will allow for a proper restoration. More on that in the future.

 

 

Adams Antiques

Adams Antiques, Adamstown, Pennsylvania. Image from tripadvisor.com

 

Early in April, we hit the road to visit some familiar places around Bucks County, Pennsylvania. While Gristie’s Buck County Antiques & Oddities had recently closed, driving over a wrong bridge back to New Jersey brought us to a new (to us) antique store. There we found some Deco Wedgwood & Co. china. For more information about the china check out our post “A Wrong Turn Leads to China”.

 

The late Gristie's Buck's County Antiques & Oddities Oddities

The late Gristie’s Buck’s County Antiques & Oddities

 

Classic Deco Wedgewood & Co. items.

Wedgewood & Co. (LTD) plate, casserole, teacup and creamer.

Though we visited Adamstown in March, we headed back over the Memorial Day Weekend. Located just to the south of Adamstown is the German Trading Post / Antiques Showcase. This is another favorite place of ours. It is much larger than it looks from the outside and the prices are really reasonable.

 

German Trading Post / Antiques Showcase

The German Trading Post / Antiques Showcase in Denver, PA, just outside of Adamstown. Image from Facebook.

 

This time, while we didn’t strike gold, but we did find some silver. Or at least silver plate. First find was a couple of long stem goblets. Now to tell the truth, we don’t know if they are from the 1920s or 1930s. They have the look, but there is no makers mark, so we can’t identify them and nothing like them has turned up in any online searches. Since they were only $1.00 each it wasn’t a hard decision to purchase them.

 

Unmarked long stem silver plate goblets.

Unmarked long stem silver plate goblets. These may or may not be from the Art Deco era.

A silver plate cocktail pitcher was our other purchase that weekend from the German Trading Post / Antiques Showcase. Manufactured by the International Silver Company and designed by Carl Conrad Braun in 1940, the pitcher originally came with a silver plate mixing spoon topped by a pineapple. Unfortunately, the spoon is missing. So our search continues.

 

 

 

William Welsch, Summer, 1931.

Summer by William Welsch, 1931. Image from Pinterest.

 

Just before spring officially turned into summer Deco luck struck again. On one of our trips to the Golden Nugget Flea Market, we picked up a 1933 George Switzer tray for Westinghouse made out of the synthetic material, Micarta. We feel that this was our best find of 2019. For more information about this tray, click HERE.

 

1933 Nocturn tray_Switzer_Westinghouse

The 1933 Nocturn tray, by George Switzer for Westinghouse.

A month later, we hit the road for our annual summer “freakin’, ‘tiquen” adventures.  The first week we didn’t roam much, staying in New Jersey. But we did manage to get to Rago Auctions, in Lambertville, New Jersey for some appraisals of items that we had recently acquired.  We also learned that the Golden Flea Market is open on Wednesdays so we gave it a try. Unfortunately we got there pretty late in the morning and most of the vendors were packing up for the day. Even so, we pick up a Fiesta Kitchen Kraft casserole for only $5.00. It does have a couple of fleabite nicks, but otherwise it is in good condition. These were only available for six years and are not too easy to find. So we came away happy.

 

Fiesta Kitchen Kraft Casserole.

The large size Fiesta Kitchen Kraft Casserole (1938 – 1944) in red.

 

The following weekend (July 20th & 21st) The Big Flea was at the Dulles Expo Center, outside of Washington, D.C.  Due to prohibitive production costs, The Big Flea no longer comes to New York City, and we miss attending it very much. Reading online that it was going to be in the D.C. area while we were on vacation, it became the first stop on our summer antiquing road trip.

Theoretically it is only a three and half hour drive from Chris’ place in N.J. to Chantilly, Virginia, without traffic. But when is there ever a time without traffic in the Washington D.C. area? Taking about an hour longer than Google Maps originally said it would, we arrived in Chantilly, Virginia in the early evening. The Staybridge Suites is where we spent the next two nights. The price of our suite was very reasonable and it is only about a five minute drive to the Dulles Expo Center.

 

 

Being anxious to get to The Big Flea, we were up early the next morning and after a fast breakfast, we drove over to the Expo Center.

We had a mixed reaction to The Big Flea. Anthony was expecting the sheer size and volume we associate with the New York version. Chris expected a smaller version relative to the smaller venue. Chris was right. That isn’t to say it was small by any means; just smaller by comparison.

Out plan of attack? Start at one end and methodically scout each booth and display before buying anything. We almost succeeded, seeing several items of interest and tempting us to start spending right away.

We did well until Chris saw a small very art deco chrome cocktail cup. The owner of the booth told us he was divesting his collection and his prices reflected this. Not knowing anything about it, this sweetheart of a cup found a new home for just couple of dollars.

 

The First Deco Find of the trip.

Chris makes the first Deco find of the trip. A chrome cocktail cup attributed to Walter von Nessen.

Attributed to, Walter von Nessen, circa 1935, there is no official documentation of this design. It may be part of his studio line or his design but manufactured by another company. You can find examples online in either chrome or copper finish with the original cobalt glass insert.

It is missing the glass insert but is still a diminutive deco delight,

Our next find? An Evercraft cocktail shaker, circa 1935. We needed this to complete our set. The cups were purchased at a local Goodwill in N.J. and the tray at Pocono Peddler’s Village Antique Mall, Tannersville, PA.

 

Evercraft Cocktail Shaker.

Chrome Evercraft cocktail shaker, circa 1935.

 

This tightly packed booth invited disaster and did so shortly after our purchase. Whether the precariously built displays, a shopper with a large bag slung over her shoulder or a combination of both can be blamed, we will never know. The unfortunate dealer lost a good deal of inventory as a glass and china display collapsed. Please be aware of your surroundings and careful!

A few more aisles of goodness and we came across a dealer specializing in Whiting & Davis, beaded bags,  and costume / Bakelite jewelry . You can find more about Whiting & Davis at: https://whitinganddaviscollection.com/history-about

Our friend Nancy is a collector of these delicate treasures. While photographing (with the dealer’s permission) and sending them off to Nancy to see if there were any interest,  Anthony noticed a chrome deco tray with Bakelite handles being used as a display. Luckily, it was not NFS.

Revere Cocktail Hour Tray.

The Revere Cocktail Hour tray, circa 1937.

Designed by Fredrick Press and listed in a 1937 ad for Revere chrome, is the “Cocktail Hour Tray” with its’ “Norseman” design. Sometimes erroneously referred to as the Zephyr tray, it has a satin finish. Bakelite or catalin handles matched the original Revere Welden “Empire” cocktail cups.

We also purchased three beautiful bags for Nancy. A Whiting & Davis brown and cream bag, a Dresden mesh bag with a peacock design and a rhinestone bag. For more  information: about Dresden bags go to: http://www.jewelsofyesteryear.com/id44.html

 

Toward the end of our adventure, Anthony bought a chrome and cream enameled Chase ball “Fireball” lighter, produced between 1936-1941. Much of the vendor’s inventory called to us but this was our only purchase.

 

A successful day in all, we look forward to returning in the future.

The next day found us crisscrossing the state to tour a home in Greenbelt, Maryland. You can read about this wonderful town and tour here.

 

After our visit to Greenbelt, it was a short drive to Ellicot City, Maryland. There are numerous antique stores here and like our first visit back in 2016, we did not come away empty handed. We cannot remember the name of the store on Main Street but in one we did find at a 1930s Czechoslovakian ceramic ram pitcher designed by Ditmar Urbach. The price was good, but it is not it perfect shape, there is staining on back and it does have a hairline crack in it. But since Chris already had the Toucan pitcher, it makes a nice addition to the collection. And these are not easy to find. Frankly, Anthony finds it scary.

Czechoslovakian Ram Pitcher by Ditmar Urbach.

Czechoslovakian ceramic Ram pitcher by Ditmar Urbach, mid-1930s.

We also antiqued in Hagerstown, Maryland. Our only purchase, a Kensington Sussex tobacco jar, marked as an ice bucket, found at Memory Lane Antiques and Collectibles. Although we did see a lot of great Art Deco items at both the Beaver Creek Antique Mall and Crossroads Antiques nothing called to us.

 

Memory Lane Antiques and Collectibles.

Memory Lane Antiques and Collectibles, Hagerstown, Maryland.

Kensington Sussex Tobacco Jar.

Kensington aluminum, Sussex Tobacco Jar.

 

Then the we had an unexpected adventure. Being the loosey-goosey guys, we are,  we set our GPS to avoid tolls as we headed out to tour Frank Lloyd Wright homes, Fallingwater in Mill Run, PA and Kentuck Knob, Dunbar, PA. And avoid tolls we did.

 

 

 

Driving through pastoral fields and quaint towns, Anthony was excited to see we were on the old Lincoln Highway. He has spoken for years about wanting to drive the Lincoln Highway so his dream (nightmare) was about to begin.

 

The road started out with gently inclines and sweeping curves. And quickly became a roller coaster of steep incline, followed by death defying drops and tight turns. Often, a blind turn was at the crest of a hill.

 

Already in 3rd gear (I should have been in 2nd), being tailgated and the stress building, Anthony’s music randomly started playing Cloudburst from Ferde Grofe’s Grand Canyon Suite with the building crescendos and softer lulls almost perfectly matching the driving conditions. We couldn’t help but laugh and while still stressed, starting enjoying the drive.  We highly recommend trying this. But not with anyone who gets motion sickness or hates roller coasters!

 

In true Driving-for-deco form, we saw a sign for Churchhill Pa – Antiques.  Being late in the day, we scrambled to see the goodies available.  Anthony purchase a set of West Bend aluminum cocktail cups.

 

West Bend Cocktail Cups, 1936.

The 1936 resigned West Bend aluminum cocktail cups.

Originally part of the Tipple Tumbler, designed by Ralph N Kircher, circa 1934, these are the redesigned cups circa 1936.  The original cups have straight sides with black bands. The resigned cups have a narrow base, flare at the top and have no contrasting bands.

 

We were excited to “do” this store properly and ended up staying at a hotel conveniently locate across the street. The next day we took our time to explore both floors but didn’t find anything more to take home.

William Welsh, Autumn, 1930.

Autumn by William Welsh, 1930. Image from Pinterest.

Overall there weren’t too many Deco finds this past fall. But just before summer turned to fall in late September, we purchased a nice glass vase. We have a case at Ontario Mall Antiques in Farmington, New York. One Saturday after adding some pieces to the case, we took a look to see what our competition had for sale. In a nearby case Anthony spotted an etched glass vase with scrolled handles. It seemed familiar and Anthony had a gut feeling about the piece, so we picked it up. We can’t find any company mark on it, but through a quick internet search, we found similar vases. The handles were the give away. The vase seems to be French and  designed by Pierre d’Avesn for D’Avesn Art Glass Company in the late 1920s.

 

 

The only other item of note that Anthony picked up in the autumn was a circa 1940 Longchamps menu. He found it at the Antiques Mall of Madison, near Madison, Wisconsin, while visiting the state on a business trip.

 

Longchamps Menu Cover.

Longchamps Menu Cover.

Inside of the Menu.

Inside of the Menu.

 

Back Cover.

Back Cover.

 

William Welsh Winter, 1931

Winter by William Welsh, 1931. Image from Pinterest.

And  this brings us back to winter. On the penultimate day of 2019, we added a few new items to our case at the Ontario Mall Antiques in Farmington, New York. Just before we left, Anthony spotted a Royal Rochester syrup jug, in the Modernistic pattern. This checks off one more piece in this highly elusive pattern for his collection. For more about Royal Rochester Modernistic, click here.

 

Royal Roachester Modernistic Syrup.

The very Deco Royal Rochester syrup in the Modernistic pattern.

 

So now it is on to the 20s. It is our hope that with the one hundredth anniversary of the Exposition Internationale des Arts Décoratifs et Industriels Modernes in five years, there will be a renewed interest in Art Deco.

 

Chris & Anthony (The Freakin’, ‘Tiquen Guys)