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A Pittsburgh “Urban” Suprise!

Pittsburgh Post-Gazette advertisement

October 28, 1929 advertisement for the Urban Room in the Pittsburgh Post-Gazette

 

While recently attending a conference in Pittsburgh I received a very pleasant surprise. The site of the conference was the Omni William Penn Hotel, a historic downtown Pittsburgh hotel that first opened in 1916. The majority of the hotel is typical nineteen-teens decor, with an ornate lobby and public spaces.

 

The William Penn Hotel

The exterior of the William Penn Hotel, opened in 1916.

 

 

Through the teens and the 1920’s the William Penn became the première hotel in Pittsburgh. As the 1920’s reached its climax the hotel expanded onto Grant Street. Included in the expansion plans an ultra modern night club would open on the 17th floor. Legendary designer, Joseph Urban would be responsible for bringing New York sophistication to Pittsburgh. Urban had already designed sets for the Ziegfeld Follies, Ziegfeld Shows such as Show Boat and Rio Rita and the Metropolitan Opera.

 

Joseph Urban

Joseph Urban, circa 1925 – image from Columbia University Rare Book Library

 

Urban worked on the Urban Room of the William Penn Hotel concurrently with the redesign of New York’s Central Park Casino. The Urban Room opened on May 9, 1929. The following day the Pittsburgh Post-Gazette reported:

                                          Dinner, Dance End New Hotel Annex Opening

                                     More than 1,500 are present at the William Penn Fete

Last night, for the first time, the Urban room, connecting the seventeenth floor addition to the ballroom, was thrown open. The interior was designed by Joseph Urban, New York, famous for his stage settings, and is done in a motif of gold and black.

The decoration is carried out in the colors of Pittsburgh from top to bottom, with the chandelier particularly unusual. An immense garden is at one end of the room and , when completed, six setting of flowers, greens and rocks will convert the space into the appearance of an outdoor bower.

The Urban Room

The Urban Room in Pittsburgh’s colors of black and gold.

 

The Pittsburgh Press had this to say of the Urban Room in its June 23, 1929 edition:

                                                        Up Above The World So High

Like a gem in the social sky, shines the newly opened Urban Room of the William Penn Hotel. There amid the gold and ebony splendor of Joseph Urban’s latest and most artistic work, in the topmost corner of the new addition we are going to lunch, dine and dance this summer. It’s delightful how cool it is there and how little competition there is between the soft strains of the orchestra and the great outside. And it will be smarter than sun tan this summer to be seen here with your friends, particularly your out-of-town friends, who demand the best in town. Now our hunger for a cosmopolitan touch to our city can be satisfied by this lovely place presented at just the right time to fill Pittsburgh’s needs.

 

The walls of the Urban Room are alternating painted panels that continue the ceiling mural down to the floor and black Carrara glass (Vitrolite). The effect is striking if a bit subdued.

 

 

The delight that Pittsburgh felt about this new restaurant can be seen in this article from the Pittsburgh Press on June 30, 1929:

 

Urban Room article.

Pittsburgh Press article about the Urban Room, June 30, 1929.

 

With so much of Joseph Urban’s work demolished you can imagine my surprise when I entered the room encountering this high Art Deco space. It is amazing to me that the Urban Room has remained basically unchanged for nearly ninety years. The flowers, greens and rocks mentioned in an article above are gone, but everything else is intact. I initially missed the Historic Landmark wall plaque outside of the Urban Room, so I was unprepared for what I saw. After a few minutes of looking around it seemed to me to be a Joseph Urban design, especially the ceiling mural. I was told about the plaque later and I made sure to get a photo of it.

 

Urban Room Wall Plaque.

The Historic Landmark Wall Plaque outside the Urban Room.

 

As noted in the Pittsburgh Post-Gazette article of 05/10/1929 the “particularly unusual chandelier” is still the centerpiece of the room. A large circular, bronze piece with “sun rays” shooting off it in all directions, hanging from the ceiling by cascading bronze tubes. It is very striking.

 

Should you happen to be visiting Pittsburgh and you like Art Deco, try to see the Urban Room, you won’t regret it.

 

Anthony & Chris (The Freakin’, Tiquen’ Guys)

 

If you enjoyed this blog post you might also enjoy these earlier posts:

Vanished New York City Art Deco: Stewart and Company / Bonwit Teller

The Central Park Casino, Joseph Urban’s long, lost New York City Night Club

 

Do you know the Muffin Man?

Well, good for you! This post is not about the Muffin Man that lives on Drury Lane. It is about the Pretzel Man!

 

If you read our prior post about the Kensington Giftware line, then you know the Great Depression of 1929 influenced many companies to reimagine their products in creative ways to survive. Chase Co., primarily known for plumbing fittings, was no exception. Reinventing itself, Chase Co. quickly and wisely diversified making household items from available plumbing stock by collaborating with fashionable designers such as Lurelle Guild, Harry Laylon, Russell Wright and Walter Von Nessen. Using their designs, Chase Co. produced  both beautiful and useful items for every occasion. In some cases, the items were just for fun!

 

The signing of the Cullen-Harrison Act into law on March 22, 1933 by President Franklin Roosevelt, legalized beer and wine with low alcohol content. Ratification of the Twenty-first Amendment on December 5, 1933 repealed the Eighteenth Amendment. The end of prohibition influenced the development of bar-ware on a massive scale by many companies and directly lead to the whimsical Pretzel Man.

 

From the fertile mind of Lurelle Guild, he was depicted in 1933 advertisements and was part of the 1934-1936 Chase catalog in a polished copper finish with a brass spike. A New York Herald Tribune article from June 25, 1933 described this fellow as “frivolous” – meant in the kindest way, of course! The cost? $1.00. Although featured in polished chrome in the ad shown above (and at an advertised cost of $1.75), he did not make an appearance in the Chase Co. catalog with this finish until 1935. Very little information is available about this fellow beyond the obvious.

In copper, he would fall into the “hard to find” range at a cost of $100-$120. The chrome would be in the “difficult to find” range and you can expect to pay $180-$200. In either version, it is incomplete without the spike. As seen above, I am fortunate to own a copper one, with it’s spike, found for half the estimated value.  He is approximately 9 inches wide and 16 inches tall.  More than half the height is the spike.  A word of caution, the spike is very long and can be dangerous.  Be sure to use with caution.

 

Several of the copper version are currently available on popular auction sites. One is complete and a reasonable $110.00 asking price. Another one is for sale at a whopping $495 and missing the spike!

 

I hope you enjoyed this brief post about a fun deco collectible. (And thanks to my “hand models” – Susanna, Jonathan and Anthony.)

Chris and Anthony (The Freakin’, Tiquen’ Guys)

If you enjoyed spending time with the Pretzelman you might enjoy these earlier         Driving For Deco Posts –

Cocktails for Two . . . or More

Napier Cocktail Shaker – Weekend Find

Kensington, Deco Aluminum Giftware