Category Archives: Art Deco

Leaf it to Me: Maison Jansen

When my parents newly married, they didn’t have a lot of money. Consequently,  dumpster diving and second hand stores supplied much of the furnishings for their first apartment. And  I still have a couple of pieces they “found”. But one item that I grew up with, and since inherited, is a corner chair (And what we call the “Leaf Chair”).  The frame is curved and shaped like a leaf. (Hence the name of the article.) And the “stem” of the leaf becomes a handle.

My mother remembered buying it in the late 1940’s and that it was one of a pair. However, she couldn’t remember much else. For years (to clarify, from about age 10) I searched for the mate with no luck.

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Now, you need to understand that this was the “fancy” chair.  And I’m sure many of you  know what I mean. Subsequently, only guests were allowed to sit on it.

But at least there was no plastic slip cover. Or was there? 

(Side note: In 1973, my mother had the leaf chair reupholstered to freshen it up for my sister’s wedding. The result? With the “veins” of the leaf reversed and misplaced, a complete disaster. But with no time to have it redone, she accepted the outcome.  I still cringe when I look at it. And I usually cover it with a decorative blanket.)

I was about 16-17 when new neighbors moved in next door. The Mrs. came over to use the phone and commented on the chair. Hearing from my mother that I was looking for the mate, she said, “I have a set. Is he interested in buying them?”  Subsequently,  $100 dollars poorer, and I own a pair of the chairs in need of a lot of restoration. But they do have their original fabric!

And they came with custom leaf chair shaped plastic slip covers, too!  Woo-hoo!

Since then, I’ve seen several come up for auction. And what I always thought was a chair from the late 1940’s, early 1950’s may actually be from the 1930’s.  Interestingly, pairs sell online and at auctions in the thousands of dollars.

Now that you have a lead up, here’s the driving for deco scoop:

As America starts to, cautiously, reopen, I’ve been able to go to the Golden Nugget, my local flea market.  A few weekends ago, not expecting much, I found another “leaf chair” with the frame in good condition. But let’s not dwell on the upholstery. The asking price? $50 – it seems to be my price per chair when buying these.

Once at home and armed with the internet, I began my research.

Several reliable sources state these chairs are made in France by Maison Jansen. However, a small quantities also appear as being made in the U.S.  To add to the confusion, furniture by Jansen is not consistently marked. So for our sake, we’ll say mine are attributed to Maison Jansen, circa 1930. The frames are mahogany and the legs are decorated with carved acanthus leaves.

And who, or what is Maison Jansen, you ask? Read on.

Also, the chairs apparently came in a variety of fabric choices. And therefore they are seen in mohair, velvet and and fancy (if not always appropriate) brocades.

Founded in 1880, Dutch born Jean-Henri Jansen’s Paris firm, Maison Jansen, is considered one of the first design firms to go global. It served several countries and continents.

Lacking a production facility, Jansen’s outsourced his designs to local artisans skilled in classic carpentry and joinery techniques.  His unique designs drew upon current trends applied to classic lines.  Evident in his catalog of work, you can see influences from Japan, Arts and Crafts, and the Turkish style. And later, Art Deco

1920 painted Italian slate marble (Photo via galleriadepoca.com)

1920 painted Italian slate marble (Photo via galleriadepoca.com)

Depending largely on word of mouth, his dramatic but functional pieces became an instant hit with clients and critics. Subsequently, his studio gained a reputation for fine craftsmanship and unique designs. Popular and successful in France, his clientele eventually included royalty from England, Belgium, Holland, and Spain.

As design references, the company began to purchase European antiques. And by 1890, the firm established a fine antiques gallery selling both antique furnishings and their own designs to the same clients.

In 1905, the company expanded its’ international reach by opening a branch in Buenos Aires. And the expansion continued over the next 75 years and to 4 continents. Much of the later growth is credited to Stéphane Boudin.

Maison Jansen’s continued as a single entity until 1923 when Jean-Henri Jansen partnered with Stéphane Boudin.  It is speculated Boudin was brought on board to infuse much needed capital into the respected, but cash poor design firm.  Also it was hoped his attention to detail and strong design sense would reinvigorate the firm. And it did!

Jean-Henri Jansen passed away in 1928 and in 1936, Boudin attained directorship. Despite the economic crash of the thirties, Maison Jansen successfully opened offices in London, New York, Prague, Rome, Havana, São Paulo, Cairo and Alexandria. Consequently expanding not only their offices but also their income.

Recognized as one of the finest interior decorators of his time, he cultivated a clientele of ultra-wealthy and chic clients. For example: the Duke and Duchess of Windsor (hired  to design their residence-in-exile), Coco Chanel’s rue de Rivioli store, and American royalty, Jacqueline Kennedy. Importantly, she hired Boudin to design both public and private quarters in the empire style for the  White House renovation.

Stéphane Boudin passed away in 1967, succeeded by his long-term collaborator / colleague Pierre Delbée.

But until he retired, Delbée oversaw Maison Jansen in its top projects.  His successor was Pierre Deshay.

By the 1970’s, other firms produced  reasonably priced copies of the  Jansen line. Initially, Deshay tried to reinvent the line into something more streamline.  Unsuccessful, Serge Robin was brought on to take over the contemporary design department,

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He explained in this except from “Jansen: Decorations” (Acanthus Press, LLC):

“Several decade age we worked on mansions…today we do five bedroom apartments.”

In 1979 the business was sold to former employees Albert and Paul Ernandez.  Serge Robin’s new contemporary line debuted in 1981. It was met with acclaim and enthusiasm. But their greatest commission was secured in 1986. 

L.O.R.D., as it was now called, was hired to restore the 1950’s Duke and Duchess of Windsor’s home. This led to a resurgence of interest in  Jansen.  And in 1996, the business was rechristened Ateliers Jansen in homage to the founder.

But it was too little, too late.  And the great firm Maison Jansen, in all its iterations, closed its doors in 2000.

So, it was a lot of fun to find out more about a piece of family history. And learn about a designer new to us.  Stay safe!

Chris (One half of the Freakin’ ‘tiquen Guys)

Virtual Visits: Kirkland Museum of Fine & Decorative Art


Kirkland Museum of Fine & Decorative Art

As Chris mentioned in our last post, we are not Driving for Deco much right now. But it doesn’t mean we can’t “visit” some great museums. Thanks to the internet some of the best Art Deco collections are literally at our fingertips. One of the places at the top of our driving list is the Kirkland Museum of Fine & Decorative Art, in Denver, Colorado.

 

Vintage postcard of Denver Colorado.

VIntage Denver, Colorado postcard. Image from flickr.com.

The Kirkland Museum landed on our radar after being feature on The Antiques Road Show in 2010. Roadshow was there highlighting their very large collection of Ruba Rombic glass.

Vance Kirkland (1904 - 1981)

Vance Kirkland in front of his studio at 1311 Pearl Street, 1941. Photo courtesy of the Denver Public Library, Western History Collection, WH1062

In 1929, the University of Denver hired Kirkland to become their founding director of the School of Art. He only held the position for three years before resigning over a dispute with the University not granting credit for art courses toward graduation. Upon leaving the University he leased the Arts and Crafts style building at 1311 Pearl Street and opened the Kirkland School of Art in 1933. Classes he taught there were accredited by the University of Colorado. When he returned to the University of Denver as director of the School of Art in 1946, the Pearl Street building became his studio. Although he retired from academic life in 1969, Kirkland continue to paint up to his death in 1981. Being predeceased by his wife and having no children he will his estate to friend, Hugh A. Grant.

 

Hugh A. Grant

Hugh A. Grant, the Kirkland’s founding director and curator. Image from bonfils-stantonfoundation.org

 

 

 

Under Hugh A. Grant the founding director and curator, the museum started taking shape. Construction began in 1998 on a 8,830 square foot addition to the original studio for exhibition space and visitor amenities. Completed in 2000, the museum opened to the public in 2003.

 

Kirkland's original studio and the first home of the museum.

1311 Pearl Street. Vance Kirkland’s original studio and part of the museum’s first home. Image from kirklandmuseum.org.

 For thirteen years this was the home of the Kirkland Museum. The museum houses three primary collections:

1. International Decorative Arts, featuring objects from most of the major decorative movements between 1875 – 1990.

2. The Colorado / Regional Collection which includes over 7,000 works by 700 local artists.

3. Kirkland Retrospective highlighting his 55 years of paintings.

 

Using a salon-style to display collection items is somewhat unusual for museums. Instead of separating fine art from decorative art they are displayed together, much like in a home. And by placing furniture on the floor allows visitors to experience the pieces in their intended perspective.

 

The Art Deco Collection at the Pearl Street location.

The Art Deco collection as it was displayed at the Pearl Street location. Image from kirklandmuseum.org.

 

It only took less than a decade to realize a larger space would be needed. In 2016 construction began on the present museum. Because Kirkland’s studio was so integral to their identity it also made the move to its present location. At 1201 Bannock Street, in Denver’s Golden Triangle Creative District, the new Kirkland is more than four times the size of the original. The new building opened on March 10, 2018.

 

The new Kirkland Museum.

The Kirkland Museum at 1201 Bannock Street. Photo by Daniel Holton from Facebook.

 

Now that we’ve set the stage, here’s how to “visit” the Kirkland virtually. Start by going to the museum’s home page at kirklandmuseum.org.

 

Kirkland Museum's home page.

Home page at kirklandmuseum.org.

 

There are two ways to view the museum’s items: for in depth details about select pieces, select collections from the header. Then click on “SEARCH COLLECTION HIGHLIGHTS” from the drop down menu.

 

Choose search collection highlights.

Choose search collection highlights.

Once the “Collection Search” window pops up, type in “Art Deco” and hit enter.

Collection search window.

The Collection Search window.

 

 

Here are the results. To learn more about any of these items, just click on the photo.

Search collection results.

Results of “Search the Collection”.

 

I really love the black chair by Wolfgang Hoffmann. So to learn more about it, I’m going to click on its photo.

 

Wolfgang Hoffmann lounge chair.

Information about the Wolfgang Hoffmann, Art Deco lounge chair.

 

And here is a lot of great information about this item. Facts about the designer, when the chair dates from, its manufacturer, dimensions to what gallery it is on view in.  And when you are done with this slide, clicking on the “Art Deco” tab on top, will bring up even more great collection pieces.

Kirkland's Art Deco collection highlights.

Highlights of the Kirkland Museums Art Deco Collection.

It’s impossible for a museum to have all of its collection on display. But by going to a museum’s website one can see much more of the collection. I think the Kirkland Museum is an exception to this rule. It seems there’s a lot more of its Art Deco collection on display, than online. I found this out by “walking” through the museum on their virtual tour. To begin “click” on the “Explore our Virtual Exhibition Online!” window. That will take you to the page with the “Take a 360 Degree Virtual Tour!”

 

The start of the Kirkland Museum's virtual visit.

The “entrance” to the virtual tour on the Kirkland Museum’s Home page.

 

 

This works just like Google Street View, so click on the arrows and start to explore.

 

Kirkland Museum admission desk.

The Kirkland’s admission desk.

 

Here are some of the great Art Deco pieces I saw on my tour.

 

Display case of Art Deco, ceramics, metal and glass pieces.

Art Deco glass, ceramics and metal works.

 

This display case features ceramics by Viktor and Paul Schreckengost, Chase metal work including the Pretzel Man by Lurelle Guild and some wonderful glass items.

 

More Art Deco glass and ceramics, including Ruba Rombic.

More Art Deco glass and ceramics.

Here is another case chock full of Art Deco glass and ceramics. Not only do they have Reuben Haley’s Ruba Rombic glassware he designed for Consolidated Glass in 1928, there’s also his Ruba Rombic ceramics he made for Muncie Pottery. Also in the case are pieces in the Tearoom and Pyramid patterns by Indiana Glass. And in the lower right is Norman Bel Geddes’ Manhattan cocktail set (tray, shaker and two cups) for Revere.

 

Salon setting for larger pieces, including furniture and paintings.

Salon setting for furniture , accessories and paintings.

 

A few of the Deco standouts in this Salon Setting are, a teal and gold Skyscraper bookcase by Paul Frankl, circa 1927. There’s the Wolfgang Hoffmann lounge chair, a machine age Pattyn Products Company table lamp, circa 1935 attributed to Walter von Nessen. And a wonderful green leather and aluminum tube chair by Warren McArthur.

 

Another Kirkland Museum Salon Setting, with pieces by Gilbert Rohde, Walter von Nessen and Paul Frankl.

Another setting with a impressive pieces.

 

Aside from a couple of great chairs and a terrific rug, the standout in this grouping the sideboard. This is a piece designed in 1933 by Gilbert Rohde for the Herman Miller Furniture Company. Sitting on top is the Chase Coronet Coffee service, another von Nessen design. And all the way on the right of the case is Paul Fankl’s Modernique or Fifty Dollar clock (because that how much it cost in 1929) made by Telechron.

 

This was just the tip of the iceberg of their collection of over 4,400 pieces. So when it is really safe to travel and gather together once more, consider making the Kirkland Museum a place to visit. You might even see us there.

 

Exterior of the Kirkland Museum.

Exterior of the Kirkland Museum on Bannock Street. Photo by Wes Magyar, from kirklandmuseum.org.

 

Anthony & Chris – The Freakin”tiquen Guys.