Category Archives: Art Deco

Fiesta 101: Part Twelve The 1960’s

Fiestaware dancing lady logo.

Fiestaware dancing lady logo from a 1937 price list. Image from the author’s collection.

 

After over three years looking at vintage Fiesta at Driving For Deco, we have come to the last installment of Fiestaware 101. This post will look at the famous dinner ware line up to its restyling in 1969.

Sales of Fiesta slowed in the 1950’s and that trend continued even more so in the 1960’s. Fiesta remained basically unchanged since the mid and late 1930’s which made the line seem dated by the 1960’s.

 

Late 1960 or Early 1961 Deletion

The Dessert Bowl

Until the entire Fiesta line was restyle in 1969, the dessert bowl was the only elimination of the decade. In production since the introduction of the line in 1936, Frederick Rhead’s original concept for this piece was as a fruit bowl. When the 5 1/2 inch oatmeal bowl became designated as a fruit bowl, this piece became the dessert bowl.   It is very easily found in the first six colors and just a little harder to find in the colors of the 1950’s. Discontinued around the end of 1960, just a year and a half after the introduction of the medium green glaze, it is very rare in that color. And the value reflects its rarity.

 

Fiestaware dessert bowls.

Two Fiestaware Dessert Bowls one in chartreuse and one in gray.

 

Current prices vary greatly. Most dessert bowls on ebay seem to be in the $25.00 – $50.00 range in all colors except medium green. At flea markets some can be bought for as little as $10.00. A medium green bowl sold at auction on November 23, 2013 for $250.00. But some have sold for over $500.00.

 

Medium Green Dessert Bowl

Medium Green Fiestaware Dessert Bowl. Image from Strawser Auctions.

 

Teacup Changes

Sometime in the early 1960’s changes were made to the teacup for easier production. The hand turned foot and inside rings were eliminated. These later teacups are also slightly larger than earlier cups.

 

Yellow Fiestaware teacups in early and later varieties. The one earlier variation is on the left with the hand turned foot. The cup on the right is the 1960’s style. Image taken by the author.

 

Inside of Fiesta Teacups

Yellow Fiestaware teacups showing the rings on the inside of the early style as compared to the ringless 1960’s cup. Image taken by the author.

 

1962 – 1965

Fiesta Casuals

 

Salad plates, Fiesta Casual Hawaiian 12-Point Daisy

Four Fiesta Casual Hawaiian 12-Point Daisy salad plates. From the collection of the author.

 

In what was probably an effort to increase flagging sales, Homer Laughlin produced an interesting variant, Fiesta Casuals. This line used white glazed dinner and salad plates, saucers and platters trimmed in either yellow or turquoise decorated with stylized, stencil flowers. Fiesta Casuals came in two different designs, Hawaiian 12-Point Daisy and Yellow Carnation.

 

Fiesta Casuals Yellow Carnation

Fiesta Casuals Yellow Carnation. Image from Strawser Auction Group.

 

This Fiesta variant must not have been popular as it is not that easy to find today. Prices for pieces of Fiesta Casuals are all over the place, ranging from less than $10.00 to over $150.00.

 

 

1967

Amberstone

 

The Amberstone version of the iconic Disc Pitcher. This piece does not have the impressed Fiesta mark on the bottom. Photo by the author.

Another variation on Fiesta in the 1960’s is Amberstone. Marketed by Sheffield as a supermarket premium in 1967 it utilized Fiesta shapes  (with the impressed Fiesta marks removed). Some pieces were modernized and all were dipped in a brown glaze. Plates and platters had a black Mediterranean style medallion under the glaze. Tea cups handles changed from a ring to a “c” shape, the sugar bowl lost its handles and mugs became straight sided. Finials were modified from flared to rounded knobs.

 

Amberstone dinner plate.

Amberstone dinner plate showing the underglazed black decal. Image from ebay.

 

 

Newspaper Ad for Amberstone.

Advertisement for Amberstone from the Lawton Constitution, August 14, 1967, Lawton, Oklahoma. From Newspapers.com.

 

Amberstone teapot.

Ambestone teapot. Image from ebay.

 

During this time, with Fiesta still in production some mistakes happened. Cups with “C” handles exist in yellow, turquoise and medium green. And some Amberstone pieces have the impressed Fiesta mark. The casserole underwent a complete revision and fruit bowls sides changed from straight sided to sloped. The retired coffee pot and marmalade were made available in the line.

 

Amberstone casserole.

The Amberstone casserole. Image from ebay.

 

Amberstone fruit bowl.

Sloped sided Amberstone fruit bowls. Image from ebay.

 

 

Values for Amberstone pieces vary. Plates can be found for $1.00 – $5.00. Cups and saucers have a value of between $5.00 – $10.00. Harder to find pieces like the disc pitcher, coffee pot and casserole have sold recently for about $50.00 (or sometimes even less).

 

1969

Finally, after 33 years in production, the bright colors and Art Deco style had become old fashioned. Homer Laughlin decided to revise the line one last time. Yellow, turquoise, red and medium green, along with the original shapes were retired in July, 1969. At the same time, Fiesta Ironstone debuted. Utilizing the shapes from Amberstone, Fiesta Ironstone only came in three colors, Antique Gold, Turf Green and Mango Red (the same red of the vintage Fiesta line).

 

Fiesta Ironstone brochure from 1969.

1969 brochure for Fiesta Ironstone. Image from laurelhollowpark.com.

 

Fiesta Ironstone limped along for three years. On January 1, 1973 Homer Laughlin decided to drop the line and retire the Fiesta name forever.

Well that didn’t exactly happen, but that’s another story.

This concludes the series Fiesta 101. More is still to come with Fiesta 201, in which we will look at other Fiesta related china and comparisons between vintage Fiesta and the currently produced Fiesta.

 

Anthony & Chris (The Freakin’, Tiquen Guys)

George Switzer Micarta Trays for Westinghouse

If you had asked me, before June 23rd, if I knew who George Switzer was I would have replied no. If you had also asked me if I had ever heard of Micarta, I would have said what’s that? In just two days (it’s June 25th as I start to write this), I now know who George Switzer was and what Micarta is. Now you maybe asking, how did I come into such knowledge or perhaps more accurately, why would I care? Well on Sunday June 23rd, Chris and I went to the Golden Nugget Flea Market. Past readers will know that this is a favorite flea market of ours. Anyway, a vendor had on his table a striking orange and black tray with an aluminum frame. In the center of the tray is a stylized sail boat, moon and star of dyed aluminum embedded in a black band. Two strips of anodized aluminum separate the black band from the orange. It easily caught my eye and after Chris negotiated with the seller to bundle the tray with a Manning-Bowman chrome powder box we got both items for a very good price. I would learn how good the deal was a little later that morning.

 

The 1933 Nocturne Tray.

The 1933 Nocturne Micarta tray, designed by George Switzer for Westinghouse. From the author’s collection.

 

In the car on the way home, I Googled “Art Deco black and orange tray with sail boat”.  One of the results was a 1stdibs.com dealer who is selling the tray and described it as being designed by George Switzer for Westinghouse. Now I was able to dig deeper into this tray’s history. I also learned that Switzer designed five other Micarta trays for Westinghouse in 1932. So now I wanted to find out exactly what was Micarta.

 

Micarta

Under pressure and high heat a combination of linen, canvas, paper, fiberglass and other fabrics, creates a laminate that Westinghouse branded as Micarta.

When introduced in the early 1910s, Micarta’s usage was for electrical equipment. An article in Machinery described the new material:

MICARTA – A SUBSTITUTE FOR FIBER, RAWHIDE, HARD RUBBER, ETC.

A remarkable new material to take the place of hard fiber, glass, hard rubber, molded compounds, etc. has been developed by the Westinghouse Electrical and Mfg, Co, East Pittsburg, Pa. The material, which is known as “Micarta” is used for brush holder insulation, gear blanks, conduit for automobile wiring, for arc shields in circuit-breakers.

Micarta is a hard, tan colored material having a mechanical strength about fifty per cent greater than hard fiber. Micarta is not brittle and will not warp, expand or shrink with age or exposure to the weather but takes a high polish, presenting a finished appearance. 

Machinery, August, 1913, Pg. 942

To expand the market for Micarta, Westinghouse developed new uses for Micarta by the late 1920’s. They began manufacturing it in a variety of colors and patterns, such as wood grain or marble, making it perfect for wall panelling.

 

Westinghouse booklet of Micarta from the early 1930's.

Pages 6 & 7 from an early 1930’s Westinghouse booklet showing the many decorative uses of Micarta. Image from the Internet Archive.

 

George Switzer

George Switzer (1900 – 1940). Photo from the New York Times, October 9, 1940.

In 1932, Westinghouse thought Micarta would be a perfect material for decorative trays. They contracted industrial designer George Switzer to design a series of trays for the company. Although mostly forgotten today (he doesn’t even have a Wikipedia entry), in the 1930’s Switzer was a well known as Gilbert Rohde, Donald Deskey and Henry Dreyfuss.

Born in Plymouth, Indiana on March 6, 1900, Switzer graduated with honors from the University of Illinois. In Chicago, after college, he found employment with the advertising firm Wasey & Co. In two years he left to go work for Young & Rubicam in New York. This led to his designing everything from envelope stickers, messengers’ uniforms and delivery trucks for Kurt H. Volk, Inc., typographers. This work established his name and in 1929 Switzer set out on his own opening his own designing and consulting firm. He produced designs for sixty-five companies encompassing all sorts of things including letter heads, sausage labels and a Roll-Royce car body. In 1937, against 12,000 other entries he won two of the three awards in the “All America Package Competition” with his modernistic package designs for  the Eagle Pencil Company and the Geo. A. Hormel Company.

In 1940, Switzer underwent an operation for mastoiditis. While recuperating at his cousin’s home in Prattsville, New York, he died suddenly in the early morning hours of October 8th at the age of forty. His body is interred at the Oak Hill Cemetery,  Plymouth, Indiana, his hometown.

 

Westinghouse Micarta Trays

Looking for new uses for Micarta, Westinghouse approached Switzer. In 1932 he designed five modernistic, Micarta trays for the company. Retailing for around $5.00, these trays were available in finer stores by the 1932 Christmas season.

 

Westinghouse Micarta logo.

Westinghouse Micarta logo stamped into the back of the 1932 trays. Image from Decaso.com

 

 

 

December, 1932 Harper's Bazaar, Pg. 57.

Christmas 1932 men’s gift suggestions from Harper’s Bazaar. Under the gadgets section is the striped Micarta tray for $5.00 available at Bonwit Tellers. Magazine page from ProQuest.com

 

Walter Rendell Storey in his October 30, 1932, New York Times Sunday Magazine article on interior design had this to say of these new trays:

New trays of diverse and interesting kinds have recently appeared in response to a growing  consciousness of their varied uses and decorative possibilities. Some of the latest ones are combinations of wood and metal; others are synthetic compounds immune to cigarette burns and beverage stains. 

Of the new trays, perhaps the most striking is a series of beverage trays with designs developed in thin sheets of varied-hued aluminum inlaid on a glossy black ground. The motifs have been developed in a contemporary manner; there is one entitled “Dynamic,” which the designer, George Switzer, has interpreted by a stylized airplane. The traditional theme, “Nocturne,” has a sail boat beneath a yellow crescent moon with the deep-green water lighted by a streak of vermilion. For the period room the designer has created a most effective arrangement of empire motifs, namely, the arrow, star and laurel wreath of victory. These trays are stamped out from under enormous pressure from a material originally developed for insulating electric light switches. 

New York Times, Sunday Magazine, October 30, 1932, Pgs. 12 & 15.

 

In 1933 Switzer modified the Nocturne tray. A frame of aluminum, with handles, encompassed bands of orange and black Micarta. A slight rearrangement of the moon and star was another difference on this tray. For the 1933 Christmas season Westinghouse offered this tray as a special promotional item. When buying another Westinghouse product at full price, the Nocturne could be yours for just one dollar ($20.00 in 2019).

 

Westinghouse 1933 Christmas promotion.

Westinghouse 1933 Christmas advertisement, featuring the $1.00 Nocturne tray promotion. Ad from the New York Herald-Tribune, December 10, 1933, Pg. SM15

 

The above ad mentions the “Stunning $3.95 Micarta tray a gorgeous Christmas Gift for only $1.00”. I have yet to find evidence of this tray being sold  anytime earlier in the year. It appears it was only used for the Christmas promotion. And, if that is the case, such a short production life explains its rarity today.

As I mentioned earlier in the post, while Googling for info about the tray, I found two selling on line. One on ebay and the other from a high end antique store specializing in Art Deco items. Both are selling for over $1,100.00.

The Nocturne has even become part of the permanent collections at the Carnegie Museum of Art and the Yale University Art Gallery.

 

1933 Nocturne in the Yale University Art Gallery collection.

1933 Nocturne Tray, Yale University Art Gallery. Photograph from artgallery.yale.edu.

 

So now that I have the 1933 tray, I want to get the five 1932 trays. I’ll keep you posted on my progress.

 

Anthony & Chris (The Freakin’, Tiquen’ Guys)