Category Archives: Artists

Driving for Wheeler Williams

Wheeler Williams - Fall

Detail of “Fall” – Wheeler Williams 1934 (Photos by the author.}

We found Wheeler Williams! That probably means nothing to you. And it meant nothing to us at the time as well. But let us go back into our past for the full story.

The setting: spring, 2018, Kintnersville, PA: true to our mission of driving-for-deco, we headed out to Antique Haven. This is one of our go-to moderate sized stores. And rarely do we leave empty handed.

On this day, we saw a nice Art Deco half round side table. And displayed on top was a very interesting, very large (40 1/2in high), very heavy, and equally Art Deco statue. It didn’t take much discussion before both were in the car heading off to a new home.

Wheeler Williams - Fall, 1934

The three faces of “Fall” (Photo by the author.)

Wheeler Williams - Fall, 1934

Detail of the cast base. {Photo by the author.}

We try to research things we purchase as a way of increasing our knowledge and, when possible, to share that knowledge. Unfortunately, we could not find anything on either.

Martell Gallery - Three Seasons

Martell Gallery – Three Seasons (Photo from Instagram)

Last autumn, Anthony was excited to see a series of these statues in the background of an ad for a high-end store in Florida. Unfortunately, there was no other information on them in the ad or on the dealer’s website

Wheeler Williams (Photo from americanart.si.edu}

Wheeler Williams (Photo from americanart.si.edu}

Flash forward to 2024 and on a whim, I decided to try a reverse image search on the statue. Ta-da! We purchased a composite stone statue called “Fall” designed by Wheeler Williams and manufactured circa 1934.

Wheeler Williams -The Four Season's (Photo from artnet.com)

The Four Season’s (Photo from artnet.com)

In 1932, Williams designed the series of the “Four Season”; cast in bronze. Later production copies, such as ours, were cast in metal, marble, cast stone or plaster.

Wheeler Williams was born in Chicago, Illinois in 1897. He studied sculpture at the Art Institute of Chicago. Transferring to Yale University, he took top honors graduating magna cum laude in 1922 with a Master of Architecture degree. That same year, Williams won dual honors: a medal for architecture from the American Institute of Architects, and for a sculpture (in collaboration with John Albert Wilson) from the Prix de Rome.

Talented in both disciplines, he opted to concentrate on sculpture over architecture. He spent the next 8 years at the École des Beaux-Arts in Paris, France, mentored by Jules Coutan.

In 1927, Wheeler Williams was invited to participate in the Pioneer Woman statue competition. He failed to win. However, you can see an enlarged, cast version of his entry in front of the Liberty Kansas Public Library. You an easily see the form’s similarity to the Four Seasons.

Wheeler Williams Muse of Missouri

Muse of Missouri Fountain postcard (Photo from eBay.com)

Wanting to expand his exposure to the world, he opened a studio in New York in 1928, traveling between Paris and the U.S. Eventually taking up permanent residence in the U.S.A., he continued to sculpt both in New York and a copious amount in California.

Wheeler Williams - Pediment 1935

Pediment of the Environmental Agency,1935, Washington D.C. (Photo from Wikipedia)

Williams flourished during the 1930s. Proficient in carved allegorical reliefs you can still see an example at the Interstate Commerce Building, Washington, D.C.  He also produced work for the WPA (Federal Works Agency). Two of his works are viewable in the post offices on Canal Street, New York, and in Bay Shore, Long Island. He is also known for his life-like portrait busts.

For a list of some of his other public works, click here.

Wheeler Williams - Speed, 1936

1936 Speed: Post office in Bay Shore, New York (Photo from US National Archives and Records Administration)

In 1937, Williams was a recipient of a Gould Medal at the Paris Exposition.

Wheeler Williams - Black Panther - 1939

1939 Black Panther (Photo from pafaarchives.org)

Wheeler Williams - Panther

Panthers flank the entrance to The Society of the Four Arts (Photo from palmbeach.floridaweekly}

He exhibited regularly at the National Academy beginning in 1938 and winning in 1940 the Ellin Speyer Memorial Prize for his Black Panthers. He served as president of the National Sculpture Society and helped to found and serve as president of the American Artist Professional League.

Prolific, he worked steadily through the 1940s and 1950s.

As a patriot, he served active duty in both world wars. However, there was a darker side to him. This fanatical patriotism manifested as a supporter of the House Un-American Activities Committee. His involvement was looking for “red” communists in the arts. He also participated as a trial juror on the Alger Hiss treason case.

Wheeler Williams Douglas Orr Taft Memorial

1959 Robert A. Taft Memorial and Carillon Douglas W. Orr with Wheeler Williams (Photo from aoc.gov}

Many of Williams’ commissions during this period reflect as conservative viewpoint. An example of this is his work on the Robert A. Taft Memorial in Washington, D.C. The imposing tower is a work by Douglas W. Orr and the 10 foot bronze statue is by Williams.

After a long and undisclosed illness, Wheeler Williams died at the age of 74 on August 12, 1972 in Madison, Connecticut.

 

Wheeler Williams - Seasons

Memphis Brooks Museum of Art, Memphis, Tennessee (Photo by Thomas R Machnitzki)

In 1961, the Memphis Brooks Museum of Art in Memphis, Tennessee purchased a trio of the seasons consisting of “Spring, Summer, Fall”. Fabricated in Carrara marble, they were prominently displayed to the left of the entrance. However, on October 28, 2023, two of the statues, “Spring” and “Summer”, were badly damaged by in a hit-and-run when a van struck them.

Ironic that the only one not to fall, is, well, “Fall”.

Wheeler Williams - Seasons

Post accident (Photo from artnews.com Courtesy the Memphis Brooks Museum of Art)

The museum is working with experts to assess the extent of the damage and whether they can be repaired. As of the publishing of this article, only Fall is currently on display.

Thanks for coming along on our journey to finding Wheeler Williams.

Chris & Anthony (The Freakin’ ‘Tiquen Guys)

Driving-for-Deco Weekend Find – Marcel Vertès

Spring and summer weather makes it so much easier to go looking for a driving-for-deco weekend find. And, getting a couple of pieces of genuine vintage art, in this case by Marcel Vertès, makes it even better! Also, we get to learn about a new (to us) artist!

Therefore, its no surprise, I went to one of my favorite flea markets, The Golden Nugget. And there I came across two lithographs. Two large lithographs!

Marcel Vertès Dancing

Marcel Vertès: Dancing – Club Scene (collection of the author)

Marcel Vertès Dancing

Marcel Vertès: Dancing – Gentleman’s Club (collection of the author)

The first is a party scene with people dancing to some unheard music. And the second features a less frenetic party focusing on two gentleman dancing with each other.  However I was alone on this hunt. So, I sent Anthony some quick pictures. And he liked them enough for me to start the bargaining stage.

Signed and numbered, the signature was difficult to read. The vendor told me the artist’s name was Vertès. But added, they are not in the best condition. And consequently, they sell for around $200 per picture online.

The original Marcel Vertès signature.

And a quick web search (and sending Anthony this new info) confirmed his statements.

The vendor told me he bought them at an auction. But, he only bid on them to annoy another bidder who really wanted them. And, he doesn’t like them, he doesn’t want to pack them up, and doesn’t want to take them home. Asking, what his best price would be? And pleasantly surprised as he stated $100 each, just what he paid for them. But if I wanted both, $75 each. Cha-ching!

A bit more research and I found out they are a part of the “Dancing” series.  And as for the condition? Well, let’s just say they are lovely as they are. But in pristine condition, they have highlighted red, pink, yellow and turquoise watercolor accents.

These are fairly hard-to-find.  And, the condition is therefore not an issue for us.

Significantly, as I delve into this artist’s history, he is known for some highly – let me put this delicately – adult subject matter. And as we try to keep things PG, I am leaving out quite a bit of illustrative references.

Born August 10, 1895, in Ujpest, Hungry, Marcel Vertès was a painter, printmaker, ceramicist,  illustrator and costumer of Hungarian-Jewish origins.

His career started in Budapest, Hungary. There, he sketched corpses, criminals, and “ladies of the evening” for a “sensational” magazine. In addition to illustrating for anti-Hapsburg propaganda publications.

He relocated from his native Hungary to Vienna, Austria.  And then to Paris, France after World War I.  In Paris, he settled in the Latin Quarter and studied at the Académie Julian.

Vertès Art

1927 untitled street scene (photo via invaluable.com)

Like Henri de Toulouse-Lautrec and Jean-Louis Forain, Vertès established himself as a prominent 20th century figure of the Parisian art scene. Undeniably his fascination with the vibrancy of 1920s night-life inspired him.  And he lithographs and drawings focused on  street scenes, intimate portraits of women, as well as images of circus and cabaret acts. And, selling illustrations to the Gazette Du Bon Ton and to Rire, a satirical magazine.

 

Vertès Dancing

Dancing folio cover (photo via 1stDibs)

 

Increasingly popular, Vertès was commissioned by Maurice Exteens in 1925 to illustrate two albums of lithographs. One in black and white called “Maisons” and one in color (and the more popular), called “Dancing”.

“Dancing” encompassed a witty look at the world of brothels, nightclubs, and discretely unfaithful lovers. These albums cemented his fame.  At this time, Vertès also contributed illustrations to Cherri Colette. (Photos from Lockportstreetgallery.com)

L’Europe Galante, by Paul Morand, (Photos from varshavskycollection.com)

and Le Cirque by Ramon Gomez de la Serna. (Photos from lockportstreetgallery.com)

 

His first trip to New York in 1935 was to make contacts beyond his beloved Paris. Then, just two years later, opened his first one-man show in New York City. But his world became upended with the event of World War II. And with little choice, Marcel Vertès left for New York with his wife, Dora.

They escaped the Nazi invasion of Paris by two days.

In New York, and with a reputation that preceded him, Vertès continued his work. Finding additional success as a book illustrator, costume and set designers for films, theatres, and musicals.

Vertès Mural

Vertès Mural in the Café Carlyle (photo from tillettlighting.com)

He created the original murals at the Café Carlyle in the Hotel Carlyle and in the Peacock Alley in the Waldorf Astoria Hotel in New York.

Vertès American Art League

Vertès American Art League (Logo from Facebook)

The American Art League, sponsored by American Federation of Arts, show-casing his work.  “As They Were” was shown in museums across the country in a celebrity portrait exhibition.

He collaborated with fashion designer Elsa Schiaparelli to create her “Shocking de Schiaparelli” perfume campaign. (Photos from fragranceads.com)

And, Vertès won two Academy Awards for Best Art Direction and Best Costume Design for the film, “Moulin Rouge” (1952).

Vertès 1952 Moulin Rouge Pressbook cover.

1952 Moulin Rouge Pressbook cover

Vertes screen credit from the 1952 film Moulin Rouge. Frame capture from the DVD.

Vertes screen credit for Moulin Rouge. Frame capture from the M-G-M Home Entertainment DVD.

As an interesting side note: Vertès earned tuition money in Paris by forging the art of Toulouse Lautrec. This “experience” was used in the film. And it is his hand used as the hand of Toulouse Lautrec drawing.

Vertes hand doubles for José Ferrer in Moulin Rouge. Frame capture from the DVD.

Vertes hand doubles for José Ferrer as Henri de Toulouse-Lautrec in 1952’s Moulin Rouge. Frame capture from the M-G-M Home Entertainment DVD.

Costume for Zsa Zsa Gabor influenced by Toulouse Lautrec (Photo via web)

It is his images featured in the film. (Given appropriate credit.) Vertès appeared in the British, Parisian, and Italian production credits as Color Production Designer, and Costume Designer, along with Schiaparelli. (They shared the British Academy Film award for Best Costume Design for Moulin Rouge.)

In 1955, he became an officer of the Legion of Honor when he designed for ballets at the Paris Opera. Ever eclectic, he designed all the sets for the 1956 Ringling Bros.-Barnum & Bailey Circus’ show. As well as his illustrative contributions for Vogue and Harper’s Bazaar magazines.

Marcel Vertès

Priscilla Mais (photo from Amazon)

Little is known of his private life.  A presumed paramour, Priscilla Mais, wrote of him in her diary describing him as a…:

“…loner who belonged to no movement, fragile, moody, stubborn, impatient,”

 

Of his wife, Vertès wrote:

“Dora saw everything, but never said anything that could hurt me.”

By all accounts, he was a complex man with a wicked sense of humor. He drew what he saw honestly and with imagination. His creativity encompassed sketching and painting to film and fashion and ceramics.

Additionally, he remained happily married while “involved” with several other women.

Vertès signature

Vertès signature (Photo via 1stDibs)

After 10 years in the USA, Marcel Vertès and Dora returned to Paris.  To clarify, he travelled to the US on occasion but he lived in Paris until his death on October 31, 1961, at age 66.

… 

Keep hunting and learning!                                                                                                               Chris & Anthony (the Freakin’ ‘tiquen Guys)